Ahmadinejad says ready to be Iran’s first spaceman
Ahmadinejad says ready to be Iran’s first spaceman
“Our youth are determined to send a man into space within the next four, five years and I’m sure that will happen,” he said during a ceremony in Tehran where two new Iranian-made satellites were unveiled, according to ISNA news agency.
“I’m ready to be the first Iranian to be sacrificed by the scientists of my country and go into space, even though I know there are a lot of candidates,” Ahmadinejad quipped.
He added to the buoyant atmosphere, saying he was willing to “auction (himself) and donate” the money to the Iran’s space program, which has shrunk because of international economic sanctions over Tehran’s controversial nuclear drive, ISNA reported.
Iran, which last week announced it had successfully sent a small monkey into space, has said it wants to send a man into orbit by 2020.
Ahmadinejad unveiled on Monday two small satellites, named “Nahid” and “Zohreh” (“Venus” in Farsi and Arabic, respectively).
Nahid, an observation satellite equipped with solar panels, is intended to orbit at an altitude of between 250 and 370 kilometers (155 to 230 miles). Iran has put three other small satellites into the same orbit since 2009.
Zohreh is a geostationary communications satellite that will be placed at an altitude of 36,000 kilometers (22,370 miles), something Iran has never tried before.
No launch date was given.
Iran’s space program deeply unsettles Western nations, which fear it could be used to develop ballistic missiles capable of carrying nuclear warheads they suspect are being developed in secret, despite denials from Tehran.
The technology used in space rockets can also be used in ballistic missiles. The Security Council has imposed an almost total embargo on the export of nuclear and space technology to Iran since 2007.
Tehran denies its space program has any link with its alleged nuclear ambitions.
Rare silk Qur’an helps preserve Afghanistan’s cultural heritage
- Each of the Islamic holy book’s 610 pages was produced by hand in a painstaking process that took a team of 38 calligraphers and artists specializing in miniatures nearly two years to finish
- Turquoise Mountain began work in 2006 in Kabul with the aim of preserving ancient Afghan craftsmanship, including ceramics, carpentry and calligraphy
KABUL: One of the only Qur’ans ever made from silk fabric has been completed in Afghanistan — a feat its creators hope will help preserve the country’s centuries-old tradition of calligraphy.
Each of the Islamic holy book’s 610 pages was produced by hand in a painstaking process that took a team of 38 calligraphers and artists specializing in miniatures nearly two years to finish.
Bound in goat leather and weighing 8.6 kilograms, the Qur’an was produced by Afghan artisans, many of them trained at British foundation Turquoise Mountain in Kabul.
“Our intention was to ensure that calligraphy does not die out in this country — writing is part of our culture,” Khwaja Qamaruddin Chishti, a 66-year-old master calligrapher, said in a cramped office inside Turquoise Mountain’s labyrinthine mud-brick and wood-paneled complex.
With the Qur’an considered a sacred text, calligraphy is highly venerated in Islam and Islamic art.
“When it comes to art we cannot put a price on it. God has entrusted us with this work (the Qur’an) ... and this means more to us than the financial aspect,” Chishti continued.
Using a bamboo or reed ink pen, Chishti and his fellow calligraphers spent up to two days carefully copying Qur’anic verses onto a single page — sometimes longer if they made a mistake and had to start again.
They used the Naskh script, a calligraphic style developed in early Islam to replace Kufic because it was easier to read and write.
The decoration around the script, known as illumination, was more time-consuming, each page taking more than a week to complete.
A team of artists used paint made from natural materials, including ground lapis, gold and bronze, to recreate the delicate patterns popular during the Timurid dynasty in the 15th and 16th centuries in the western city of Herat.
“All the colors we have used are from nature,” Mohammad Tamim Sahibzada, a master miniature artist who was responsible for creating the vibrant colors used in the Qur’an, said.
Sahibzada said working on silk fabric for the first time was challenging. The locally sourced material — all 305 meters (1,000 feet) of it — was treated in a solution made from the dried seeds of ispaghula, or psyllium, to stop the ink from spreading.
Turquoise Mountain began work in 2006 in Kabul with the aim of preserving ancient Afghan craftsmanship, including ceramics, carpentry and calligraphy.
It hopes the silk Qur’an will generate demand for more handmade Islamic religious texts that could create employment for its artisans and help finance the institute.
“We will show it to other Islamic countries to see if it is possible to create job opportunities for graduates to work on another Qur’an,” said Abdul Waheed Khalili, the organization’s Afghan director.
For now, it will be kept in a specially made hand-carved walnut wooden box to protect its delicate pages from the elements at Turquoise Mountain’s offices, which are in the restored Murad Khani, a historic commercial and residential area in Kabul’s oldest district.
There Turquoise Mountain has trained thousands of artisans with the support of Britain’s Prince Charles, the British Council, and USAID.
“The copying of the Qur’an onto silk is very rare,” country director Nathan Stroupe said.
He said the project has been “an amazing way to train our students at an incredibly high level in a very traditional type of work.”
“If a book collector in London... was interested in it, we would be thinking in the $100,000 to $200,000 (price) range,” he added.