Limited Edition 2 to feature Saudi artists

Updated 23 February 2013
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Limited Edition 2 to feature Saudi artists

Art association Arabian Wings and Dubai-based publishing house Brown Book will launch an exhibition and art book called Limited Edition 2 to display the work of 26 Saudi artists.
The exhibition will start today in Jeddah’s Theatro Mall in Tahlia Street. The book will be available free of charge.
Limited Edition 2 contains 30 pieces of art in various styles, ranging from acrylic on canvas, mixed media, wooden art, installation art, oil pastel on carved wood, sculptures of marble and metal, digital art, Arabic calligraphy and photography.
“We want to bring the work of talented Saudi artists to the forefront for the world to see and enjoy,” said Najlaa Felemban, founder of Arabian Wings yesterday.
The book features works and biographies of Khaled Bin Afif, Sultan Mandili, Essam Kabli, Saud Mahjoob, Ali Al-Hasan, Ahmed Al-Qadi, Ibrahim Al-Arafi, Mohammed Haider, Khaled Al-Ameer, Talal Al-Tukhais, Ayman Hafiz, Fayez Abu Harees, Mansour AL-Shareef, Kholoud Al Bougami, Zaman Al-jasim, Mohammed Bahrawi, Najlaa Felemban, Ahmed Husain, Hanaa Banama, Mohammed Al-Jad, Yosef Jaha, Waleed Kurdi, Ahmed Al-Ahmadi, Saud Khan, Ibrahim Bugs and Mohammed Al-Rubat.
Yasmin Rasool from Brown Book said the publishing company sees itself as a cultural engineer. “Brown Book is an urban and essential guide to the contemporary Middle East. More than five years after its launch, it has explored offbeat subjects with an outlook across the entire region from Tehran to Casablanca,” she said.


West End theater turns migrant camp to get London audience talking

Updated 20 June 2018
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West End theater turns migrant camp to get London audience talking

  • The Playhouse Theatre in London’s West End aims to immerse the audience in the squalid camp in the northern French port city of Calais that inspired “The Jungle.”
  • The immersive play offers a glimpse into life in the camp, telling the story of asylum-seekers, people smugglers and charity workers who used to populate it.

LONDON: London theatergoers used to spectating in comfort are in for a rude awakening after the authors of a play swapped the traditional plush velvet seating for wooden benches and covered the floor with soil to simulate the feel of a migrant camp.
The Playhouse Theatre in London’s West End aims to immerse the audience in the squalid camp in the northern French port city of Calais that inspired “The Jungle,” whose authors hope their play will stoke debate about migration.
“People often hold strong opinions about this subject because it doesn’t seem to have any immediate answer,” said Joe Murphy, 27, who co-wrote the play.
“Discussion is the only think that is going to get us forward ... and hopefully this play can provide some of that space for debate,” he told the Thomson Reuters Foundation in an interview.
Co-author Joe Robertson said the pair had “tried to depict both the terrible conditions that existed in the Jungle camp, but also the hope that existed in that place.”
Up to 10,000 people seeking ways to reach Britain used to live in the giant slum before it was cleared by authorities in late 2016.
Immigration remains a major political issue across Europe, as well as in the United States, where the Trump administration’s policy of separating migrant families at the Mexican border has caused an international outcry.
Several European leaders including those of France, Germany, Italy and Austria are to hold talks on Sunday to explore how to stop people from moving around the European Union after claiming asylum in one of the Mediterranean states of arrival.
Murphy and Robertson, 28, based the script on their experience as volunteers in Calais, where they ran a temporary theater within the camp.
The immersive play offers a glimpse into life in the camp, telling the story of asylum-seekers, people smugglers and charity workers who used to populate it.
“There were 25 different nationalities of people all forced to live side by side often on top of each other and the phenomenal story about that place was people did make an effort to come together,” said Robertson.
Theatre-goers are invited to seat at the tables of the camp’s makeshift Afghan café, where the action unfolds.
“The closer you are to the audience the better the message is delivered,” said actor Ammar Hajj Ahmad, who plays one of the leading characters.
Ahmad, from Syria, is one of many actors from a refugee background featured in the play. Several asylum-seekers the authors met in Calais are also part of the cast.
“I am proud of this, I love telling stories ... about the many people who lived in Calais,” said cast-member Mohamed Sarrar, a musician from Sudan who arrived in Britain two years ago.
The play, which premiered at another London theater The Young Vic, last year, runs from July 5 to November.