Creative Thinking: A mystery — Time
Creative Thinking: A mystery — Time
But if you wish, as I do, to actually perceive the “essence” of time, you are lost because you have no way to “feel” it practically. You cannot distinguish one instant from the other as — according to what the definition states — they all blend into each other. You see the sequence of the seconds on your watch over and over and realize that nothing stays still, ever, and you have no means to stop this “slipping away” of instants that have been flowing since the Universe began and that will continue flowing till ….yes, till the “end of time.” You detect the seconds passing — one by one — on a stopwatch but you cannot perceive the minute hand moving forward on a common clock. The movement is too slow, and yet — all of a sudden — you realize that several minutes have elapsed.
The same happens with your body. You look at it in the mirror every single day but you are unable to “see” the changes that are taking place, slowly and inexorably. Then, suddenly, you realize that you have changed. Time has left its marks on your skin, in your bones, on your metabolism as a whole. You feel the same, yet you are different. Your spirit seems untouched, it is still young but your body has aged. Another consideration I often make is about the future, i.e. a time when we will not be here any more. It is intriguing, and a bit depressing, to think about how the world will still go on without us. Right now we are so involved in life (political and social events, family, work, parties, shopping, planning etc.) and… although one day we won’t be here, yet nothing will change in the economy of creation. Fights will still continue, human beings will keep on being good and bad, new cities will be built, civilizations will fall and rise…and we won’t be here to see it.
What to do with all this? Nothing, I’m afraid. That is how everything works and we can only be the powerless witnesses of such reality, “our reality.” On the other hand, becoming aware of the “necessity” of such situation, i.e. birth, decay, death — a process common to every single component of creation — can provide a sort of consolation toward the inevitable. How? We just need to bring ourselves to believe that there “must” be a reason (actually, a good reason) behind this “necessity.” Our mind, in fact, tells us that no-thing ever happens meaninglessly. If it did, everything – and I mean “everything” – would be a senseless, unconceivable happening that no rational mind (and sensitive soul) could ever accept. Therefore, let us use our “creative thinking” to pave a serene, accepting, peaceful path leading toward our inevitable future.
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Ancient musical instruments get an airing in Athens
- The phorminx, the kitharis, the krotala and the aulos — string and wind instruments reconstructed by musical group Lyravlos — echoed among marble statues in Athens’s National Archaeological Museum.
- Music was an integral part of almost every aspect of ancient Greek society, from religious, to social to athletic events.
ATHENS: Hymns sung to the Greek gods thousands of years ago resonated from ancient musical instruments in Athens on Thursday, transporting a transfixed audience to antiquity.
The phorminx, the kitharis, the krotala and the aulos — string and wind instruments reconstructed by musical group Lyravlos — echoed among marble statues in Athens’s National Archaeological Museum as part of World Music Day celebrations.
A family of musicians, Lyravlos have recreated exact replicas of the ancient instruments from natural materials including animal shells, bones, hides and horns.
Music was an integral part of almost every aspect of ancient Greek society, from religious, to social to athletic events. Today only some 60 written scores of ancient Greek music have survived, said Lyravlos member Michael Stefos.
Stefos said they interpret them as best they can, relying on the accuracy of their recreated instruments.
“Joking aside, ancient CDs have never been found,” he said.
Their performance included a hymn to the god Apollo, pieces played at the musical festival of the ancient Pythian Games in Delphi and during wine-laden rituals to the god Dionysus.
Michael’s father Panayiotis Stefos, who heads the group, travels to museums at home and abroad studying ancient Greek antiquities and texts in order to recreate the instruments.
“Usually each instrument has a different sound. It is not something you can make on a computer, it will not be a carbon copy,” said Stefos.
The difference with modern day instruments?
“If someone holds it in their arms and starts playing, after a few minutes they don’t want to let it go, because it vibrates and pulsates with your body,” he said.
French tourist Helene Piaget, who watched the performance, said it was “inspiring.”
“One sees them on statues, on reliefs, and you can’t imagine what they might sound like,” she said.
World Music Day is an annual celebration that takes place on the summer solstice.