Citrus festival kicks off in Al-Ula

Updated 17 December 2012
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Citrus festival kicks off in Al-Ula

A vibrant array of citrus fruits welcomed locals and tourists alike at the first National Citrus Festival that kicked off in Al-Ula, Madinah region, on Saturday. Vistors got to savor different types of citrus fruits and familiarize with traditional techniques and methods used by local farmers in citrus production.
The event was held under the patronage of Madinah Gov. Prince Abdul Aziz bin Majed, who inaugrated it.
At the venue, Prince Abdul Aziz was received by Ahmed bin Nasser Al-Hussein, governor of Al-Ula; Mohammed Shiha, undersecretary for Agriculture Affairs of the Ministry of Agriculture; Saleh bin Abdullah, undersecretary of services of Madinah Province; Ibrahim Alhajeli, director of Ministry of Agriculture office in Madinah, and a number of other officials. After cutting the ribbon to mark the festival’s inauguration, Prince Abdul Aziz toured a number of stalls displaying various types of citrus fruits. He also viewed the corporate and productive families lounges, as well as the photo and art gallery.
On behalf of the region’s farmers, a speech was delivered by farmer Abdul Aziz bin Abdullah Al-Qahtani, in which he offered thanks to the sponsor of the event.
In his speech, undersecretary for Agriculture Affairs of Agriculture Ministry Shiha highlighted the importance of citrus trees, its economic value, in addition to its medicinal and nutritional values.
The Madinah governor presented shields and souvenirs to participants of the festival, while he was presented with a commemorative gift.


West End theater turns migrant camp to get London audience talking

Updated 20 June 2018
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West End theater turns migrant camp to get London audience talking

  • The Playhouse Theatre in London’s West End aims to immerse the audience in the squalid camp in the northern French port city of Calais that inspired “The Jungle.”
  • The immersive play offers a glimpse into life in the camp, telling the story of asylum-seekers, people smugglers and charity workers who used to populate it.

LONDON: London theatergoers used to spectating in comfort are in for a rude awakening after the authors of a play swapped the traditional plush velvet seating for wooden benches and covered the floor with soil to simulate the feel of a migrant camp.
The Playhouse Theatre in London’s West End aims to immerse the audience in the squalid camp in the northern French port city of Calais that inspired “The Jungle,” whose authors hope their play will stoke debate about migration.
“People often hold strong opinions about this subject because it doesn’t seem to have any immediate answer,” said Joe Murphy, 27, who co-wrote the play.
“Discussion is the only think that is going to get us forward ... and hopefully this play can provide some of that space for debate,” he told the Thomson Reuters Foundation in an interview.
Co-author Joe Robertson said the pair had “tried to depict both the terrible conditions that existed in the Jungle camp, but also the hope that existed in that place.”
Up to 10,000 people seeking ways to reach Britain used to live in the giant slum before it was cleared by authorities in late 2016.
Immigration remains a major political issue across Europe, as well as in the United States, where the Trump administration’s policy of separating migrant families at the Mexican border has caused an international outcry.
Several European leaders including those of France, Germany, Italy and Austria are to hold talks on Sunday to explore how to stop people from moving around the European Union after claiming asylum in one of the Mediterranean states of arrival.
Murphy and Robertson, 28, based the script on their experience as volunteers in Calais, where they ran a temporary theater within the camp.
The immersive play offers a glimpse into life in the camp, telling the story of asylum-seekers, people smugglers and charity workers who used to populate it.
“There were 25 different nationalities of people all forced to live side by side often on top of each other and the phenomenal story about that place was people did make an effort to come together,” said Robertson.
Theatre-goers are invited to seat at the tables of the camp’s makeshift Afghan café, where the action unfolds.
“The closer you are to the audience the better the message is delivered,” said actor Ammar Hajj Ahmad, who plays one of the leading characters.
Ahmad, from Syria, is one of many actors from a refugee background featured in the play. Several asylum-seekers the authors met in Calais are also part of the cast.
“I am proud of this, I love telling stories ... about the many people who lived in Calais,” said cast-member Mohamed Sarrar, a musician from Sudan who arrived in Britain two years ago.
The play, which premiered at another London theater The Young Vic, last year, runs from July 5 to November.