Ask a designer: A family room for the whole family
Ask a designer: A family room for the whole family
The result is often a room that’s long on durability but short on style.
How can you create a stylish, sophisticated family room where grown-ups will want to spend time, while still keeping the space kid-friendly?
Three design experts — Brian Patrick Flynn of decordemon.com and Flynnside Out Productions; Betsy Burnham of Burnham Design; and Jon Call of Mr. Call Designs — offer some advice:
“Design technology and textiles are catching up with our family-friendly lifestyle,” says Burnham. “There are so many outdoor fabrics, so many amazing vinyls” that are durable and easy to clean, but also look good. Burnham is a fan of Holly Hunt fabrics treated with Nano-Tex, which resists spills and stains without changing the fabric’s texture.
Indoor and outdoor rugs are another great option now that they’re being made with materials soft to the touch.
Flynn, who often uses Sunbrella indoor and outdoor fabrics, suggests upholstering with removable slipcovers for easy cleaning.
When choosing slipcovers, “washed linen is great since it’s meant to look worn-in and super casual.” He’s also a fan of very dark denim: “Navy blue and charcoal are my go-to choices for denim slipcovers since they look more tailored than basic beiges or creams.”
Call recommends skipping sofas that have three or four seat cushions and several more cushions across the back. “If you’ve got kids playing and jumping on those,” he says, you’ll constantly be finding the cushions out of place or on the floor.
Instead, he says, pick a sofa with one large seat cushion and no separate cushions along the back — “something tailored and clean looking” that won’t need its cushions adjusted constantly.
Family rooms are built for entertaining, so think about flexible seating, Burnham says. “Maybe a side table that’s also a stool, or a coffee table that’s also a bench or an ottoman.”
Kids can use an ottoman as a surface for games, while adult party guests can use it as seating.
Opt for tables with rounded corners for safety in rooms where kids often play, Flynn says, and choose tables with “metal or weathered wood tops. Metal tops can withstand heavy wear and tear, while weathered wood is intended to look worn, so as kids take their toll on the pieces, it simply adds to the intended look.”
Rooms that do double-duty need lighting that does too, says Call.
“When you have adults over or if you’re watching TV or it’s a more intimate moment, you want a lamp by the sofa, at eye-level or below, to create intimate pools of light,” he says.
But kids doing homework or art projects need the brighter light that overhead fixtures provide. Make sure your family room has both.
Have a place for everything, Burnham says, so toys and other kid-related items can be put away easily at the end of the day. She recommends a wall of built-in cabinets with doors, so kids’ clutter can be easily stashed, at hand but out of sight.
She also suggests creating storage space in the family room for a few fragile or valuable items that aren’t kid-friendly.
“You can have a cashmere throw in the cabinet that you pull out for the adults,” Burnham says. By storing these things in the room, you’re more likely to really use them, yet they’re protected from the kids’ play.
Flynn also recommends built-ins, and suggests “adding color and pattern to their back panels.”
“I usually use large-scale patterned wallpaper,” he says. Consider nautical styles: “They’re casual and fun, and they don’t take themselves too seriously.”
For additional storage, Flynn says, replace coffee tables with “upholstered storage ottomans complete with safety locking mechanisms, which prevent little ones from getting inside of them to hide, and also protecting any little fingers from hinges.” He suggests upholstering ottomans with indoor-outdoor fabrics so they’ll withstand spills and sticky fingers.
In a high-traffic family room, Call suggests sticking with deeper colors rather than whites or pale shades.
Flynn agrees: “The one color I use more than any other in family-centric spaces is navy blue,” he says, because it can appeal to the whole family. He recommends Seaworthy navy from Sherwin-Williams: “It has just the right amount of purple in it to make it bright instead of dark.”
“Red is another high-energy hue which works great in family rooms,” Flynn says, which works well with most other colors, especially black-brown, navy blue and charcoal.
Don’t hide the fact that the room is being shared with kids, Flynn says.
“Embrace it. Work children and playfulness into the design of a family room’s aesthetic,” he suggests.
On the walls, he likes to use “pop art or original photography of toys, especially vintage toys, or black-and-white candid photography of the family blown up to an enormous scale” to personalize the room.
“Kids and pets are a huge part of our lives. Since we love them more than the sofas and chairs they sit on, why not make them as much as part of a room’s decoration as its furnishings?” Flynn says.
Pakistan’s qawwali music fights to be heard after singer’s death
- Thousands poured into the streets near Sabri’s family home after his death for his funeral, a rare public display of affection in Karachi
- His murder was just the latest in a series of blows in recent years to strike at the heart of qawwali, which has thrived in South Asia since the 13th century
KARACHI: Nearly two years after Pakistan’s foremost qawwali singer Amjad Sabri was gunned down in Karachi, the devotional music of Islam’s Sufi mystical sect is struggling to survive, as fears of sectarianism and modern pressures slowly drown out its powerfully hypnotic strains.
Thousands poured into the streets near Sabri’s family home after his death for his funeral, a rare public display of affection in Karachi.
“He was a rockstar of the masses,” explained journalist and musician Ali Raj, who studied under Sabri.
His murder was just the latest in a series of blows in recent years to strike at the heart of qawwali, which has thrived in South Asia since the 13th century.
“I am still in shock,” Sabri’s brother Talha told AFP from his family home adorned with pictures of his superstar sibling, whose fame spanned the subcontinent and beyond.
“Why do they hate qawwali? Why do they hate music?“
Embraced widely as a part of Pakistan’s national identity, qawwali has played a key unifying role, with city-dwellers and villagers flocking to Sufi shrines for concerts.
Performances traditionally last hours, with a troupe of musicians interweaving soulful improvisational threads under lyrical, lilting vocal lines to a steady beat of thundering rhythms on dholak and tabla drums and hand clapping, sending fans drifting into trance-like transcendent states.
The genre entered a golden age in the 1970s as singers known as qawwals battled for prestige, with the Sabri Brothers — led by Amjad’s father, Ghulam Farid Sabri — and Nusrat Fateh Ali Khan finding audiences around the world.
Following the death of Ghulam, Amjad took the helm and slowly carved out his place as Pakistan’s most prominent qawwal, becoming a fixture on national television and radio.
But now musicians worry that his murder — and the fear it sparked — has hastened the decline of qawwali.
At Cafe Noor in Karachi where qawwals have gathered for decades, musicians said business has been falling for years, with fewer shrines willing to host performances.
Sectarian militants have targeted Sufis, a mystical sect of Islam, for years — with the Taliban and increasingly the Daesh sending suicide bombers to attack shrines over what they see as heretical displays of faith.
Just months after Sabri was killed, Daesh claimed back-to-back attacks on shrines in the provinces of Balochistan and Sindh that killed more than 100 people combined.
Earlier this month, the military approved death sentences for two militants linked to Sabri’s killing.
But questions linger over who ordered the murder — the Pakistani Taliban, or another group — forcing his brother to spend months guarded by elite paramilitary rangers.
Such fears, meanwhile, are not the only factors triggering qawwali’s decline.
Inflationary pressures have also kept the qawwals’ working-class fanbase from hosting shows. Increasingly only the middle class or elite can afford to pay a qawwali group to perform at parties or weddings.
“In the good old times, even a poor man... would manage to organize qawwali,” explained singer Hashim Ali, saying he is now lucky to play four or five shows during religious periods compared to dozens in the past.
The rise of more globalized interpretations of Islam has similarly chipped away at qawwali’s popularity, as Muslims in Pakistan increasingly depart from the subcontinent’s syncretic religious traditions and look to the Middle East for guidance.
“People access... (qawwali music) as a part of their faith,” said Ahmer Naqvi, chief operations officer for Pakistani music app Patari.
“A lot of the younger population is abandoning the ways that the older generations worshipped.”
Increasing conservatism has also hit the genre.
Even before Karachi’s Abdullah Shah Ghazi Mazar shrine — famed for hosting performances — was attacked by the Taliban in 2010, organizers had imposed restrictions on shows for years as part of a campaign against qawwali’s hashish-smoking fans.
The pressure has compelled more qawwals to try their hand at fusion, or even branch into more financially viable genres such as pop. Only a minority have embraced social media to promote themselves, journalist Raj said.
But they face an uphill battle.
“The youth... they don’t know what exactly qawwali is,” said fan Muhammad Saeed, 24, citing the popularity of contemporary music at home and from abroad, during a private show in Islamabad.
After 16 years playing by his brother’s side, Talha Sabri said he has struggled to find his place on stage until Amjad’s own sons are old enough to perform.
“We are under pressure,” he said, with his long hair and neatly trimmed beard-cutting a stark resemblance to his brother.
But even as he fears the possibility of extremists striking again, he refuses to be cowed.
“Regardless of these threats, we have to keep on,” he said.
For Sabri’s mother Asghari Begum however, the murder of her son marked a turning point for qawwali, ringing the death knell for its future.
Her family previously made it through the tumultuous 1980s, when political parties and gangs battled for turf, turning Karachi’s streets into killing fields.
But they were respected then, passing unscathed through the city’s numerous pickets.
Amjad’s death proved things have changed.
“He has gone now,” she said. “And the passion of qawwali has gone with him.”