Bahrain’s ArtBAB fair builds creative bridges across the world
Bahrain’s ArtBAB fair builds creative bridges across the world
Subberwal, who began working in Bahrain in 2008 with her art consultancy firm, Art Select, is passionately committed to promoting contemporary artists from Bahrain and neighboring Arab states.
Speaking to Arab News she said: “Ever since arriving in Bahrain I have been fascinated by the country, its artists and their work. I now concentrate on the artists and their development with the aim of reaching a mass global platform. The fair last year under the patronage of Her Royal Highness Princess Sabeeka Bint Ibrahim Al-Khalifa, wife of His Majesty the King of Bahrain, was the first step and now we are looking forward to the second. The Bahraini leadership is invested in its people. They support everyone who is participating in building Bahrain.”
Tamkeen, Bahrain’s economic development agency, has appointed Art Select to organize and manage the fair to be held between March 22-26, 2017 at the Bahrain International Exhibition & Convention Center.
Amal Al-Kooheji, Tamkeen’s chief operating officer said: “We want to position Bahrain as a prime hub for art and education.
“Bahrain’s art sector is emerging into a viable industry with great potential to become an engine of economic growth. Until recently this sector did not receive the required attention and through initiatives such as ArtBAB we hope to steer it to new heights, inspiring entrepreneurship, art education and local skills development.”
ArtBAB will build on the momentum of last year’s international art exhibition as well as the success of the Bahraini Artists Across Borders initiative launched at the Victoria and Albert Museum and exhibited in Gallery 8 in May. Gallery director and curator, Janet Rady, a specialist in contemporary art from the Middle East and ArtBAB’s Head of Events and Educational Programming, said the 17 Bahraini artists who exhibited at the V&A launch showed the range and depth of talent in the country. She noted that one of the artists, Mayasa Al-Sowaidi, has been nominated for The Sovereign Middle East and North Africa Art Prize (MENA Prize).
David Hawkins, head of outreach and VIP relations for ArtBAB explained that the fair will include a BAAB Pavilion exclusive to 30 Bahraini artists to be selected by an international jury following submissions; a Gallery Arena to host up to 35 international and Bahraini galleries; an international Artists’ Pavilion to display the works of participating artists from around the world and an art book shop and merchandising and design section. A specially designed art and education program featuring key artists titled ‘[email protected]’ will also run parallel to the exhibition.
Subberwal was asked what criteria she used in judging the success and impact of an art fair. She replied: “I would consider the following: Did the fair connect with the people? That is an important measure for us of its success. Did artists from different communities and genres interact? Was there an interaction between the galleries and the collectors? Was there footfall — did the galleries get a return on their investment in participating in the fair? That is how I would measure success.”
Musical truth: Palestinian singer Maysa Daw blends the personal with the political
- Maysa Daw is a young Palestinian singer
- A guitar-driven singer-songwriter, Daw is a bundle of indie energy
DUBAI: Maysa Daw is a hard person to pin down. The young Palestinian singer has been busy dashing from gig to gig, completing an album and preparing to participate in a musical collaboration called the Basel-Ramallah Project, which is due to take place in Switzerland on Oct. 6. When we meet, she is in Chicago, about to go on stage at Palipalooza.
“We’ve been working on our solo show and I’m trying to write a few new songs but time isn’t exactly on my side at the moment,” she said with a laugh. “But writing always comes in-between things, you know. I’m always having these new ideas and I write them down, or new melodies and I write them down. At some point I’ll just gather them together and a lot of things will come from there.”
A guitar-driven singer-songwriter, Daw is a bundle of indie energy. Her live performances are raw and honest, her music a primarily personal reaction to the world around her. As a Palestinian living inside the Green Line, this can sometimes mean a world of conflict and complication.
“I always write about what I’m experiencing, what I’m feeling, or the anger that I’m feeling,” said Daw, whose debut album “Between City Walls” was written while she was living in Jaffa.
“It was a very different world for me. I grew up in Haifa, which is a lot more chill, a lot more relaxed, and suddenly I move to Jaffa and study in Tel Aviv, and everything was so intense. Everything was so new. It produced a lot of stuff. Love songs, break-up songs — political songs, too.
“There’s also one of my favorite songs, “Crazy.” I was so frustrated when I started writing this song. I was thinking of so many things at the time and I just wrote everything down. It’s exactly the way I was feeling, the things that I was asking myself. It talks about religion, it talks about death, it talks about politics — it talks about a lot of things.”
“Between City Walls,” which was released in June last year, may be indie in its sensibilities but its eight songs embrace a variety of sounds, not all of which are musical. Alongside samples of classical Arabic songs and Spanish guitar there are bursts of radio static and live voice recordings of people in the West Bank. As such, reproducing the album on stage, with drummer Issa Khoury and bassist Shadi Awidat, has not been easy.
“We’ve been trying to put material for a five-piece band into a three-piece band,” said Daw. “As such, we’ve been using more electronics and it’s been a very interesting challenge for us. But it’s got us to a place that I’m definitely very happy with.”
Daw is very much a product of Haifa. Born into an artistic family — her father is the actor Salim Dau — she immersed herself in the city’s independent Arabic-music scene, performing at venues such as Kabareet and collaborating with Ministry of Dub-Key, a Galilean group that fuses the sounds of hip-hop and dancehall with traditional Palestinian dabke.
She also recently finished recording an album with Palestinian hip-hop group DAM, who she joined about five years ago. Due to be released early next year, the as-yet-untitled album is her first full-length collaboration with the group. Prior to this, Daw and DAM recorded two tracks together, including the feminism-infused “Who You Are.”
Although Daw’s work gravitates toward the personal, much of it also can be viewed as intrinsically political. The song “Come with Me,” for example, is about two lovers kept apart by the separation wall, while “Radio” features the voices of refugees living in the West Bank. In snippets of their conversations you can hear them talking about the wall, the effects it has on their lives and their desire to tear it down.
“I do talk about politics but only because it’s a big part of my life, whether I want it to be or not. And believe me, I don’t,” she said. “But it is a part of my life.
“I started loving music way before I even understood what politics is. I only wanted to make music but with time I understood more about the responsibility that I could accept to have.”
She paused and corrected herself: “Not exactly a responsibility but a sort of a privilege. I have this voice that I can use and it has the potential to reach a lot of people. It made me realize that I can use this to talk about things that many other people can’t talk about.”
Daw once said that despite the perceived mundanity of everyday events, “everything we do here as Arabs is connected to politics.” As such, there is a vein of resistance running through much of her work. She sings of love under occupation, equality, society and religion, with freedom the ultimate objective.
“A lot of the time I write for the purpose of trying to tell somebody something, or trying to express my opinion about something,” she said. “And sometimes I just feel this thing that’s blocking me, that I need to release in any way, and my way of releasing it is through music.
“Sometimes I release something just for myself. I write it, I turn it into a song and I don’t release it to the world, because sometimes some things are too private. I still do it, I still work on a song and I still do it in a way that I absolutely love the song, yet it will never be heard by anybody else.”
One song on her debut album is sung in English, titled “Live Free.”
“You know, when I started making music and writing my own songs I started writing in English,” she said. “I didn’t feel comfortable doing it in Arabic. And at some point I realized that it was a little bit strange for me, because the whole personality of a person changes when you change language.
“I wanted to start writing in Arabic to see what it would bring, and it brought a very new side of me that I didn’t know. Everything was different: the melodies, the type of words I used, how I built sentences — something just clicked. Arabic feels a lot more like home when writing music.”