Book Review: A testament to creativity and imagination

Science fiction is not common in the Arab world and that is exactly what makes this Iraqi book so special.
Updated 12 September 2017
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Book Review: A testament to creativity and imagination

“Iraq + 100: Stories from a century after the invasion” is a collection of short science fiction stories by 10 Iraqi authors. The authors, some of whom live in Iraq and some of whom live abroad, imagine what the country will be like in the year 2103.
Edited by Hassan Blasim and originally suggested by Blasim’s publisher, Ra Page, the idea first came up in 2003 as a way to deal with the US invasion of Iraq. Considering science fiction stories are not common in the Arab world, Blasim wrote to many authors to convince them to write a futuristic story based on his belief that “writing about the future would give them the space to breathe outside the narrow confines of today’s reality.”
Blasim received a multitude of stories, in both Arabic and English, which he compiled to create this book.
Many stories stem from oppression, religious fanaticism and capitalist nightmares. Most of the tales are heartbreaking in their own way, as they lay bare the injustice that has riddled Iraq. One such story is titled “Kahramana” by an author called Anoud. The story is set in Sulaymaniyah and centers on Kahramana, who has been coerced into a forced marriage but flees to an international court in the hope that she will be allowed asylum elsewhere. Crowds rally behind her, but as her case takes years, and goes through its own ups and downs, the crowds begin to dwindle and the attention she once received disappears. The story exposes the futility of support and highlights the notion that crowds will rally until time and patience run out, leaving the victims to be forgotten.
This experience is not limited to one country, it is a worldwide tragedy and sadly repeats itself when humans become desensitized to the loss of life.
Creativity and imagination play an important role in the collection as authors such as Blasim, Hassan Abdulrazzak, Mortada Gzar and Khalid Kaki delve into advanced technological visions of Iraq. In “The Gardens of Babylon,” written by Blasim and translated by Johnathon Wright, Babylon is a playground for “virus architects and software artists.” Water is scarce but the Chinese have established a system to counter environmental shortcomings. In Kaki’s story, “Operation Daniel,” translated by Adam Talib, the past is frowned upon and ancient languages and literature are prohibited. Powerful overlords such as Gao Dong, who renames Kirkuk “Gao’s Flame,” believe that citizens are their beneficiaries and must “protect the state’s present from the threat of the past.” In Abdulrazzak’s story, “Kuszib,” life has changed entirely and no semblance of the old world exists.
The authors in this book do not shy away from bleak visions of the future, visions that have arisen from the destructive political and environmental policies of current-day Iraq. Climate change, depleting natural resources and rampant poverty cause the characters to yearn for a time before political struggle tainted the lives of Iraq’s inhabitants. “The Corporal,” written by Ali Bader and translated by Elisabeth Jaquette, is one such story. A fallen Iraqi soldier comes back to the world to tell future Iraqis who he was. He tells whoever will listen that he was born in 1960, served in the Iraqi army for 22 years, faced war for most of his time on earth and died for reasons misunderstood. It highlights the limited opportunities people ravaged by war have when it comes to choosing their own destiny.
Diaa Jubaili, Zhraa Al-Haboby, Jalal Hassan and Ibrahim Al-Marashi focus on futures in which citizens speak of the past and refuse to forget it. There is a particular longing for peace and tranquility in their stories, especially in “The Here and Now Prison,” written by Hassan and translated by Max Weiss. This theme is also prevalent in “Baghdad Syndrome,” written by Al-Haboby and translated by Emre Bennett, in which the older characters still refer to streets by their old names, still dream of Baghdad and revel in a beautiful past.
Each author touches upon Iraq’s tragic history and its bleak future. The destruction of the environment plays as important a role as the destruction of the country. Powerful overlords, authoritarian regimes and the continued limitation of life and freedom are presented in nearly every story, revealing powerful insight into the visions these creative talents have of Iraq’s future. However, a longing for the past keeps hope alive in the stories and allows the reader to revel in a past unknown to them, one that is not forgotten and one that will be carried through time, despite war and invasion. The memories of human life and history cannot be taken away as long as they are written about and remembered and this compilation is a testament to the hope that resides in remembrance, creativity and imagination.


What We Are Reading Today: City of Light: The Making of Modern Paris

Updated 08 December 2018
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What We Are Reading Today: City of Light: The Making of Modern Paris

Author: Rupert Christiansen

Author Rupert Christiansen provides a sparkling account of the 19th-century reinvention of Paris as the most beautiful, exciting city in the world, in his book — “City of Light: The Making of Modern Paris.”
“City of Light” charts a 15-year project of urban renewal which — despite the interruptions of war, revolution, corruption, and bankruptcy — set a template for 19th- and early 20th-century urban planning and created the enduring landscape of modern Paris now so famous around the globe.
“Lively and engaging, ‘City of Light’ is a book for anyone who wants to know how Paris became Paris,” according to a review in goodreads.com.
Christiansen is an English writer, journalist and critic.
Born in London, he was educated at Millfield and King’s College, Cambridge, where he took a double first in English.
As a Fulbright scholar, he also attended Columbia University from 1977 to 1978.