Facebook, Google, Twitter asked to testify on Russian meddling
Facebook, Google, Twitter asked to testify on Russian meddling
A Senate aide said executives from the three firms had been asked by the Senate Intelligence Committee to appear at a public hearing on Nov. 1.
The leaders of the House of Representatives Intelligence Committee said the panel would hold an open hearing next month with representatives from unnamed technology companies in an effort to “better understand how Russia used online tools and platforms to sow discord in and influence our election.” Representatives for Facebook and Google confirmed they had received invitations from the Senate committee but did not say whether the companies would attend. Twitter did not immediately respond to requests for comment.
The House panel did not immediately identify any companies, but a committee source said lawmakers expected to hear from the same three firms the Senate had asked to testify.
The requests are the latest move by congressional investigators to gain information from Internet companies as they probe the extent of Moscow’s alleged efforts to disrupt last year’s US election. Lawmakers in both parties have grown increasingly concerned that social networks may have played a key role in Russia’s influence operation.
Facebook revealed this month that suspected Russian trolls purchased more than $100,000 worth of divisive ads on its platform during the 2016 election cycle, a revelation that has prompted calls from some Democrats for new disclosure rules for online political ads.
On Wednesday, Trump attacked Facebook in a tweet and suggested the world’s largest social network had colluded with other media outlets that opposed him. The president has been skeptical of the conclusions of US intelligence agencies that Russia interfered in the election and has denied his campaign colluded with Moscow.
The salvo prompted a lengthy rebuke from Facebook Chief Executive Mark Zuckerberg, who said both Trump and liberals were upset about ideas and content on Facebook during the campaign.
“That’s what running a platform for all ideas looks like,” Zuckerberg wrote on his personal Facebook page.
Other Internet firms besides Facebook are also facing rising scrutiny over how Russia may have leveraged their platforms. Twitter is expected to privately brief the Senate panel on Thursday.
Republican Senator James Lankford, who has received classified information about Russia’s interference as a member of the Senate Intelligence Committee, said on Wednesday that the country’s attempts to sow discord in US domestic affairs had not abated.
Russian Internet trolls over the weekend fueled the debate ignited by Trump over whether NFL players should have the right to kneel during the national anthem, Lankford said.
Also on Wednesday, the Daily Beast, citing unnamed sources, reported that a Facebook group named “United Muslims of America” was a fake account linked to the Russian government and that it was used to push false claims about US politicians, including Democratic presidential candidate Hillary Clinton.
The group bought Facebook ads to reach targeted audiences, promoting political rallies aimed at Muslims, the website reported.
The Senate and House intelligence committees are two of the main congressional panels probing allegations that Russia sought to interfere in the US election to boost Trump’s chances at winning the White House, and possible collusion between Trump associates and Russia.
Malika Favre: Artist who put Saudi women in the driver’s seat
- In September 2017, King Salman issued a decree declaring an end to the decades-long ban from June 2018
- Some three million women in Saudi Arabia could receive licences and actively begin driving by 2020
French artist Malika Favre has created iconic covers for “The New Yorker” magazine, with animations that have gone viral online. So she was the natural choice for Arab News to illustrate our souvenir edition commemorating the day when women are allowed to drive in Saudi Arabia.
As Faisal J. Abbas, editor in chief of Arab News, explained: “Our website and newspaper — which today features a striking cover illustration by artist Malika Favre — will provide comprehensive coverage of both the immediate impact and wide-reaching, long-term social benefits of this move.”
From her base in London, Favre explained why the idea immediately appealed. “For me, it’s exactly the kind of subject that I want to work with and tackle today. I’ve been increasingly involved with women’s issues over the past few years, with The New Yorker as well.
“These stepping stones are extremely important, and they should be celebrated. It’s also something that as a woman I feel very strongly about.”
What made our global creative director, Simon Khalil, think that the in-demand artist would take his assignment on? “As a champion of women for years through her unique creative style, Malika Favre was the obvious choice,” he said. “Her illustration brilliantly captures the significance of this moment on the day Saudi Arabia changed forever.”
For the illustration, called “Start Your Engines,” Favre began with the idea of “something quite subtle, not aggressive, something celebratory,” coming up with an image of a “beautiful, Arabic woman” that tells a story within a story.
“So, basically, I had this idea of looking at the car from the point of view of the woman who is driving, and so maybe the first thing you see is a woman with a headscarf and quite a colorful image, but then on the second layer you see what’s happening and you see that she is driving the car,” Favre said.
The image of her hands on the wheel, and that iconic Gulf vehicle, a white SUV, are reflected in her sunglasses. These are animated online. “I really like the idea of this woman being on the road, because I think symbolically it’s about going forward,” she said. “That is also a positive element, to create a positive image of what this historic moment will change.”
The topic also resonated with Favre because her mother, while she was born in France, is Algerian. “For her, she always wanted to have the same rights as everyone else. She was a big advocate for that. She raised me in that way as well. So for her it’s also an important cover on a personal level.”
When asked about her favorite assignments, Favre referenced “Operating Theatre” for The New Yorker’s “Health, Medicine & the Body” issue last year.
“It was an extremely important project because it went totally viral.”
In her illustration, female surgeons are arranged in a circle looking down, as if the viewer is on the operating table. In the animation, the image is viewed as if through a blinking eyelid. Women surgeons around the world started re-enacting Favre’s cover, sharing more than 5,000 photos, with the hashtags #NYerORCoverChallenge and #ILookLikeASurgeon.
“For me, it was a very important moment,” Favre said. “It reached out to an audience that wasn’t design-focused. It was something very profound that spoke to these women, and they took it as a very strong statement of let’s celebrate women surgeons.”
Does Favre think the women of Saudi Arabia are up for such an assignment? “I think it definitely has the potential to do that as well,” she said. Challenge accepted.
• Download our free #SaudiWomenCanDrive mobile phone background designed by renowned artist Malika Favre: https://startyourengines.21wallpaper.design