Ringing in Pakistani bridal week with wedding bells
Ringing in Pakistani bridal week with wedding bells
The country’s booming fashion industry puts a great deal of effort into dressing wedding-goers for the events that litter the social calendars of many across Pakistan. A large leg (or two) of the fashion industry in the country is dedicated to all things bridal couture and this year, the Pakistan Fashion Design Council (PFDC) put on their seventh annual Bridal Week in collaboration with L’Oréal Paris (PLBW).
On Oct. 14, the three-day event kicked off at the Nishat Emporium in Lahore. Orchestrated by Mustang Productions, a UK-based production house, the event saw a significant boost in energy and excitement from its previous iterations. The event was also marked by an impressive attention to detail that is usually only found on the runways of non-bridal fashion.
Designers flaunted their creations on the runways in a manner that shook up the bridal industry. Weddings, being so ingrained in the Pakistani psyche, are notoriously difficult to breath fresh air into, but these designers succeeded.
Jewelry played a major role in the showcase of bridal wear, with designer Gold by Reama Malik linking arms with veteran designer Wasim Khan to unleash upon the waiting audience a show that was missing the one thing every bridal offering had — overwhelming embroidery.
The first night saw internationally-recognized Ali Xeeshan show off his colorful creations, which were inspired by destination weddings, in a showcase that was reminiscent of an art installation. The show featured massive portraits of frequent collaborators, including revered fashion photographer Abdullah Harris, that only the master of runway dramatics could pull off.
Night two brought out fantastic presentations from Mahgul, who has grown a cult following for her designs that utilize traditional techniques to out create sensible modern outfits. Similarly, Misha Lakhani and Sania Maskatiya, whose trademarks lay in their expert (however different) approach to cutting and designing for women’s bodies, also wowed the crowd. The night opened with a solo show by Sana Safinaz, which tied together the increasingly common mix of Eastern and Western aesthetics strewn throughout the wedding wear industry. Geometric embellishments, feather accents and figure-hugging cuts easily melded into the collection that included intricate, layered bridal wear.
Night three featured the best of bridal couture and also kept fans on their toes with appearances by superstar entertainers such as Fawad Khan, Sajal Ali and Maya Ali, who played a show stopper for the king of color, Nomi Ansari. The finale was a well thought out production by Fahad Hussayn, whose collection managed to seamlessly place darks and neutrals hand-in-hand with bright hues, like crimsons and pinks.
In the West, fashion and wedding wear do not usually mix. A separate bridal fashion week exists outside the fashion calendar catering to buyers and the bridal world at large, but in Pakistan, that distinction does not exist. With winters that go and come in the blink of an eye, there is not a strong need for a wardrobe to battle the elements. Additionally, the consumers of fashion often find their weekends (and week nights) booked with wedding prep, pre-wedding festivities, events in the double digits, the big days themselves and, of course, post-wedding festivities that call for clothes fit for the occasion.
Other fashion weeks in Pakistan — the spring shows held by the Lahore-based PFDC and the Karachi-based Fashion Pakistan Council — usually end up having a sprinkling of wedding wear thrown in too, but this year was a high point for the specially-dedicated week.
If it was the pinnacle of the bridal wear mountain that has been built over the past seven years, we can only imagine how much bigger — and better — it will be in the years to come.
From genetics to fashion design, glamor is in Fidda Al-Marzouqi’s genes
- Fidda Al-Marzouqi talks about her label Cabochon
- The label is known for its elegant evening gowns and fitted looks
DUBAI: She may have studied genetics and public health, but Fidda Al-Marzouqi has found success in a decidedly more creative field in her home town of Abu Dhabi.
The designer and founder of fashion atelier Cabochon spoke to Arab News about her personal style and the challenges she faced while making the transition to the studio.
“I’ve always loved anything to do with design and I’ve also always loved fashion, dressing myself up,” she said, explaining why she chose to test the waters of sartorial design while maintaining her day job as a senior health officer.
“A lot of people would always ask for my advice on how to style a certain look and my friends encouraged that, because I have natural flair — it’s not something I studied — I should pursue it.”
So, Al-Marzouqi hired a team of master cutters, tailors and hand embroiders and set up the brand Cabochon in 2016.
Named after a gemstone that has been shaped and polished as opposed to faceted, the label is known for its elegant evening gowns and fitted looks.
“It’s all about femininity. I love history, I love all aspects of design, traveling inspires me,” Al-Marzouqi said of her creative process.
However, inspiration and a knack for design will only take you so far in a notoriously competitive industry.
“If you have natural flair at designing or creating a look, there’s the other technical stuff that you’re not aware of like running a team of staff, the facts and figures — that was the challenging part,” the designer said, referring to the obstacles she has faced on her journey so far.
But she learnt the ropes and now oversees all aspects of research, design and production and is particularly keen to ensure the women she dresses have the “full Cabochon experience,” including “the attention, the care (and) the fit.
“I create and I design, but obviously every woman has a certain style so you respect the personality that comes in — her style, the shape of her body, her attitude, what she likes and, accordingly, you get inspired as a designer.”