Saudi art show spotlights young artists to watch in 2018

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Rund Al-Arabi’s ‘From Bab Sherif to Omdurman’ 2017 photography collage. (Photo courtesy: ATHR)
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Rund Al-Arabi's Time-Stamped, 2017.
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Sahrish Ali's Cocoons, 2017.
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Badr Ali's Firmbulvetr, 2016.
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Amr Alngmah, Digital Spirituality, 2016.
Updated 24 December 2017
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Saudi art show spotlights young artists to watch in 2018

JEDDAH: As Saudi Arabia rounds up a year of creative firsts, from concerts to Comic Con events, it seems that 2017 has been one for the books.
This is equally evident in the world of art, with the Kingdom playing host to a year full of art shows and exhibits. The art scene is fast-paced, bizarre and exciting and is always changing, with new artists emerging and established talents experimenting with their craft.
Rounding out the year, ATHR gallery’s Young Saudi Artist “Pulse” exhibit is set to run until Jan. 5 and is a biannual event in its fifth edition.
This year’s rather chaotic exhibit was based on the concept of “Time: Past, present and future” and showcased the works of 25 new artists, some of which were showcasing their art for the first time in their careers. The work ranged from awe-inspiring to disappointing, but it was refreshing to see such a wealth of new artists all exhibiting in one place.
Some pieces were truly bizarre, some were fun and cartoonish and others brought back a sense of nostalgia that would melt even the hardest art critic’s heart.
“There are so much amazing talents out there and as a photographer, I am focused on checking out the little people (new artists) — those who aren’t out there yet. I do this because I can see there are so many extremely talented people very deserving of the attention simply because they want to make art,” documentary photographer Iman Al-Dabbagh told Arab News.
One attention-grabbing artist was Obada Al-Jefri’s with a piece called “Trash Bags,” a series of three watercolor paintings and a sculpture of a cat in a trash bag made entirely of felt. The concept was unique, unnerving and intriguing.
“I came back from the US recently only to see that the stray cats’ infestation in my city has grown to a level where people are disgusted yet unmoved by their constant presence. They weren’t given any type of care or attention. They’re commonly viewed as garbage dwellers and invaders when we forget that they’re creatures that need to be taken care of just like any other domestic animal,” Al-Jefri told Arab News. “I want to bring attention to their plight and the importance of their being. Each painting is a lifelike representation of compassion and a challenge to the social construct that is a street cat, I wanted to shock a viewer to reconsider their stance toward them. There’s a balance of admiration and disgust that works, it speaks to you.”
Rex Chouk’s paintings — a contemporary commentary of the Saudi system — feature classical cartoon characters, such as Bugs Bunny running after Daffy Duck, integrated with slang or an icon from a global pop culture, car drifting for example, on a large canvas. His work brought out the child within.
Photographer and collagist Rund Al-Arabi’s “Circa now” of well-preserved photographs of family members also evoked a sense of nostalgia, much like Chouk’s work. According to Rund, “you control passing these memories on to the next generation.” She artfully placed one image on top of another, creating a fascinating collage.
“I dug up old photographs of my family and collected them accordingly. One is from Bab Shareef in Jeddah while another is in Um Durman, Sudan, another is in Canada while the other in Japan. I took months to mash each one and connect them, they’re an extension of each other. As I was looking at each picture, I felt that each one is connected to another and I could see a story form in front of me,” she told Arab News.
The year is coming to an end, but this art show goes on until Jan. 5 and serves as a reminder that there is always new, innovative Saudi Arabia-based talent waiting to burst onto the scene.


Pint-sized heroes score big in Marvel’s latest flick

This image released by Marvel Studios shows a scene from "Ant-Man and the Wasp." (Disney/Marvel Studios via AP)
Updated 16 July 2018
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Pint-sized heroes score big in Marvel’s latest flick

  • Characters who fly off the pages of comic books and onto the silver screen are often exciting and Ant-Man and the Wasp are no different
  • What is really memorable about this film is the emotional high

CHENNAI: Characters who fly off the pages of comic books and onto the silver screen are often dynamic and exciting, and Ant-Man and the Wasp are no different. The characters of Scott Lang and Hope van Dyne (Ant-Man and the Wasp, respectively) go on an epic adventure in the 20th release in Disney’s Marvel Cinematic Universe series of comic book movies, and the first to feature a woman in the title.

Directed by Peyton Reed, Ant-Man (Paul Rudd) and the Wasp (Evangeline Lilly) star in a gleeful movie that, for two hours, takes viewers into the realm of sheer fantastical fantasy. There is a lot of fun here and the special effects dexterously push the pulse-pounding plot as buildings shrink into miniature form and vehicles go from minuscule to massive in the blink of an eye.

It’s the second movie in the series and this time, Scott Lang languishes under house arrest in San Francisco after being caught as his shrinkable superhero alter-ego fighting some of the other Avengers in “Civil War.” He dotes on his young daughter Cassie (Abby Ruder Forston) and the pair make the most of their time together at home, but his world is turned upside down when he’s confronted by Hope Van Dyne and her father, the brilliant quantum physicist Hank Pym (Michael Douglas), with an urgent new mission.

His wife, Janet van Dyne (Michelle Pfeiffer), has been stuck in the quantum realm for 30 years and it’s time to save her from being lost forever.

What is really memorable about this film is the emotional high — the tender relationship between Lang and his daughter, the stirrings of love between him and Hope and Hank’s unwavering feelings for his long-missing wife. These play out as strongly as the electrifying car chases, the fantastic fights and the terrific transmogrification of just about everything.
Besides the gigantic helping of humor — most of which comes courtesy of a hilarious Michael Peña — the film is made by a wistful Pfeiffer, a grumbling Douglas and a hilarious Rudd, who all add that touch of magic humanism.