Six Arab Instagram stars get their very own three-part reality show

Lana El-Sahely is a Lebanese social media star. (Photo courtesy: Instagram)
Updated 26 December 2017
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Six Arab Instagram stars get their very own three-part reality show

DUBAI: Six of the Middle East’s most fashionable Instagram stars are starring in their very own three-part reality show, set to air across the region on E! television channel on Dec. 26.
Available exclusively on OSN or WAVO, the home of such hit shows as “Keeping Up With the Kardashians” and “Rich Kids of Beverly Hills” is set to show off the lives of six Middle Easters social media personalities in a mini-series titled “My Fabulous M.E.”
The three-part series by Sugar Rush Productions features two personalities per episode, including influences from Beirut, Dubai and Kuwait.
The show will feature Kuwaiti star Fatima Almomen, who has 1.2 million followers on Instagram, as well as Kuwaiti Dana Al-Tuwarish, who has 1.8 million followers on the social media platform.

I love the rain

A post shared by Fatima Almomen (@falmomen) on


Representing Beirut is Nour Arida, a fashion blogger with 203,000 followers on Instagram. Fellow Lebanese star Lana El-Sahely, with 200,000 followers, will join her on the show.

When it's the holidaysss

A post shared by Nour Arida (@nouraridaofficial) on


Dubai-based personalities include Lebanese beauty blogger Maya Ahmad, who has more than one million followers on Instagram and nearly 500,000 subscribers on YouTube. She is joined by 24-year-old Hadia Ghaleb who has 863,000 followers on Instagram and 250,000 fans on Facebook.

The struggle of coming up with a valuable caption

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Some like it haute: Elie Saab and Zuhair Murad come up trumps in Paris

Updated 11 July 2018
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Some like it haute: Elie Saab and Zuhair Murad come up trumps in Paris

  • The event, which featured shows by 34 designers in total, celebrates all things haute, widely considered to be the highest form of fashion
  • Elie Saab and Zuhair Murad displayed their latest collections

DUBAI: One week, two Lebanese design heavyweights. Paris Haute Couture Week (Fall-Winter 2018), which ran from July 1 to July 5, saw two of the region’s most-acclaimed fashion designers, Elie Saab and Zuhair Murad, displaying their latest collections, and they certainly didn’t disappoint.

The event, which featured shows by 34 designers in total, celebrates all things haute, widely considered to be the highest form of fashion. And according to Mimi Raad — image consultant at MBC Group and curator of the Instagram page @mimiraadstyle — this edition really went back to the 160-year-old roots of the art form.

“Haute couture was originally all about the custom-made, impeccably fitted dress, where the subtle yet elaborate craft is almost invisible,” she explained. “Lately, it’s been equivalent more to ball gowns, which are too easy a terrain to let the imagination run. But (this edition of Paris Haute Couture Week) marked a real effort to return to dressmaking. Sartorial prowess and couture were glorified. Two major qualities in couture were observed; rigor and restraint.”

“Couture is all about making beautiful outfits that make women beautiful and refined,” Raad continued. And that’s certainly something that could apply to Saab’s Fall 2018 line — and the Lebanese designer’s work in general.

Saab has often stated that, for him, the woman always comes first, which goes some way to explaining why he continues to secure the business of numerous high-profile personalities, including Queen Rania of Jordan, Jenifer Lopez, Angelina Jolie and Emily Blunt. In fact, he’s been dubbed the ‘King of the Red Carpet,’ and became the first Lebanese designer to dress an Oscar winner: Halle Berry in 2002.

Shown at the Musée des Arts Decoratifs, Saab’s latest collection brought something new and edgy to the proceedings — a couture collection inspired by renowned Spanish architect Antoni Gaudí.

Entitled “Of Forms and Light,” his show explored “the relationship between light, natural forms and structures.”

Key looks in the collection come in the form of tailored suits #OfFormsAndLight

A post shared by ELIE SAAB (@eliesaabworld) on


“Saab sailed from Beirut all the way across the Mediterranean and anchored in Barcelona for inspiration,” Raad said. “His embroidered ball gowns recalled the ceramic fantasy of Gaudí.

“Throughout this collection — with the brocade and gazar cocktails dresses, exaggerated collars, abundance of ruffles — he references Gothic shapes, and the arches of the Sagrada Familia cathedral. Each piece, from fitted gowns to full skirts was a piece of wearable art.”

She continues: “Saab is known for romantic silhouettes, with rich textiles and intricate details, the couture’s core. True to his style, he delivered delicate gold embroidery and swathes of sequins, and that’s his signature fairy-tale aesthetic.”

However, there were some designs that were a little too much for the fashion expert: “[I wasn’t a fan of the] ‘ruffle-mania,’” she said. “I couldn’t help but prefer the looks that were the most restrained.”

Elsewhere, Murad was channeling Imperial Russia in his fall-winter couture collection; think textures and patterns from the period and a nod to military suits.

Victoria’s Secret model Alessandra Ambrosio opened the show — her first time walking for the designer — in a plunging black, red and gold Tudor-style with dramatic cape.

“Murad transported us to a grand ball in St. Petersburg with regal colors, heavy fabrics and Fabergé motifs,” said Raad. “Every look was lavish. It wasn’t all about the balls, tsarinas and Fabergé eggs, though, Murad widened his scope, adding masculine elements borrowed from military uniforms, twisted to enhance femininity.”

Raad was a fan of the color palette Murad presented this month.

“The dark palette along with elaborate embroideries, and floral and arabesque motifs applied in bronze, gold and silver, transported us to a mysterious world,” she said. “From bright blue, rich red accents, to pale hues of green, grey, blue and ivory, the colors served as a luxurious backdrop for elaborate beadwork.

“Rich fabrics like velvet, duchesse satin, lace and chiffon were used in a harmonious palette,” she continued. “With this profusion of opulence, this collection looked more womanly than girly.”

Most fashion media agreed that both collections were beautiful, presenting something for every exclusive client of theirs. All that remains to be seen is who is going to be walking the red carpet or attending events in one of Saab’s or Murad’s creations this awards’ season.

What’s clear, though, is that one of the keys to the pair’s success is that they’re never afraid to push boundaries and create something new.

And sometimes, it’s okay to go big.

“I guess, for some designers, more is more in couture,” Raad concluded.