Bill Cosby jokes in 1st show since 2015 he ‘used to be’ comedian

Comedian Bill Cosby makes an appearance at the Germantown neighborhood jazz club, La Rose, on January 22, 2018, in Philadelphia, Pennsylvania. (AFP)
Updated 23 January 2018
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Bill Cosby jokes in 1st show since 2015 he ‘used to be’ comedian

PHILADELPHIA: Bill Cosby performed in public for the first time since a sex abuse scandal embroiled him in 2015, joking that he “used to be a comedian” and playing with a jazz band in his hometown as a retrial looms in his criminal sexual assault case.
The 80-year-old entertainer took the stage for about an hour Monday night at a Philadelphia jazz club for his first show since May 2015. Before a friendly crowd, he told stories, honored old friends and finished by leading the band in a set, first using his mouth to scat in place of a missing horn section and then taking a turn at the drums.
Cosby, handing the drumsticks off to the bass player’s 11-year-old son, asked if the boy knew who he was and then told him.
“I used to be a comedian,” Cosby deadpanned.
Cosby reminisced about his childhood, telling the crowd about how when he was 4 he grilled a relative about the impending birth of his brother. He mimicked his Uncle William, who took a swig from a cocktail before answering every question — including whether a stork was really delivering the baby to his parents.
Afterward, Cosby nearly dropped a glass jar he was using as a prop, prompting a “Whoa!” from the crowd.
Cosby, who’s legally blind, seized on the moment.
“Let me tell you something about people talking to blind people, you sighted people,” Cosby said. “If you see a blind person walking into a pole or something, if you speak perfect English, there’s a word called ‘Stop!’ Not ‘Whoa, whoa, whoa, whoa!’
“You laugh when blind people walk into things,” he continued. “And guess what: Blind people laugh when sighted people fall down!“
Cosby arrived at the jazz club on the arm of his spokesman, Andrew Wyatt. He wore a gray hoodie bearing the phrase “Hello Friend,” something his late son, Ennis Cosby, often would say.

He posed for photos with friends, including a couple he honored at the start of his set. They all grew up in the same public housing complex.
Cosby said he decided to make his return to the stage because of his friends.
“I came here tonight to enjoy being with my friends and the musicians and the people who came,” he said after the show.
He declined to discuss his upcoming retrial in a sexual assault case.
During the show, the receptive crowd applauded and laughed along with Cosby’s jokes, a far cry from how his last performances went. His last comedy tour ended amid protests as about 60 women were coming forward to accuse him of drugging and molesting them over five decades, something he has denied.
Cosby is scheduled for an April 2 retrial on charges he drugged and molested a woman at his suburban Philadelphia home in 2004. He has pleaded not guilty and remains free on bail. His first trial ended with a hung jury last year. Jury selection for his retrial will start March 29.
Cosby’s spokesman notified reporters of the comedy performance about two hours before he was to take the stage at the LaRose Jazz Club. The show was part of a program honoring jazz musician Tony Williams.
Outside the jazz club there was one protester, a woman who frequently hounded Cosby at his trial last year. She played Helen Reddy’s song “I Am Woman” on a loop and held up a sign that said, “Perseverance to all survivors.”
The jazz club performance is Cosby’s latest step back into the spotlight he’s mostly shied from since his December 2015 arrest.
Two weeks ago, Cosby invited reporters to tag along as he ate dinner with old friends at a Philadelphia restaurant.
Over the weekend, Cosby’s social media accounts featured photos of him visiting a barber and a cafe in the area and showing support for the Philadelphia Eagles, who won Sunday’s NFC Championship game against the Minnesota Vikings and secured a spot in the Super Bowl.


Middle Eastern art exhibition celebrates life and work of Kahlil Gibran

Updated 16 August 2018
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Middle Eastern art exhibition celebrates life and work of Kahlil Gibran

LONDON: What is it about the work of the famed Lebanese poet, writer and artist Kahlil Gibran that touches the hearts of so many people across the world today, decades on from his death in 1931? An exhibition of art inspired by his writings held this month at Sotheby’s in London provided an opportunity to consider that question
“Kahlil Gibran: A Guide for our Times” was organized by the peace building movement, Caravan, and co-curated by Janet Rady and Marion Fromlet Baecker. It featured work by 38 artists from across the Middle East. The vision for the exhibition grew out of a recent book on Gibran titled “In Search of a Prophet: A Spiritual Journey with Kahlil Gibran” by the Rev. Canon Paul-Gordon Chandler, Caravan’s founding president.
Chandler is committed to breaking down cultural, racial and religious barriers. Through the Caravan initiative he has hosted numerous exhibitions using art to build bridges between the Middle East and the West. He sees the message contained in Gibran’s 1923 book “The Prophet” as profoundly relevant today.
Speaking to Arab News at the packed-out event, he said: “All the artists in this exhibition are trying to express how they have been inspired, challenged and encouraged by Gibran’s themes of peace, love and harmony for all of humanity. The thread running through all the work is the unique role that Gibran plays in reminding us that we are one family.
“The idea of the Caravan movement is that we are all journeying together, regardless of background, tradition or religion,” he continued. “The arts have a unique role in peace-building between the Middle East and the West.”
Lebanese-Syrian artist Rana Chalabi, who was raised in Lebanon, said she first read “The Prophet” at school, but made a point of re-reading it several times before starting work on her contribution to the piece, “On Giving.”
Her painting shows a throng of people gazing upwards at a transcendent figure — the Prophet — who seems to shimmer above the multitude in hues of gold.
“To me, Gibran’s Prophet represents an enlightened mystic,” she explained. “He was so ahead of his time and such a spiritual person.”
For Chalabi, Gibran’s work continues to resonate. “The wisdom of Gibran is very much needed today,” she said. “He could explain his ideas in a simple way to people. In his day he was misunderstood and branded a heretic by those who missed the essence of what he was saying and took his teachings at a very superficial level.”
Chalabi was clearly pleased to have been invited to submit work to Caravan’s exhibition.
“I believe in what Rev. Chandler is trying to do,” she said. “We have to bridge the differences in the world and try to understand each other’s religions, cultures and perspectives.”
Bahraini artist Lulwa Al-Khalifa showed a striking painting of a woman, titled
“Blind Faith.” The starkly expressive figure looks perplexed and stares out from the painting with an abstract and tense expression.
Al-Khalifa said: “There are a lot of emotions I wanted to convey through this work. I was exploring the concept of faith and how sometimes people have to abandon some of the ideas that give them their own sense of identity and take a leap of faith. I consider the question ‘How much of you are you prepared to surrender for your faith?’ Faith is surrender with cause but without proof. Sometimes people have to face ambivalence, fear and anxiety on this journey.”
Al-Khalifa also stressed how relevant Gibran outlook remains today.
“I love how Gibran explored many aspects of many themes. His thought process is very fresh and modern — even today,” she said. “It is not rigid, but very hopeful and expresses love and acceptance.
“I really believe that all people are united as human beings. But we try so hard to separate from each other, even though in reality we all have the same concerns and loves and hates. We should come together,” she continued.
Lebanese artist Christine Saleh Jamil echoed Al-Khalifa’s sentiments. “Gibran means so much to me. Reading his book ‘The Prophet’ taught me a lot about life, how to live peacefully and accept things in a harmonious way,” she said. “His message is very important today.”
Jamil created “The Wanderer,” a captivating image of Gibran as a child, for the exhibition. Her work, she said, was based on a photograph and inspired by Chandler’s book, which, she said, “took me back to my childhood in Beirut.”
“That’s why I chose to represent Gibran as a child and in this image you see his face set among birch trees, as he loved nature,” she explained.
Lebanon’s ambassador to the UK, Rami Mortada — a special guest at the event — spoke to Arab News about Gibran’s legacy.
“The interest shown here tonight and the big turnout is an indication of how the message he stands for is relevant, badly needed and timely in our world today,” Mortada said. “It is a message of harmony and peace, of removing barriers between nations and cultures, and of interfaith dialogue. This is what Gibran encapsulated. If I had to sum up his work up in one word, I would say (it is) inspirational.”
Another ambassador, Dr. Alisher Shaykhov from Uzbekistan, stressed that Gibran’s work is of truly global significance.
“Gibran’s fame extends far beyond the Middle East. He is a person who has succeeded in transferring the spirit of the Islamic people in a harmonious way,” he observed. “One of his most important messages is that of the unifying elements, rather than the differences, between religions. He has a gift of being able to express the feelings of the people. The artists here, imbued with his spirit, have transferred his message through their artworks in their own personal way.”
Art enthusiast Mira Takla said she had attended a number of ‘Caravan’ art events and always found their message very persuasive.
“As far as I am concerned these events do more for interracial understanding and comprehension and tolerance of different cultures than many other such initiatives,” she said.
Another guest. Anthony Wynn, gave a good example of Gibran’s cross-cultural appeal, pointing out that he had often heard Gibran quoted at weddings in the UK — particularly a verse from “On Marriage” from “The Prophet”:
“Love one another, but make not a bond of love/Let it rather be a moving sea between the shores of your souls/Fill each other’s cup but drink not from one cup/Give one another of your bread but eat not from the same loaf/Sing and dance together and be joyous, but let each one of you be alone/Even as the strings of a lute are alone though they quiver with the same music.”