Paris opens a door to exiled artists
Paris opens a door to exiled artists
The young performance artist had walked alone into one of the Afghan capital’s busiest intersections wearing tin armor over her breasts and backside to highlight the harassment women face in the streets.
Even as she made her escape in a taxi, one of the mob touched her behind.
“I had to hide out in Kabul until they could get me away,” she told AFP of her flight to France.
Twice condemned to death for criticizing the Khartoum government, Sudanese poet Moneim Rahma did not think twice when an unexpected chance to flee the country presented itself.
While Syrian director Samer Salameh knew he was putting himself at risk by making a film about his devastated Damascus neighborhood of Yarmouk — once described as “the worst place on earth” by aid agencies — while serving as an army conscript.
All three eventually made it to the French capital, which a half century after it was last the prime destination for writers and artists fleeing oppression, is again becoming a haven for emigres.
Next to a cash-and-carry in a working-class district of northern Paris, a drop-in center has been helping some 200 artists find their feet in France since October.
The Studio of Artists in Exile does not pretend to be a panacea for the problems artists face when they suddenly find themselves “a fish out of water” in a new country.
But, despite operating on a shoestring budget and in donated premises, it can help artists navigate the maze of relaunching their careers, said co-founder Judith Depaule.
“In ways France is attractive for artists and easier for them to work in because, unlike Germany — where you have either the underground or subsidised state art organizations, — in France there is a lot in-between,” she said.
“The system itself makes it easier here,” she added.
“Paris has historically always been a place where exiled artists came to. In the 1920s, we had the Russians and then the artists who fled the civil war in Spain to join Picasso,” Depaule said.
While it has been nearly half a century since Paris, often dubbed a “museum city,” was a major destination for artists, “the cycle is perhaps changing,” Depaule insisted.
Last week French Culture Minister Francoise Nyssen publicly backed the studio, inviting its artists to her offices even as her government tightened rules making claiming asylum more difficult in France.
She praised the “extraordinary” way some in the arts had embraced the newcomers and urged others to follow their lead to “enlarge the way we see the world and open up our culture.”
Nyssen also invited 15 exiled artists, including Khademi and Rahma, to show their work in her ministry.
Khademi, 28, has fully embraced her new life since arriving in the French capital two years ago, going back to university and being honored by the government as a “knight of arts and letters.”
“I walk a lot in Paris and that is where I think about my art,” she said.
In fact, she walked backwards over the Pyrenees to recreate the philosopher Walter Benjamin’s escape from Nazi occupied France to Spain during World War II.
With her work getting noticed, and a commission for a performance in the French Museum of Immigration, her career is taking off.
For Rahma, 57, whose family is stuck in Ethiopia, the situation is more complicated.
With much of his energy devoted to trying to get his wife and four children away from “the long arm of the Sudanese secret police,” he is less at ease.
Yet he has published a book with 10 French painters on what it is like to be a refugee, written “lots of poems” and is starting his third novel.
But his focus remains firmly on his homeland.
Getting to France allowed Syrian Palestinian Salameh to finish his film showing the fate of Yarmouk during the war — “194. Us, Children of the Camp.” It has since been shown at festivals in Europe.
Yet even for a 32-year-old, the adaptation to a new life has not been painless.
“It is quite weird but even during a war your homeland can feel easier, softer, because it is your country, your language,” Salameh told AFP.
“Here is quite tough. It’s a big capital, you see people living in the street, it can be scary sometimes. There are lots of opportunities but a lot of competition as well. But I am OK, and I am starting to have some ideas to do films here now.”
Like a Berber: Madonna celebrates 60th birthday in Marrakech
- The Queen of Pop donned the attire of a “Berber Queen” in Marrakech on her birthday
- On Sunday, the American star posted pictures and videos on her Instagram of a fun photo shoot with British-Moroccan artist Hassan Hajjaj
JEDDAH: Madonna’s 60th birthday celebrations are creating quite a buzz, especially delighting her Arab fans that she chose to mark the milestone in Morocco.
The Queen of Pop donned the attire of a “Berber Queen” in Marrakech on her birthday, wearing a fuchsia chiffon long-sleeved gown by Gucci with Berber jewelry and a headpiece by Marianna Harutunian.
On Sunday, the American star posted pictures and videos on her Instagram of a fun photo shoot with British-Moroccan artist Hassan Hajjaj, known as the “Andy Warhol of Marrakech.” Madonna, who posed for pictures with her family, is seen dressed in a traditional red attire, accessorized with colorful jewelry and a Louis Vuitton headscarf.
“Life can be sweet and sour and sometimes a surprise can happen that you never would think of and this was one of (those) moments; want to thank Madonna and her lovely family and being patient for the shoot at my riad,” Hajjaj wrote on Instagram.
Hashtagged #birthday #magic #Marakesh, Madonna’s pictures have gone viral on social media since she first posted a portrait of herself bedecked in Berber jewelry and brandishing a sign that reads “The Queen.” She wrote: “Finally and at last it’s my birthday! I have survived! Life is beautiful!”
On the eve of the big day, she toured the former imperial city of Morocco under the close watch of the paparazzi and wrote: “Walking through the Labyrinth of the Medina during the Call to Prayer.” She posted a video shot at night, wandering in the alleys of the city’s ancient market.
“Mystical walk through the desert,” she captioned a photo featuring her in the desert, with six horsemen holding candles in the background.
Another portrait shows Madonna wearing a fez decorated with Berber jewelry, along with a caption reading: “Today I am wearing CAKE on my head!“
Known for repeatedly reinventing herself during her 35-year pop career, Madonna has been staying at the luxury palace-turned-hotel El Fenn, owned by the sister of British billionaire Richard Branson, Vanessa. The property has been redecorated and staff have had their smart phones confiscated to protect the privacy of Madonna and her guests. The birthday guest list has also been kept secret, and Moroccan police were keeping journalists and photographers at bay.
Guests reportedly dressed in traditional Bedouin garb for the Arabian-themed party featuring Berber music. According to the Mirror, Indian designer Sabyasachi Mukherjee designed kaftans and Berber costumes for them.
Agence France-Presse reported a local photographer as saying that he had spotted Madonna wearing a veil covering the hair and face but for the eyes. She reportedly visited the five-star Kasbah Agafay spa, went shopping at a souk and enjoyed a camel trek in the desert.
Local media reported that she and around 15 friends had dined out at a restaurant in western Morocco, escorted by bodyguards and under police surveillance.
Taking to social media under the hashtag #MadonnaAt60, fans from across the world sent birthday wishes to the pop diva. Since her first, eponymous album came out in 1983, Madonna has sold more than 300 million records, with albums such as “True Blue,” “Like a Prayer” and “Ray of Light” topping music charts around the world.