Ancient statues return to Lebanon as war on smuggling intensifies

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A picture taken on February 2, 2018 shows a Phoenician sculpture of a young boy wearing a long shirt dating back to the 5th century BC, part of a collection of repatriated artefacts on display during a ceremony at Beirut National Museum. (AFP)
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Lebanon's Culture Minister Ghattas Khoury reacts as he stands next to Matthew Bogdanos, assistant district attorney for Manhattan at Beirut National Museum in Beirut. (REUTERS)
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A picture taken on Feb. 2, 2018 shows a sculpture of a bull's head dating back to the 4th century BC, part of a collection of repatriated artefacts on display during a ceremony at Beirut National Museum. (AFP)
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Lebanon's Culture Minister Ghattas Khoury is seen at Beirut's National Museum in Beirut, Lebanon February 2, 2018. (REUTERS)
Updated 07 February 2018

Ancient statues return to Lebanon as war on smuggling intensifies

BEIRUT: Ancient sculptures that were missing for decades after being stolen during Lebanon’s civil war are to go on display in Beirut thanks to a global fight against antiquities smuggling that has been stepped up since wartime looting in Iraq and Syria.
The five marble statues were among a haul of hundreds that Lebanese militiamen took from a storehouse in 1981, some of which are only now emerging onto the shadowy global arts market and even into the world’s greatest museums.
Three of the five sculptures unveiled at a ceremony in Beirut on Friday were spotted in New York’s Metropolitan Museum — where they were on loan from a private collector — by a curator who identified them using the Art Loss Register, an online database of stolen artefacts.
One of the people instrumental in getting them sent back to Lebanon was Manhattan Assistant District Attorney Matthew Bogdanos, an Iraq war veteran who led the investigation into looting at the national museum in Baghdad during the chaos of the US-led invasion to topple Saddam Hussein.
Outrage at looting there and in Syria, and fear that art trafficking was funding militant groups, has driven countries to work together to stop it, said Bogdanos, who was in Beirut on Friday for a ceremony to unveil the statues.
“It has resulted in greater attention, greater scrutiny and greater resources, all of which we desperately need in order to fight such an entrenched global network,” Bogdanos, whose office has recovered thousands of stolen antiquities in recent years, told Reuters at the ceremony at Beirut’s National Museum.
One of the other statues was identified last year by a gallery in Germany, which noticed it on the Art Loss Register. The fifth was seized in a container entering Lebanon’s port of Tripoli last month.
Archaeologists excavated all the statues in the 1960s and 1970s in Sidon at the Temple of Eshmoun, a god of healing.
They were carved between the sixth and fourth centuries BC, when Lebanon’s Phoenician civilization was ruled by the Persian empire but influenced by Greek art and culture.
One of the statues, a bull’s head, was from the capital of a pillar in the temple. The other statues, of youths and children, included one dedicated to the temple by fond relatives in thanks for the recovery from illness of their child.
They will be added to the Beirut museum’s display of Eshmoun sculptures, which include a complete capital with bull heads facing in each direction and marble statues of babies and children.
Only a handful of more than 500 Eshmoun statues pillaged from the storerooms of Byblos citadel in 1981 have been identified and returned to Lebanon.
“We will put every resource that we have to recover any piece wherever it is and whoever thinks it belongs to him. Our heritage is not for sale,” said Lebanon’s Culture Minister Ghattas Khoury.
Like these pieces, items smuggled from Iraq and Syria may stay hidden for decades before traffickers start selling them to collectors.
“It is rare that we would see anything on the market for 10 or 20 or even 30 years, because they do have the patience. They stockpile these pieces,” said Bogdanos.
The international nature of the trade makes it hard to trace them.
“If you would follow the pieces which we have here, there was a kind of ping-pong between Europe, America, Europe again ... it’s a globalization,” said Rolf Stucky, a Swiss archaeologist who registered many of the looted Eshmoun statues on Art Loss in the 1990s, allowing them to be identified now.
But countries now share information and help train authorities, both in the main markets for stolen artefacts and in the regions from which they come.
Lebanon itself has stopped many foreign pieces from being shipped through Beirut, said Ghattas. As a neighbor of Syria, it is a major route for items looted from there.
“In many respects (smugglers) didn’t have to be smart in their trafficking behavior simply because no countries were cooperating enough, were devoting enough resources to stop it,” said Bogdanos.
“That has all changed.”

Yara Shahidi honored with Spotlight Award

Yara Shahidi was honored with an award at the 25th Annual Elle Women in Hollywood Celebration. (AFP)
Updated 16 October 2018

Yara Shahidi honored with Spotlight Award

DUBAI: Actress and social activist Yara Shahidi was honored with an award at the 25th Annual Elle Women in Hollywood Celebration on Monday and took to the stage to give a speech.

The Iranian-American star of TV show “Black-ish,” who has her own spinoff show called “Grown-ish,” was given the Calvin Klein Spotlight Award at an event attended by the likes of Charlize Theron, Jennifer Lopez and many more.

The 18-year-old Harvard University student is one of a star-studded list of honorees, including Lady Gaga, Shonda Rhimes and Mia Farrow.

The event also celebrated the female cast of “Black Panther” — Angela Bassett, Danai Gurira and Lupita Nyong’o — at the event in Los Angeles’ Four Seasons Hotel in Beverly Hills.

Shahidi sat down with the magazine for an in-depth interview published in its November 2018 issue. The teen, who hails from a highly accomplished family — one of her cousins is the rapper Nas, while another, Anousheh Ansari, was the first Iranian-American astronaut — covered everything from women in Hollywood to her political activism.

“We’re holding people accountable for their actions. There’s an intentional knowledge disparity in any industry, which is tied to the maintaining of power. I love the fact that this community of women is disintegrating that. I’ve been able to reap the benefits of it, and I’m also fortunate to have my parents with me, guiding me,” she told the magazine.

Shahidi has talked openly about her family in the past, including in a revealing social media post about her parents during the uproar about the proposed US immigration ban in 2017.

“If my baba was stuck in an airport because of a Muslim ban 39 years ago, he would have never fallen in love with my mama. I would not exist and I wouldn’t have two amazing brothers,” she posted on social media at the time.

The actress has been vocal about her Iranian-African-American heritage and even called herself “a proud Black Iranian” on Twitter.

In her most recent interview with Elle magazine, the actress expands on what causes are close to her heart.

“Immigration, gun control. There’s been a lack of humanity, especially in the policies of these past two years, policies that alienate minorities,” she said.

Lady Gaga was also awarded at the ceremony, and took to the stage to give a powerful, emotional speech about being a survivor of sexual assault.

“As a sexual assault survivor by someone in the entertainment industry, as a woman who is still not brave enough to say his name, as a woman who lives with chronic pain, as a woman who was conditioned at a very young age to listen to what men told me to do, I decided today I wanted to take the power back. Today I wear the pants,” she said at the event.