Robin Williams’ death linked to rise in copycat suicides
Robin Williams’ death linked to rise in copycat suicides
The study, published in the scientific journal PLOS One, found that in the five months from August to December 2104 some 18,690 deaths by suicide were recorded — an increase of 9.85 percent from the expected number of cases for the period.
Williams, the Oscar-winning star of “Good Morning, Vietnam” who was beloved for his humor, died in August 2014 at age 63 in a suicide that shocked fans worldwide. Authorities said he died of asphyxia after hanging himself at his home in northern California. An autopsy found that Williams was suffering from Lew body dementia, which causes a progressive decline in mental ability.
Suicides following Williams’ death rose by 12.9 percent in men aged 30-44, and the study found a 32 percent increase in the number of deaths from suffocation.
Although the study could not prove a definitive link, it said there appeared to be a connection. Extensive media coverage of Williams’ death “might have proved the necessary stimulus for high-risk segments of the US population (e.g. middle-aged men in despair) to move from suicidal ideation to attempt.”
While the effects of widely reported celebrity suicides have previously been linked to increases in the wider population, the study said media coverage of Williams’ suicide was particularly detailed and sensational and was amplified through social media.
The suicide in 1994 of Nirvana lead singer Kurt Cobain, for example, appeared to have a minimal impact on suicide rates in his Seattle home town, partly because of more restricted reporting, the study said.
“The media industry can positively or negatively influence imitation suicides,” the study said. “Popular news media headlines suggest that media guidelines for suicide reporting were not followed in the case of Mr. Williams.”
The study used data collected by the Centers for Disease Control and Prevention.
Morimoto: Ironclad flavor formula at celeb chef’s first UAE restaurant
DUBAI: Dubai is no stranger to enormous glitzy restaurants, but even by the city’s larger-than-life standards, Morimoto — a new Japanese outlet from celebrity chef Masaharu Morimoto — stuns with its sheer size and scale. Spread across two floors of the Renaissance Downtown Hotel, the restaurant incorporates numerous spaces — from sushi bar and teppanyaki station to lounge areas, multiple private dining rooms and outdoor terraces boasting those ultimate Burj Khalifa views (ideal for the cooler months).
A giant paper lantern installation — a Morimoto signature — greets you at the entrance and dominates most of the space across the levels, but apart from the occasional Japanese accent the décor is all contemporary sophistication with a dash of edginess.
As a celebrity (“Iron”) chef, Morimoto has earned worldwide recognition for successfully adapting traditional Japanese flavors to international palates, and that is likely in part thanks to his respectful approach to the integrity of ingredients. This is evident here in the quality of produce that is used across the menu, most of it flown straight in from Japan — particularly for the sushi and teppan counters.
The ode to authenticity continues in the choice of kitchen staff too; the Japanese teppan head chef conjures up some culinary magic with his effortless flair — chopping, slicing and grilling some beautiful Hokkaido scallops, which he served me on a bed of greens with Japanese mayonnaise, and lightly seared Wagyu carpaccio, the provenance of which, down to the prefecture it comes from, he is happy to share. The results, served with some house-made wasabi, are delicious examples of how simplicity, when paired with quality, is really the secret recipe to great food.
You aren’t hemmed in when it comes to ordering either. Selections can be made from across all the different menus, wherever you are seated; for example, we tried some more-ish gyoza while sitting at the teppanyaki table. These, together with some grilled shisito peppers (basically Japanese padron peppers) speckled with ponzu sauce and Maldon sea salt, appropriately whetted our appetites.
Morimoto’s nod to Americanizing Japanese flavors is evident in dishes such as the Hamachi tacos and the tuna pizza, but he also draws inspiration from the various global locations he has restaurants in. His ‘angry chicken’ has become something of a signature dish — half a succulent roasted baby chicken, with the ‘anger’ coming from a spicy Indian-style garam masala marinade, a nod to his Mumbai venue. Paired with some roasted shisito peppers, this dish, while not strictly Japanese in nature, hits the spot when it comes to taste.
My litmus test for any contemporary Japanese concept is the miso black cod dish — everyone has a version, but few manage to nail it. While Morimoto’s version, served with a ginger soy reduction, may not be the best I’ve tried in Dubai, it is a respectable iteration, if a little on the too-sweet side. The butter-soft fish, willingly giving way to the slightest nudge of my fork, was excellent though, and it is a dish I’d happily order again.
While dessert selections range from s’mores to chocolate tarts, it’s the Asian-inspired mango parfait with coconut financier and green tea sorbet that caught my eye. It does provide a refreshing end to the meal, but I’m not sure all the flavors go together. Each element is good in and of itself, but there’s too much going on in one dish and together, they aren’t harmonious. I’d enjoy the mango and coconut concoction by itself, without the green tea overpowering it.
That’s a small blip on the radar for an otherwise great meal, made memorable not least by the smart, knowledgeable service. This, together with the varied menu, is what should ensure that the worryingly vast space will fill up, even if it is with returning punters working their way through the multitude of dishes.