Find out why 21,39 is at the heart of Jeddah’s art scene

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A close up of a piece by artist Nojoud Al-Sudairi.
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A section of Filwa Nazer’s “The Anatomy of Winning” (2018).
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Ahaad Alamoudi’s “Those Who Do Not Know Of Falcons Grill Them” (2018).
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Moath Alofi’s “Mihlaiel” (2018).
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An untitled piece by artist Ayman Yossri Daydaban.
Updated 10 February 2018

Find out why 21,39 is at the heart of Jeddah’s art scene

JEDDAH: This week saw the opening of the most-anticipated art exhibition in town. Jeddah’s bustling art scene was in full swing as annual contemporary art fair 21,39, organized by the Saudi Art Council (SAC) under the patronage of Princess Jawaher bint Majid Abdulaziz Al-Saud, returned for its fifth edition, this time under the theme “Refusing to Be Still.”
The exhibition is being held in multiple locations throughout Jeddah — including SAC’s headquarters, Rubat Al-Khunji in Al-Balad, and the old PepsiCo. factory, which has never before been open to the public — and will run until May 5. It features more than 30 artists, both local and international, and stages numerous artworks in different mediums including sculpture, painting, audio-visual installations and more. It will also feature book launches, a chess competition, workshops and fun family events.
The theme revolves around artists’ desire to continually evolve and spark dialogue. The SAC’s website says the exhibition reveals “the creative energy that characterizes contemporary production in Saudi Arabia and its growing significance in the 21st century.”
Vassilis Oikonomopoulos, assistant curator at the Tate Modern in London, was invited to curate the exhibit and has brought together an array of new artists, Saudi and international, who have created a heady mix of interpretations of the theme, with many interesting angles.
“‘Refusing to Be Still’ presents the creative energies that are active within the local context,” he told Arab News. “I wanted to use the intensity of internationalization to advance a dialogue with other artists from around the world whose work deals with similar concerns about human issues.”
Oikonomopoulos added that the artists have “surpassed” his expectations.
“Working with the artists closely, and commissioning their works, was important because it was also sort of creating a dialogue between us,” he said. “The works are dynamic and it’s necessary as a curator to support the artists to the maximum. Like an evolving reality, artistic practices are constantly transforming, refusing to stand still and become permanent.”
Veteran artist Ayman Yossri Dayban’s latest sculptural installation based on 1960’s Egyptian cinema posters. He has created a complex space based on the posters but defined by the areas he has cut out. A light emanating from inside those cut-out areas of the four-sided sculpture is intended to engage passersby as the shadows from the sculpture fill the entire space, amplifying the sense of theatricality and intensity.
Elsewhere, Madinah-based photographer and explorer Moath Alofi stages a video installation entitled “Mihlaiel,” which tells the story of lost heritage through scenes from five different locations around the magnificent lava tube volcanoes of Khaybar.
“I’m chasing a mystery, chasing enigmas, chasing regions unknown to most people,” Alofi told Arab News. “I wanted to expose and give recognition to the area by shedding light on its beauty. In a way, I wanted to show how we can all relate to these historical civilizations.”
His video is shot from above with corresponding extracts from the ground as the explorer walks around the abandoned structures of a historical fortress. Another part of the video shows the ancient structures of the Arabian desert kites, an ancient hunting technique dating back 6,000 to 9,000 years.
The dazzling aerial views of the lava tubes are surely the best images of them yet captured on film. Alofi’s short video brings history into the present.
First-time participant Hatem Ahmed’s paintings, meanwhile, interpret the theme by examining the way in which meanings of ‘life lessons’ from the past have shifted today.
“My paintings speak of different ideologies that were used in the past and were supposed to teach the viewer a life lesson,” he said. “We’ve taken these lessons from the past and twisted them in a way that speaks to your subconscious in the now.”
Ayman Zedani’s 54 concrete cubes are based on the World Heritage Site map of Jeddah.  The map is thus transformed into the 54 cubes by highlighting buildings in the city and embedding them in the cubes in the form of negative space, signifying the duality of the absence and presence of the site.
“Bab, is a site-specific installation that focuses on difficult issues related to preserving the old city of Jeddah.  Despite all the efforts to rescue it, it still struggles,” Zedani told Arab News.  “Preserving the city is a very delicate task, any attempts to intervene on its behalf must tackle both its complexity and vibrancy.”
Another 21,39 debutant, Saleh Sefari, has created a 15-hour video feed of a campsite staged on a construction site in Jeddah. The video, soundtracked by recordings of city life, displays a full day and alludes to the impossibility of depicting reality without resorting to fiction. What lies beyond the borders of the framed reality casts doubt on the authenticity of what we see and experience.
“The concept derived from a conversation I had with Vassilis,” Sefari explained. “It revolved around how our grasp of reality is inherently flawed by our own personal biases and beliefs. It not only revolves around movement, but the continuity of movement. My work revolves around questioning our most fundamental truths, an ever changing, constant, eternal battle between reality and our perspective of it. I’m extremely excited to showcase my work.”
Oikonomopoulos believes the fifth edition of 21,39 explores the multi-faceted practices that characterize the continuously active contemporary art movement in Saudi Arabia. Art lovers should not miss it.

Life lessons from inspirational women: Abeer Nehme

Updated 14 August 2018

Life lessons from inspirational women: Abeer Nehme

What I love most about my work is that it reflects my true nature. And it has allowed me to travel and meet people of different cultures. Music is my passport and it enables me to deliver a message and express ideas that any other language would have failed to deliver. I feel like my music is making a difference and spreading joy, hope and beauty.

Because I’ve traveled a lot and worked on a series of documentaries — “Ethnopholia: Music of the People” — I’ve met a lot of people who are not particularly famous, but who carry music in their hearts and lives. They have had a great influence on me as a person and as an artist. I feel so lucky to have met them. Along with my friends, they are like guardian angels. I believe every person we meet leaves their fingerprint in one way or another.

My list of musical influences is long. But it starts with my father. He had a great voice and also played the lute. He introduced me to traditional Oriental modal music when I was very young. That’s how my journey started.

Professionally, my biggest regret is the opportunities I maybe missed because I lacked maturity. But I consider all my experiences to be lessons, rather than regrets.

Personally, I regret not spending enough time with precious people like my mom, dad and siblings. I regret the time I did not spend with people who were so close to my heart and who unfortunately passed away. I cannot go back in time and make up for that.

As a woman in the music industry, the biggest challenge I’ve faced with men was to keep things professional and preserve boundaries. But sometimes men are actually easier to deal with than women.

I believe things are starting to change in our society, and women are starting to be more valued and appreciated. Women have a very important role to play: We are the symbol of life, of earth. We perpetuate life. What is more important than that?

Women should be given more opportunities in the political field. Men have been ruling the world so far and all we’ve seen is war, violence, bitterness… I believe women can come up with important changes if they could take political decisions. We have a strong ability to multitask, and endurance that exceeds that of men. I’m not saying men are less important, but women should be given more chances.