‘Refusing to Be Still’ exhibition ‘shows vitality of Saudi art’

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Art works are shown at one of the venues of the "Refusing to Be Still" art exhibition in Jeddah. (AN photo)
Updated 01 March 2018
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‘Refusing to Be Still’ exhibition ‘shows vitality of Saudi art’

JEDDAH: A groundbreaking art exhibition will give visitors a unique chance to meet visiting artists through a series of workshops, organizers said.

More than 30 Saudi and international artists are featured in the exhibition, called 21,39, which opened on Feb. 7 under the title “Refusing to Be Still.”

The exhibition, organized annually by the Saudi Art Council, is in its fifth year. Artworks explore the old and the new, the permanent and the temporary, the emotional and the aesthetic.

The display also highlights the growing cultural cooperation between Saudi Arabia and Germany, with Berlin conceptual artist Ilona Kalnoky among the exhibitors. Her work features cubes of clay brought directly from Germany and finished through the ancient process of pit burning in Jeddah.

Eight Saudi artists recently met Kalnoky during a study tour of Germany in the lead-up to the exhibition.

The German consulate is one of the sponsors of the exhibition.

The German Consul General, Holger Ziegeler, said: “By bringing the most creative minds of different countries together, we see how quickly they understand each other and spur each other on. They benefit mutually from the values, experiences and dreams of their peers.”

Kalnoky said: “I am surprised by the vitality and curiosity of the artists and the vibrant art scene in Saudi Arabia. The exchange with the Saudi artists was an enriching experience.”

A visitor to the exhibition, Abdul Aziz Al-Ghamdi, told Arab News: “I am amazed at this year’s exhibits. I come here each year. I like the diversity of art here.”

Al-Ghamdi, a law student, said he had started a project to promote Saudi Arabia’s little-known artists by collecting their social media accounts and artworks and presenting them in a single Instagram account.

Saleh Al Shehri, a Saudi fine artist who visited the exhibit, said: “The way that the artists applied their ideas on reality here is breathtaking. The selection of artists in this year’s exhibition is excellent.”

“Refusing to Be Still” is taking place in locations across Jeddah, including Gold Moor mall, Serafi mall and King Abdullah Economic City (KAEC), and is open daily from 5-10 p.m. until May 5.


Dog Day Afternoon: When Pacino showed the range of a true master

Updated 15 August 2018
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Dog Day Afternoon: When Pacino showed the range of a true master

  • Pacino plays Sonny Wortzik, an effeminate outcast who desperately, brazenly – and really quite ineffectually – holds up a penniless Brooklyn bank
  • Emerging to collect a pizza delivery or goad the cops, cornered Wortzik becomes an unlikely folk hero, leading the simmering masses against authoritarianism

DUBAI: Once upon a time in Hollywood, Al Pacino’s name was not a byword for lukewarm thrillers or lackluster dramas. In possession of one of the most bankable faces in the movies, Pacino has a reputation that rests largely on just two roles: Michael Corleone in “The Godfather” (1972) and Tony Montana in “Scarface” (1983) – two iconic gangsters whose ruthless, brutish shadows obscure the riches they bookend.

Because Pacino’s script-screening was once judiciously discerning – if not always impeccable – throughout the 1970s, he acted in just eight films. Labors of love, not bottom-line negotiations, these heyday performances were rooted in compulsive zeal, obsessive research and an adherence to Stanislavski’s method system.

The complacency of contemporary Pacino sometimes feels like an insult to this golden run, and at its glorious centerpiece stands “Dog Day Afternoon” – a film which proved defiantly that there is so much more to Pacino than cold and steely or loud and shouty.

Under the nuanced gaze of Sidney Lumet – who directed Pacino two years earlier as the idealistic New York cop in the classic “Serpico” – the 1975 Oscar-winner was a triumph of tone, texture and pacing. And in nearly every frame, Pacino’s presence pulsates with magnetic charisma.

Pacino plays Sonny Wortzik, an effeminate outcast who desperately, brazenly – and really quite ineffectually – holds up a penniless Brooklyn bank alongside troubled friend Sal (fellow “Godfather” star John Cazale). Soon after the cops, the TV cameras arrive, and while he is claustrophobically holed up with his sympathetic hostages, Sonny’s unconventional backstory unravels out into the open.

As the spotlight is thrust onto a dysfunctional wife and lover, curious crowds descend on the scene. Emerging to collect a pizza delivery or goad the cops, cornered Wortzik becomes an unlikely folk hero, leading the simmering masses against authoritarianism.

This remarkable turn of events was based on a real failed heist of just three years earlier. The movie was nominated for six Oscars. Frank Pierson’s script won Original Screenplay. Meanwhile, Pacino – also up against Marlon Brando, Jack Nicholson and Robert Redford – lost out on the Best Actor gong to Jack Lemmon for “Save the Tiger.” That roll call alone is a testament to how far Hollywood has climbed, crawled and plunged.