A century ago today, jazz broke loose in Europe

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The US 369th Infantry Regiment Jazz orchestra conducted by James Reese performs for war wounded in front of the Hotel de Tunis in this photo taken in 1918 in Paris. (Signal Corps USA via AFP)
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Above, the 369th Infantry Regiment Jazz orchestra aboard the SS Stockholm heading to the US in this photo taken in February 1919. (National Archives at College Park – Stille via AFP)
Updated 12 February 2018
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A century ago today, jazz broke loose in Europe

NANTES, France: A hundred years ago in World War One, a group of American soldiers stormed Europe — not to the boom of guns, but the swinging rhythm of saxophones, drums and horns.
They came to fight in the mud against the Germans in a war approaching its end — but their arrival also marked the start of a sweeter, cultural conquest.
A hundred years ago on Monday, the 369th Infantry’s “Harlem Hellfighters Band” gave what is said to have been the first jazz concert on European soil — in the northwestern French city of Nantes.
“When the band had finished and the people were roaring with laughter, their faces wreathed in smiles, I was forced to say that this is just what France needed at this critical moment,” wrote one of the band members, Noble Sissle, in his memoirs.
On Monday Nantes launches a series of concerts, conferences and exhibitions to mark the centenary of that legendary gig.
Among the guests of honor at Monday night’s opening are three of the grandchildren of the orchestra’s leader, Lt. James Reese Europe — the black American bandleader known as the “king of jazz.”
After that night at Nantes’s Theatre Graslin, Europe would never sound the same again.
It “turned France upside down,” according to local press reports from the time.
“The ‘Jazz germ’ had hit them,” Sissle wrote, “and it seemed to find the vital spot.”
The 369th Infantry was one of the four African American regiments sent from the racially segregated US to fight under French command.
James Reese Europe “was the first African American officer to lead troops in a wartime attack,” said Matthieu Jouan, head of the “100 Years of Jazz” commemorations in Nantes.
The officer also put together the 40-strong band which included “some of the best of the time,” Jouan added.
When they were not fighting at the front, they played to entertain the troops and locals.
“People went crazy everywhere they toured to,” said Jouan.
The 369th Infantry received the Croix de Guerre French military decoration for bravery.
France also awarded the Legion d’Honneur to 171 members of the regiment for liberating the village of Sechault, where a monument to them now stands.
Lt. Europe composed one of his best-known tunes, “One Patrol in No Man’s Land,” while lying injured in hospital.
He returned from the war a hero, only to die months later in May 1919 at the age of 39 — stabbed in the neck by one of his bandmates.
The headlines in the American press read: “The king of jazz is dead,” said Jouan.
But the officer’s death coincided, he added, with the rise of three great musical stars: Duke Ellington, Louis Armstrong and Sidney Bechet.
The jazz age had begun.


Lights, camera, action for Saudi festival of film

Updated 16 January 2019
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Lights, camera, action for Saudi festival of film

  • The six-day event, organized in association with the King Abdul Aziz Center for World Culture (Ithra), is part of an initiative to recognize and nurture talented filmmakers in the country
  • SASCA chairman and general supervisor of the festival, Omar bin Abdulaziz Al-Saif, said this year’s gathering would include a number of unique programs to support creative young talent

JEDDAH: Up-and-coming filmmakers are being urged to book their places for a popular festival celebrating Saudi’s silver screen.
The Saudi Arabian Society for Culture and Arts (SASCA) in the city of Dammam, has announced the opening of online registration for the fifth Saudi Film Festival to be held in March.
The six-day event, organized in association with the King Abdul Aziz Center for World Culture (Ithra), is part of an initiative to recognize and nurture talented filmmakers in the country.
SASCA chairman and general supervisor of the festival, Omar bin Abdulaziz Al-Saif, said this year’s gathering would include a number of unique programs to support creative young talent while also promoting and developing the Kingdom’s film industry.
Al-Saif told Arab News that one of the main aims of the SASCA was to preserve Saudi culture, and he hoped the event would encourage the exchange of forward-thinking ideas among young movie enthusiasts.
The festival is part of a year-round drive to give filmmakers the opportunity to learn directly from experienced local and international industry experts, while providing them with a stage to showcase their work.
Ithra Director Ali Al-Mutairi said that the festival had a key role to play in developing the Saudi film industry.
Producers and actors will among the delegates at the festival, which will include 10 training workshops and 10 seminars. Omani, Emirati, Kuwaiti and Bahraini movies will be screened during the event and prizes awarded for best narrative, best documentary, best scriptwriting and best student film.