Film on 1976 plane hijacking illuminates Israeli-Palestinian conflict, says director

Brazilian director Jose Padilha, English actress Rosamund Pike and German actor Daniel Bruehl pose on the red carpet upon arrival for the premiere of the film ‘7 Days in Entebbe’ during the 68th Berlinale film festival. (AFP)
Updated 20 February 2018
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Film on 1976 plane hijacking illuminates Israeli-Palestinian conflict, says director

BERLIN: A film depicting the 1976 hijacking of an airliner to Entebbe, Uganda and the spectacular rescue of passengers by Israeli commandos casts light on the enduring obstacles to negotiations between Israel and the Palestinians, its director said.
“7 Days in Entebbe,” which premiered on Monday at the Berlin film festival, focuses on the hostages and their hijackers — two militants from the Popular Front for the Liberation of Palestine and two from an allied West German ultra-leftist group.
The flight was en route from Tel Aviv to Paris on June 27, 1976 when, after a stopover in Athens where four hijackers slipped on board, it was commandeered and diverted to Entebbe. The four hijackers were joined by several others there.
Separating Israeli from non-Israelis after removing them from the plane, the hijackers freed 148 non-Israeli passengers over the course of several days and kept 94 mainly Israeli passengers along with the 12 crew members, threatening to kill them if their demands were not met.
In the film, as terrified hostages await their fate in a grimy, disused airport terminal building, Israeli politicians debate whether to negotiate with the hijackers — who want dozens of imprisoned Palestinian guerrillas and other militants freed — but ultimately decide on the rescue mission.
After a 2,500-mile (4,000-km) undercover flight to Uganda, elite Israeli military commandos stormed the terminal building under cover of darkness on July 4, saving all but four of the hostages, who were killed, and killing all the hijackers.
The only death among the commandos was their commander Yonatan Netanyahu, eldest brother of current Israeli Prime Minister Benjamin Netanyahu, who became a national hero.
Director Jose Padilha said it was difficult for Israeli or Palestinian politicians to negotiate because those who do so lose political clout among their compatriots — something he wanted to demonstrate in his movie.
“In this recurrent conflict, it’s very easy for politicians to present themselves as: ‘I’m going to defend you against the enemy’, and, once you frame the relationship as a relationship like that — two enemies — it becomes hard to negotiate,” he said at a post-screening news conference. “That’s still true today.”
Israeli-Palestinian peace negotiations have been frozen for years over Israeli settlements in occupied territory that Palestinians seek for a state, borders, refugees and the disputed status of Jerusalem.
Rosamund Pike, who plays one of the militants from the West German Revolutionary Cells, said all the characters had a cause and the film presents the beliefs of the hijackers and Israeli government alike but leaves it up to viewers to make a judgment.
“I think we all agree that any act of extremism is deplorable. But it is interesting to not make them one-dimensional villains but be able to recognize that emotion, human emotion, plays a part, whether you’re the hero or villain, right?” she told Reuters.
Her co-star Daniel Bruehl, who plays the other West German hijacker, said the film tried to show there were multiple versions of history rather than just one.
“(It’s) a film that is not easy, a film in which you know all these different voices and mindsets are heard and seen in order to understand also where we are coming from and what the situation is right now,” he said.
Jacques Lemoine, an engineer who survived the hijacking, said he liked the film and found it was an accurate depiction.
“7 Days in Entebbe,” is one of around 400 films being screened at this year’s Berlinale but is not competing for the Golden and Silver Bears to be awarded on Saturday. The festival in the German capital runs until Feb. 25.


Hosny’s El Badla marks a first for Egyptian cinema in Saudi Arabia

Updated 20 September 2018
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Hosny’s El Badla marks a first for Egyptian cinema in Saudi Arabia

JEDDAH: Following on the heels of “Kaala” — the first Hindi film to be successfully screened in the Kingdom — Majid Al-Futtaim on Thursday held the first screening of an Egyptian film in Saudi Arabia with the action comedy hit, “El Badla.”
Clocking a screen time of 100 minutes and directed by Tamer Hosny, the film’s plot revolves around a college student — played by Hosny himself — who attends a costume party dressed as a police officer. Hosny soon finds himself in a tricky situation after his plan backfires and he becomes the subject of a criminal investigation for false impersonation.
Cameron Mitchell, CEO of Majid Al-Futtaim Cinemas, said that Egypt’s rich history of producing quality entertainment has led to a high demand for Egyptian films, not only in Saudi Arabia but across the region as well. 
“We are proud to be the first operator that brings Egyptian content to the Kingdom of Saudi Arabia, and we will continue to offer a range of movies that appeal to a variety of cultures that we cater to,” Mitchell said.
The Kingdom lifted a decades-long ban on screening films by opening its first cinema on April 18.