Pakistan aims to revive glory of ancient Mughal city Lahore
Pakistan aims to revive glory of ancient Mughal city Lahore
The painstaking work is part of efforts to preserve Lahore’s crumbling architectural history as officials juggle conserving its diverse heritage with building modern infrastructure in Pakistan’s chaotic second city.
The metropolis, which once served as the capital of the Mughal empire that stretched across much of the subcontinent, has been subsumed into a myriad of civilizations across the centuries.
This rich past is most visible in the milieu of architecture salted across the Walled City of Lahore — from Hindu temples and Mughal forts to Sikh gurdwaras and administrative office built during the Raj.
“You get a history of a thousand years, 500 year-old houses and monuments and mosques, shrines and a very peaceful atmosphere,” says Kamran Lashari, director general of the Walled City of Lahore Authority (WCLA).
Prime among them, and dating back to the 11th century, the Lahore fort was first built of mud and was then later reinforced with stone over the centuries by a long cast of Mughal emperors who oversaw its expansion and the accompanying artwork.
But periods of conflict along with searing heat, monsoon rains and years of neglect have taken a toll on the fort.
Despite the onset of decay, experts suggest the city’s vast Islamic architectural heritage could make it a contender to rival more established Silk Road travel destinations.
“Lahore can easily compete with Samarkand. It nearly matches Ispahan,” says Sophie Makariou, president of the Parisian-based National Museum of Asian Arts.
Makariou adds that its failure to shine is more to do with safety concerns that have plagued the nation after multiple attacks.
“Due to the bad reputation of Pakistan, it remains unknown,” she explains.
But as security across Pakistan continues to improve, officials are hoping to revive Lahore’s lost glory.
More than 40 conservationists with the WCLA — including engineers, architects and ceramists from across the globe — are currently working on restoring the mosaic mural on the fort’s exterior.
“It’s one of the largest murals in the world. It contains over 600 tile mosaic panels and frescos,” says Emaan Sheikh from the Agha Khan Trust for Culture.
Restoration of the mural is just part of a larger project to refurbish the fort, which includes conservation projects in the royal kitchen, the summer palace and a basement, according to WCLA’s director general Kamran Lashari.
Similar work by the WCLA has already been done to revamp the artwork at the historic Wazir Khan mosque and the Shahi Hammam — one of the only surviving Turkish Baths in the subcontinent that is approximately 400 years old.
The city’s famed Delhi Gate, which once hosted extravagant Mughal processions arriving in Lahore from the east, has also been fully restored along with dozens of homes in the Walled City.
Many of those involved in the project are optimistic.
“The cities which are most famous for tourism, you can take London, Madrid, Istanbul, Rome, all the prerequisites which are available in those cities, are available in Lahore,” claims Ahmer Malik, head of Punjab’s tourism corporation, referring to Lahore’s architectural and cultural attractions.
But not all are convinced.
Kamil Khan Mumtaz, President of Lahore Conservation Society (LCS), an advocacy organization promoting preservation projects, says the efforts run the risk of transforming the old city into a “Disneyland” to attract tourists.
“This was a pedestrian’s city. A pre-Industrial revolution modelled city. This should be conserved into that original state instead of remodeling buildings,” said Mumtaz, who is pushing for the use of traditional construction materials in restoration projects.
The calls run into fresh conflict with infrastructure plans aimed at easing the city’s traffic congestion as Lahore adds high-rise buildings, malls, flyovers and amusement parks to its cityscape.
Lahore was the first Pakistani city to unveil a metro bus service, and is now constructing an inaugural metro train that Mumtaz and fellow civil society groups say will diminish the architectural history.
The city also faces fresh challenges as it opens up to tourism.
Canadian visitor Usama Bilal complains: “There are gorgeous old colonial buildings, British era buildings but they are not well taken care of. There is no infrastructure built for tourists.”
Mass tourism threatens Croatia’s ‘Game of Thrones’ town
DUBROVNIK, Croatia: Marc van Bloemen has lived in the old town of Dubrovnik, a Croatian citadel widely praised as the jewel of the Adriatic, for decades, since he was a child. He says it used to be a privilege. Now it’s a nightmare.
Crowds of tourists clog the entrances to the ancient walled city, a UNESCO World Heritage Site, as huge cruise ships unload thousands more daily. People bump into each other on the famous limestone-paved Stradun, the pedestrian street lined with medieval churches and palaces, as fans of the popular TV series “Game of Thrones” search for the locations where it was filmed.
Dubrovnik is a prime example of the effects of mass tourism, a global phenomenon in which the increase in people traveling means standout sites — particularly small ones — get overwhelmed by crowds. As the numbers of visitors keeps rising, local authorities are looking for ways to keep the throngs from killing off the town’s charm.
“It’s beyond belief, it’s like living in the middle of Disneyland,” says van Bloemen from his house overlooking the bustling Old Harbor in the shadows of the stone city walls.
On a typical day there are about eight cruise ships visiting this town of 2,500 people, each dumping some 2,000 tourists into the streets. He recalls one day when 13 ships anchored here.
“We feel sorry for ourselves, but also for them (the tourists) because they can’t feel the town anymore because they are knocking into other tourists,” he said. “It’s chaos, the whole thing is chaos.”
The problem is hurting Dubrovnik’s reputation. UNESCO warned last year that the city’s world heritage title was at risk because of the surge in tourist numbers.
The popular Discoverer travel blog recently wrote that a visit to the historic town “is a highlight of any Croatian vacation, but the crowds that pack its narrow streets and passageways don’t make for a quality visitor experience.”
It said that the extra attention the city gets from being a filming location for “Game of Thrones” combines with the cruise ship arrivals to create “a problem of epic proportions.”
It advises travelers to visit other quaint old towns nearby: “Instead of trying to be one of the lucky ones who gets a ticket to Dubrovnik’s sites, try the delightful town of Ohrid in nearby Macedonia.”
In 2017, local authorities announced a “Respect the City” plan that limits the number of tourists from cruise ships to a maximum of 4,000 at any one time during the day. The plan still has to be implemented, however.
“We are aware of the crowds,” said Romana Vlasic, the head of the town’s tourist board.
But while on the one hand she pledged to curb the number of visitors, Vlasic noted with some satisfaction that this season in Dubrovnik “is really good with a slight increase in numbers.” The success of the Croatian national soccer team at this summer’s World Cup, where it reached the final, helped bring new tourists new tourists.
Vlasic said that over 800,000 tourists visited Dubrovnik since the start of the year, a 6 percent increase from the same period last year. Overnight stays were up 4 percent to 3 million.
The cruise ships pay the city harbor docking fees, but the local businesses get very little money from the visitors, who have all-inclusive packages on board the ship and spend very little on local restaurants or shops.
Krunoslav Djuricic, who plays his electric guitar at Pile, one of the two main entrances of Dubrovnik’s walled city, sees the crowds pass by him all day and believes that “mass tourism might not be what we really need.”
The tourists disembarking from the cruise ships have only a few hours to visit the city, meaning they often rush around to see the sites and take selfies to post to social media.
“We have crowds of people who are simply running,” Djuricic says. “Where are these people running to?“