Meet Iman Al-Dabbagh, the documentary photographer telling women’s stories in Saudi Arabia

The Jeddah-based photojournalist pictures life at its most raw and revealing. She photographs a woman on a carousel in this shot. (Photo courtesy: @photosbyiman)
Updated 05 March 2018
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Meet Iman Al-Dabbagh, the documentary photographer telling women’s stories in Saudi Arabia

JEDDAH: They say a picture speaks a thousand words, and that is certainly true for Saudis. For years, foreign photographers and journalists — visitors to the Kingdom — have told our stories. But over the past decade, there has been a significant rise in regional photojournalism, with young Saudis presenting the reality of life in Saudi Arabia.
Jeddah-based Saudi photojournalist Iman Al-Dabbagh has been photographing the people of Saudi Arabia for some time now. Her pictures are not necessarily pretty, but they are true depictions of people’s lives one story at a time. Her passion for photography and obvious respect and admiration for her subjects shines through, and this has allowed her to build a level of trust with them that enables her to really understand their lives and tell their stories in a way that a visitor could not.

Posted in @everydaymiddleeast: When my childhood school friends and I get together, even after 10 college/work years apart, we go back to feeling like we're in school again. The silliness and the way we make fun of each other, nothing changed. We changed and we may not agree on lifestyle or life choices, but we remain friends. Some left and came back, some left and never came back, as we are a mix of Saudis and Halfies and what I call ExpatCitizens (local, pretty much citizen, "expats"). Next year will mark 20 years since our graduation. Last year marked 30 years since Mona and I became instant best friends in 1st grade. This shows only one half... We aim to reunite next year. Yalla banaat. Jeddah (2017). @photosbyiman #SaudiStoriesByIman #SaudiExpatStories #everydayeverywhere #everydaymiddleeast

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She documents family gatherings, food (which she began doing long before it became a trend), street scenes and candid moments.
Like most photographers, Al-Dabbagh started out taking shots of family and friends, but over the past seven years her work has expanded to focus on women and their relationship with taboos and freedom of expression in Saudi society. It was in 2006, when a friend’s mother first encouraged her to consider photography as more than a hobby, noting how “natural” the images Al-Dabbagh had captured at her friend’s wedding were.
To capture the raw and natural moments was what made sense to Al-Dabbagh, not the typical posed images that are typical of wedding photography. This was something new, unseen and unknown to many.
Later that same year, Al-Dabbagh met the late French photographer Alexandra Boulat, who pointed out that — in Saudi Arabia — she had access to a world that was closed to many. “Go back home to Saudi Arabia,” was the assertive push the late photographer gave to young Al-Dabbagh.
“I was photographing stories I care about between California and the Arab world at the time,” Al-Dabbagh explained. “Graduating in 2005, I started working a nine-to-five job in a cubicle doing commercial print production, I wasn’t happy. I resigned from my position in 2007 and I was already slowly making the transition (to professional photography). I was building a portfolio by volunteering to shoot local community events and protests, or helping filmmaker friends with stills for their promos. Eventually I was getting hired to photograph baptisms, weddings, babies, and sometimes small assignments for newspapers and magazines.”
From 2007-2010, Al-Dabbagh educated herself in photojournalism. She attended workshops, and experimented on a number of personal projects. Gradually, she began to realize she had a particular passion for raw imagery, and that is what she has become best known for.
“I approach specific people who I think will fit my project when I find them on social media or (through references),” she explained. “Sometimes they come to me or I find them by chance — the magic of socializing, the magic of my creative city. Sometimes, for my own self-assigned stories, it’s hard to find people who will agree to be photographed with their faces showing, because most of my stories address sensitive topics. But they usually still end up being part of it because they believe in what I’m doing.”
Al-Dabbagh feels such work is particularly valuable in Saudi Arabia, where women — in particular — have not often been represented as they truly are.
“I feel happy to be part of any movement that breaks stereotypes,” Al-Dabbagh said. “It’s also great to be documenting a place that is changing as we speak; a place I have grown up in that was so different at the time than what it is today. I am living the change; not just witnessing history being made, but also being part of it, documenting it. We are telling our own stories now, as opposed to having our stories told by others.
“Telling the story my way, with the consent of the people involved, is very important,” she continued. “I show my subjects not only how the photos came out, but also how they fit in the bigger picture.”
Just because a picture might look good by itself, she stressed, does not mean it will fit into the broader narrative she has planned. For Al-Dabbagh, it’s not about getting the perfect shot, it’s more about how the images fit together to tell a story, and how that story makes people feel.
“I adore the people I photograph because they have allowed me to see and show their lives. They gave me their trust. In return, I have to respect them,” she said.
This also means trusting and respecting herself. All her narratives, she explained, have “a little bit of me in them.”
“It’s me telling my own story,” Al-Dabbagh said, “but through other people.”


Startup of the Week: Purple Brain to raise media standards

Updated 25 September 2018
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Startup of the Week: Purple Brain to raise media standards

  • Purple Brain is mainly focused into the commercial world, which is tough and competitive, not only here but worldwide

JEDDAH: Purple Brain in Jeddah is a production and content house whose services range from illustration and animation to writing and producing films and commercials.
It was founded in March, 2017 by Otbah Rayess and cofounder Maria Mahdaly after the success of a campaign they have created together, and won awards on “Try Local”, films made in collaboration with Destination KSA. The two realized that there is a high demand for content in the region, and more so now in Saudi Arabia.
Rayess said that Purple Brain was born in line with Saudi Vision 2030. “Purple Brain works closely with a lot of entities to develop beautiful and unique content from Saudi Arabia to the world, which is perfectly aligned with the vision to improve and change the image of the country into a better, more advanced one.
“The company always aims to produce local content with international standards, as we truly believe that this country has so much to offer and so many stories to tell, and we are just here to bridge and connect with the world through stories and visual content,” he told Arab News.
What makes Purple Brain stand out from other media production companies in commercials is their storytelling style.
“Purple Brain is mainly focused into the commercial world, which is tough and competitive, not only here but worldwide. We aim to be known and recognized for our unique storytelling style in commercials. Therefore, we try to always produce content that is story-driven and treated like short narratives. Even if it’s presented in just a picture.”
Purple Brain have participated in the “Colors of Saudi Arabia Forum,” a photo and video contest organized by the Saudi Commission for Tourism and National Heritage (SCTH), and won first place two years in a row for the campaign “Try Local” in 2016 and 2017. “The two winning films highlighted stories of foreigners experiencing both Jeddah and Riyadh through a beautiful, rich and very local journey,” Rayess said.
They have produced a couple of short films. One, “About Her,” is a 15-minute narrative that tells the story of a 60-year-old writer lost between his real world and his fictional world. The film was screened at Warner Bros. Studios in Los Angeles, and also in Jeddah.
Rayess and Mahdaly have also worked on other campaigns for SCTH, and for the Saudi Telecom Company (STC), Nahdi Medical Co. and other clients.
Purple Brain aims to revolutionize and raise standards in media and content in the region.
“We are aiming to produce long narratives and features with very high standards in the near future. Hopefully that would not only get us recognized globally but also have a huge impact on so many lives. We believe that we have a strong, very powerful, tool, and we have to make sure to use it well and help make this world a better place,” Rayess said.
Purple Brain content can been seen at www.purplebrain.co.