Throwback Thursday: The making of Oscar-nominated director Ziad Doueiri

Updated 05 April 2018

Throwback Thursday: The making of Oscar-nominated director Ziad Doueiri

  • Ziad Doueiri’s compelling civil-war drama was an early indication of the Oscar-nominated filmmaker’s talent
  • The controversial Lebanese filmmaker made history as the first director to represent his country at the Academy Awards this year
LONDON: This year has proved one of monumental milestones for Ziad Doueiri. In March, the controversial Lebanese filmmaker made history as the first director to represent his country at the Academy Awards, with fourth picture “The Insult” (nominated for Best Foreign Language Film). Now, May marks the 20th anniversary of Doueiri’s game-changing debut “West Beirut”, which won the François Chalais Award at the 1998 Cannes Film Festival and was soon after hailed as the first Arabic-language film to enjoy a worldwide release. If Middle Eastern filmmaking has enjoyed a creative renaissance in the 21st century, then “West Beirut” helped pave the way.
With sad inevitability, it was the subject of war which unlocked international cinema screens. But while Doueiri cut his teeth serving on first assistant camera for “Reservoir Dogs” and “Pulp Fiction,” there is none of Quentin Tarantino’s sensationalist gore in his autobiographical Lebanese Civil War drama.

Despite reservations, the director’s younger brother Rami Doueiri was cast as the film’s Truffaut-esque Tarek, a goofy, anti-authoritarian, middle-class teenager who we first encounter disrupting the French national anthem in the schoolyard. Following the catastrophic bus massacre of April 1975 — viscerally evoked to a soundtrack of legendary Lebanese diva Fayrouz — the city is carved in two. Military checkpoints prevent Tarek from ever again making the journey from his home in Muslim West Beirut to that snobby, post-colonial school in the Christian East.
For Tarek and friend Omar (Mohamad Chamas), it’s initially a lark: These hormone-charged, flare-wearing teens use the free time to dig for disco LPs, spy on girls, eat falafel, shoot Super 8 films and befriend a sultry Christian neighbor (Rola Al Amin), while gunshots, snipers and underground shelters punctuate life after dark.  
Politics are never far from the frame — “Since when has the West understood the East?” asks Tarek’s lovable father with weary pathos — but, at its core, “West Beirut” is a charming, almost-nostalgic, coming-of-age tale, told with a sharp comedic edge and a native’s feel for the thrum of the streets.
In perhaps the most telling scene, the morning after a violent bout of nocturnal shelling enterprising locals peddle replacement glass windows. The message of resilience is clear: with or without war, people grow up, grow old, fall in and out of love — the human tragedy, and joy, of life continues.

Nora Attal has her day in the sun in Marrakesh

Updated 19 March 2019

Nora Attal has her day in the sun in Marrakesh

DUBAI: British-Moroccan model Nora Attal posed up a storm in Marrakesh’s golden sunlight for a new campaign by fashion brand Zara.

The in-demand model shared snaps from the campaign, photographed by Christian Macdonald, on her Instagram account.

The collection of photographs show Attal modelling looks from Zara’s laid-back Spring/Summer 2019 collection against a backdrop of rippling sand dunes. Her featured ensembled include kaftans and long-length cardigans with hefty stripes in a clay-and-beige color palette.

Attal is no stranger to fronting campaigns — in January, the model was chosen as one of seven rising stars to feature in British fashion house Alexander McQueen’s latest campaign.

The Spring/Summer 2019 collection photoshoot was shot by British fashion and documentary photographer Jamie Hawkesworth and featured Attal wearing a number of cowboy-inspired looks.

The year has gotten off to a busy start for Attal, who was similarly in demand in 2018, when she took to the catwalk for Elie Saab, Loewe and Dior during Paris Fashion Week in September and starred in Italian fashion label Versace’s summer advert campaign.

In May, luxury e-retailer Farfetch launched in the Middle East with a little help from the young model.

She starred in a photoshoot wearing pieces from collections on sale on the platform. The colorful photographs were accompanied by a snappy, chatty interview with the young model.
Readers got the chance to gain insight into her earliest fashion memories and learn some off-the-cuff facts about the star.

“Recently I’ve been obsessed with noughties trends. Everyone was so cool and effortless back then. Now I go out in a full Juicy Couture tracksuit with no shame,” she told Farfetch at the time.

“If I wasn’t a model, I’d probably be at university, studying to get into something like criminal investigations, profiling or law,” she added.

Attal finished off 2018 by hitting the sand dunes in the UAE — however, this time it wasn’t part of a high-end photoshoot, but rather a day of fun.

The model enjoyed an afternoon of sandboarding in the emirate of Sharjah and even posted a snap on Instagram at the time.

“Apparently sandboarding is a thing,” she captioned the sunset shot.