Beyonce throws Coachella homecoming with Destiny’s Child reunion

Beyonce performs Saturday during the Coachella Music and Arts Festival in Indio, California, April 14, 2018. (AFP)
Updated 16 April 2018

Beyonce throws Coachella homecoming with Destiny’s Child reunion

INDIO, United States: Beyonce returned spectacularly to the stage Saturday with a joyous, homecoming-themed party at the Coachella festival where she delighted fans with a rare reunion of her former trio Destiny’s Child.
Before a sea of some 100,000 people in the southern California desert, the pop superstar headlined the second night of the premier global music festival, ending a year-long hiatus from live music as she gave birth to twins.
Beyonce showed no sign of slowing down after her maternity leave, singing and strutting her stuff with little break for two hours as she led around 100 back-up dancers and musicians.
Her husband, rap mogul Jay-Z, popped up on stage toward the end of her set to join in their song “Deja Vu.” But he turned out to be only a preview of a less routine guest appearance.
With an audio recording of novelist Chimamanda Ngozi Adichie’s essay “We Should All Be Feminists” allowing Beyonce a moment to prepare, she re-emerged being elevated to the stage in an unmistakable silhouette of three figures.
Fellow Destiny’s Child members Kelly Rowland and Michelle Williams joined Beyonce for three of the trio’s songs, including “Say My Name.”
It was their first reunion since Beyonce’s Super Bowl halftime show in 2013. The group propelled Beyonce to stardom but was also beset by internal friction.
On Saturday, Beyonce referred to her bandmates as her “sisters” — and was also joined on stage by her real sister, Solange Knowles.
Beyonce made clear from the start that Coachella was about reuniting, with an announcer starting the show by welcoming guests to her “homecoming.”
A school’s worth of brass and string players played from stadium-style stands as Beyonce entered to a New Orleans-style march. She sported an all-American outfit of tight jean shorts and a collegiate sweatshirt — the Greek letters, of course, starting with “B.”
After revving up the crowd with fireworks and the boisterous “Crazy in Love,” Beyonce offered a take on “Lift Every Voice and Sing,” the unofficial African American national anthem.
Beyonce voiced pride that she was the first black woman to headline Coachella. She is one of the few women to top the bill of any major festival, a sign of lingering male dominance of the music industry.
Coachella takes place over two consecutive weekends with identical lineups.
Next weekend, Beyonce may want to check her shoes — after changing into a racier bodysuit, she appeared to hold herself back at moments for fear of dancing her feet out of her boots.
While Beyonce went light on the politics, New Wave pioneer David Byrne of Talking Heads fame delivered a forceful statement against racism as he covered Janelle Monae’s protest anthem “Hell You Talmbout.”
Set only to percussion, Byrne updated the song about African Americans fatally shot by police or in other racially charged incidents.
Reciting each name, from Emmett Till who was lynched in 1955 to Stephon Clark who was shot dead by police last month in California’s state capital Sacramento when holding his cell phone, Byrne’s band implored the crowd, “Say his name!“
The track belied the tone of Byrne’s set, which was infused with his signature sly irony. Barefoot in a gray suit, Byrne opened sitting in a school desk and holding a brain, which he serenaded with “Here,” a track about neuroscience off his new album “American Utopia.”
Byrne, in what he has described as his most ambitious stage project since Talking Heads, designed a strikingly sleek space with chain curtains delineating a clear floor and his 11-piece band, dressed identically to him, all wireless.
Dancing first with mime-like body thrusts, with Byrne throwing his hands forward as if off-kilter on the Talking Heads classic “Same As It Ever Was,” the band took the shape of a campfire party as the sun set on the palm trees behind them.
The band took turns playing solos that showed the scope of Byrne’s global influences, from Latin-inspired bongo drums to a Middle Eastern-tinged whammy bar session on guitar by Byrne himself.
Coachella also marked an unusually intimate return for X Japan, megastars of Japanese metal in the 1980s who are planning their first new album in more than two decades this year.
Accustomed to packing arenas, the group managed to pull in a smaller but respectable crowd of hundreds despite the misfortune of playing at the same time as Beyonce.
X Japan paid tribute to its two late members — guitarist Hide and bassist Taiji, who both died in apparent but contested suicides — with the song “Endless Rain” as well as holograms that reunited them on stage.
Previewing the new music, which frontman Toshi will sing in English in his piercing voice, X Japan showed its blend of furious hard rock and symphonic structure with key songwriter Yoshiki — topless with a neck brace after years of physically devastating head-banging — alternating between drums and piano.
X Japan also brought two guest guitarists — Wes Borland of Limp Bizkit and Richard Fortus of latter-day Guns N’ Roses — a sign of the deep esteem the band enjoys in the rock world, if not yet the US general public.

History goes under the hammer as London celebrates Islamic art

Updated 27 April 2018

History goes under the hammer as London celebrates Islamic art

  • Leading auction houses this week embarked on an 1,800-year artistic odyssey with treasures from across the region
  • A painting by the late Egyptian painter Mahmoud Said fetched the highest bid £633,000

LONDON: For aficionados of Middle Eastern art, London was the place to be this week. During the biannual Islamic Art Week, the big auction houses held sales of everything from antiquities to modern-art installations, with many works receiving well above their estimates.

Sotheby’s 20th Century Art/Middle East on Tuesday featured two Saudi artists, Ahmed Mater and Maha Malluh, alongside works by  Morocco’s Farid Belkahia, Lebanon’s Paul Guiragossian, Iraq’s Shakir Hassan Al-Said and Syria’s Louai Kayali. A painting by the late Egyptian painter Mahmoud Said, often a record-setter at auctions of Arab art, fetched the highest bid: “Adam and Eve,” at £633,000 (it was estimated at £300,00-£500,000). 

The same day, Sotheby’s held the seventh season of its Orientalist Sale, with Edwin Lord Weeks’ painting “Rabat (The Red Gate)” drawing the highest bid at £573,000, above its estimate of £200,000-£300,000.

At Bonham’s, a pair of gold pendant earrings from the collection of Maharani Jindan Kaur, the mother of the last Sikh ruler of the Punjab, sold for £175,000, eight times the original estimate. 

At Sotheby’s Arts of the Islamic World auction on Wednesday, an Iznik pottery flask raised the highest price, £669,000, well above the estimated £60,000-£80,000.

The Christie’s auction on Thursday featured Art of the Islamic and Indian Worlds, including Oriental rugs and carpets. A rare palimpsest of a Qur’an written over an earlier Coptic text, thought to be from Egypt and to date back to the second century, was bought for £596,750.