Fuzzy crab, shiny-eyed shrimp discovered on Java expedition

A photo from the South Java Deep Sea Biodiversity Expedition 2018 shows a yet-to-be-named spider crab species found in the waters of southwestern Java. (South Java Deep Sea Biodiversity Expedition 2018/AFP)
Updated 19 April 2018
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Fuzzy crab, shiny-eyed shrimp discovered on Java expedition

SINGAPORE: A hermit crab, a shiny-eyed shrimp and a crab with fuzzy spines are among over a dozen new species discovered in a deep-sea expedition off the Indonesian island of Java, scientists said.
The team from the National University of Singapore (NUS) and the Indonesian Institute of Sciences (LIPI) carried out the expedition for 14 days between March and early April.
The area covered included a long stretch of the Indian Ocean off Java’s southern coast as well as the Sunda Strait that separates the island from Sumatra.
“This is a part of the Indian Ocean that has been never been sampled for deep-sea animals so we really didn’t know what to find,” said Peter Ng, a crab expert and head of the Lee Kong Chian Natural History Museum at NUS.
“We were very surprised by the findings,” he said on Thursday, adding that the team had expected to discover creatures from the Indian Ocean and the surrounding areas already known to scientists.
But the discovery of species entirely new to science “tells us that there are things happening in that part of Indonesia that we don’t know,” said Ng, who co-led the expedition.
The researchers examined 63 sites as they sailed from Jakarta to Cilacap town in southern Java and back.
Three new species of spider crabs were discovered during the expedition, the scientists said in a statement.
One of them had a plate protecting its eyes which resembled oversized ears while another was bright orange in color.
Another discovery was a new species of hermit crab with bright green eyes, according to Indonesian scientist Dwi Listyo Rahayu, also a crab expert and the expedition’s co-leader.
One new species of shrimp had shiny eyes that reflect light, the scientists said.
Ng, the NUS professor, said the scientists will carry out a detailed study of the more than 12,000 creatures from 800 species they had picked up on the expedition and publish their findings in 2020.
They expect to discover more new species as they go along, he said.
The reason they immediately identified the new species of crabs, prawns and lobsters is that the scientists involved are experts in this field, he added.


Chip Wickham ushers in winds of change on the jazz scene

Updated 22 May 2018
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Chip Wickham ushers in winds of change on the jazz scene

PARIS: The hotly hyped “British jazz invasion” has been the toast of international scenesters for some months now, with breathy adjective-heavy sprawls penned on both sides of the Atlantic paying tribute to a fresh generation of musos who grew up not in the conservatoires but the clubs, channelling the grit and groove of grime into a distinctly hip, 21st century strain of freewheeling, DIY improvised music.

Now the Arab world has its own outpost in the form of Chip Wickham, a UK-born flautist, saxophonist and producer whose second album grew out of extended stints teaching in the GCC. “Shamal Wind” takes its name from the Gulf’s primal weather patterns, and there’s a distinctly meditative, Middle Eastern vibe to the title track, a slow-burning, moody vamp, peppered with percussive trills, with hints of Yusef Lateef to be found in Wickham’s wandering woodwind musings.

There’s rather less goatee-stroking to be found across the four further up-tempo cuts, which swap soul-searching for soul-jazz, soaked in the breezy bop of a vintage Blue Note release. Recorded over a hot summer in Madrid, a heady Latin pulse drives first single, “Barrio 71” — championed by the likes of Craig Charles — with Spanish multi-percussionist David el Indio steaming up a block party beat framing Wickham’s gutsy workout on baritone sax.

Having previously worked with electronic acts, including Nightmares on Wax and Jimpster, one imagines the dancefloor was a key stimulus behind Wickham’s rhythmically dense, but harmonically spare compositional approach. Phil Wilkinson’s sheer, thumped piano chords drive the relentless nod of second single “Snake Eyes,” Wickham’s raspy flute floating somewhere overhead, readymade to be skimmed off for the anticipated remix market.

In truth, Manchester-raised Wickham is both too thoughtful, and too thoughtless, to truly belong to the London-brewed jazz invasion — Shamal Wind yo-yos between meditative meandering and soulful strutting with a wilful disrespect for trend.