WWE stars soften up to Jeddah children to introduce anti-bullying campaign

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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
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WWE stars sat down in front of 30 students from the Al-Oula institution. (WWE/General Sport Authority of Saudi Arabia)
Updated 26 April 2018
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WWE stars soften up to Jeddah children to introduce anti-bullying campaign

  • Al-Oula is a non-profit organization targeted to break the cycle of poverty
  • WWE stars sat down in front of 30 students from the institution

JEDDAH: The children of Al-Oula –- a non-profit organization targeted to break the cycle of poverty –- had the most thrilling school trip as they came to see World Wrestling Entertainment (WWE) superstars Mojo Rawley and Mark Henry in King Abdullah stadium on Tuesday.
The stars sat down in front of 30 students from the institution and softened up as they shared stories from their childhood and introduced their anti-bullying campaign “Be a Star.”
The stars shared personal stories and the difficulties they have faced.
Dean Muhtadi, 31, better known by his ring name Mojo Rawley, told the children: “We are different in many ways but sometimes you have to focus on the similarities and positive aspects of others.”
Mark Henry, 46, opened up about his past: “When I was young people would call me names and were mean to me, so I decided to become the strongest person in the world.
“I won three world championships in three different world countries that had nothing to do with each other and I am very proud of myself for not letting the mean comments get to my head.”
Henry was world heavyweight champion, and is also a two-time Olympian and a gold medalist at the Pan American Games.
Later the children had the chance to talk directly with the stars. Rawley is originally Palestinian, so he spoke in Arabic with some of the children.
Henry told one of the students: “If someone is troubling you, don’t give them the satisfaction of letting the comments or actions affect you, and immediately tell your teacher or your parents or any adult, and they will help you through your problems.”
The children then took pictures and were given tickets to the WWE Royal Rumble show on Friday.
“Jeddah is a very family-friendly and a culture-loving city, so I love being here,” Henry told Arab News. “The only difference is the language. Apart from that everyone is very nice and warm.”
On the Royal Rumble, he said: “Get ready for the best entertainment you have ever seen with your own eyes.”
“For someone who comes from an Arab background, this is a historic achievement and it will be remembered for ever,” Rawley said in an interview with Arab News.
“When I first found out that we agreed to a ten-year partnership, it was the coolest thing to find out.
“I am very fortunate to be a part of this long-term partnership which will give the citizens a long time to understand and give us enough time to develop our brand here in Saudi Arabia.
“Last year the show in Riyadh was a small, non-televised show but it was one of the coolest experiences of my life, so I am very excited to perform in this grand-scale show. It’s going to be an amazing show. It will rival Wrestle Mania, which is the biggest event of the year.”
Jana Marwan, a nine-year-old student, said: “Everyone told us that the wrestlers were scary but they weren’t. In fact they were very friendly. They taught us how to look out for ourselves and I had so much fun. I am thankful to them.”


Rarer than a Sumatran rhino: a woman composer

Updated 18 February 2019
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Rarer than a Sumatran rhino: a woman composer

  • “I was the only woman in all my classes in the Conservatoire, and it was fine,” said Pepin, who is now working on her first ballet score in her Paris apartment which doubles as a studio

PARIS: Camille Pepin is part of a very rare breed. She is a female composer.
Women have conquered space, risen in the military ranks, but some professions remain resolutely and bewilderingly masculine.
When Pepin turned up for her first day at the Paris Conservatoire — as usual the only woman in a class of men — an official told her that her name wasn’t on the list.
But when she insisted that she was and that he look again, he cried, “Ah, you’re a woman!“
Camille is also a man’s name in France.
“I would never have thought,” he apologized. “There are so many men...”
With so few female composers in the classical music repertoire, it was an easy mistake to make.
Pepin has never let everyday sexism get her down though, laughing it off like water off a duck’s back.
“One male composer told me I was getting commissions because I was a woman and not too bad looking,” said the 28-year-old, whose first album, “Chamber Music,” is released later this month.
After a concert of one of her more combative pieces, “a man came to tell me my music was ‘very fresh, flowery and sweet’,” she told AFP.
“I am a woman so clearly those three words” apply, she said wryly.
Pepin, whose music recalls both Claude Debussy and American minimalist composers like John Adams, said sometimes the sexist stereotypes which persist in the classical music world are hard to take.

One “old school” music professor insisted she sit on his right at lunch “because that was a woman’s place” and sent her off to make the coffee.
“I was the only woman in all my classes in the Conservatoire, and it was fine,” said Pepin, who is now working on her first ballet score in her Paris apartment which doubles as a studio.
Mostly the young composer, who made her breakthrough with the orchestral piece “Vajrayana” in 2015, said she was treated exactly the same as her male colleagues in classes with French contemporary composers like Guillaume Connesson, Thierry Escaich and Marc-Andre Dalbavie.
Beyond the classroom, however, progress is slow in the conservative world of classical music.
Pepin believes it will take generations for the forgotten work of female composers to get just recognition.
Beyond the casual unthinking sexism, she said the biggest problem for young female composers was “a lack of role models.”
A few woman such as the American composer Meredith Monk, Kaija Saariaho of Finland and Tansy Davies from Britain have managed to break the glass ceiling.

But even Pepin admitted that when she was younger she didn’t know of a single female composer.
“We never studied them,” she said.
Who has ever heard of Helene de Montgeroult (1764-1836), Louise Farrenc (1804-1875) or Fanny Mendelssohn (1805-1847)?
Fanny was the older sister of the more famous Felix Mendelssohn, with many at the time saying her work was more expressive.
But after she married she was limited to domestic duties and had to content herself with being her brother’s chief editor and muse, which led him to call her his “Minerva” of wisdom.
“Lots of female composers were crushed like Clara Schumann (the wife of Robert Schumann),” despite being one of the most distinguished composers and musicians of the Romantic era, said the pianist Celia Oneto Bensaid, who often performs Pepin’s work.
“You play my music,” Schumann once bluntly told his wife, a star of concert halls across Europe.

Born into a family in the northern French city of Amiens that wasn’t particularly musical, Pepin began to write her own melodies at 13.
But even at the age of five in her ballet class, her eyes were more drawn to the piano.
“I was so fascinated that I would forget to do my exercises,” she said.
Before settling on composing, Pepin thought about being a dancer. “I need to feel the notes physically,” she said.
Her first ballet will be choreographed next year by Sylvain pad for France’s Ballet du Nord.
Finally, she feels she is getting beyond the dreaded question — “But what do you do for a living?” — when she tells people she’s a composer.
“They thought it was just something I did to chill on Sundays,” she laughed.