‘Game of Thrones’ author George R.R. Martin announces new book

Game of Thrones author George R.R. Martin stressed it is not a novel, but rather a historical text setting out the history of Westeros’ Targaryen dynasty. (AFP)
Updated 26 April 2018
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‘Game of Thrones’ author George R.R. Martin announces new book

NEW YORK: American author George R.R. Martin Wednesday announced a new book to be released in November — but fans may be disappointed to learn it’s not the highly-anticipated sixth installment of the hit “Game of Thrones” saga.
“Fire and Blood” is set several centuries before “Game of Thrones” in the same fantasy world of Westeros, the author said on his blog. Martin stressed it is not a novel, but rather a historical text setting out the history of Westeros’ Targaryen dynasty.
Since 2012, the author has published several passages from the new book. Publisher Bantam Spectra did not respond to a request for comment about the upcoming release, but the book is already available for presale online
As for the sixth “Game of Thrones” book — “The Winds of Winter” — Martin said: “No, winter is not coming... not in 2018, at least.”
Between 1996 and 2011, Martin published five volumes of the “Game of Thrones” series — letting six years pass between the fourth and fifth.
Since the sixth season of the phenomenally popular television show based on the series, the writers have not directly relied on Martin’s books — and in any case, producer HBO took many liberties with the original story in previous seasons.
The series — whose eighth and final season is expected in 2019 — has already scooped up a record 38 Emmy Awards.


Chip Wickham ushers in winds of change on the jazz scene

Updated 22 May 2018
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Chip Wickham ushers in winds of change on the jazz scene

PARIS: The hotly hyped “British jazz invasion” has been the toast of international scenesters for some months now, with breathy adjective-heavy sprawls penned on both sides of the Atlantic paying tribute to a fresh generation of musos who grew up not in the conservatoires but the clubs, channelling the grit and groove of grime into a distinctly hip, 21st century strain of freewheeling, DIY improvised music.

Now the Arab world has its own outpost in the form of Chip Wickham, a UK-born flautist, saxophonist and producer whose second album grew out of extended stints teaching in the GCC. “Shamal Wind” takes its name from the Gulf’s primal weather patterns, and there’s a distinctly meditative, Middle Eastern vibe to the title track, a slow-burning, moody vamp, peppered with percussive trills, with hints of Yusef Lateef to be found in Wickham’s wandering woodwind musings.

There’s rather less goatee-stroking to be found across the four further up-tempo cuts, which swap soul-searching for soul-jazz, soaked in the breezy bop of a vintage Blue Note release. Recorded over a hot summer in Madrid, a heady Latin pulse drives first single, “Barrio 71” — championed by the likes of Craig Charles — with Spanish multi-percussionist David el Indio steaming up a block party beat framing Wickham’s gutsy workout on baritone sax.

Having previously worked with electronic acts, including Nightmares on Wax and Jimpster, one imagines the dancefloor was a key stimulus behind Wickham’s rhythmically dense, but harmonically spare compositional approach. Phil Wilkinson’s sheer, thumped piano chords drive the relentless nod of second single “Snake Eyes,” Wickham’s raspy flute floating somewhere overhead, readymade to be skimmed off for the anticipated remix market.

In truth, Manchester-raised Wickham is both too thoughtful, and too thoughtless, to truly belong to the London-brewed jazz invasion — Shamal Wind yo-yos between meditative meandering and soulful strutting with a wilful disrespect for trend.