Tim Morton’s book will open your mind to a new way of being

Updated 14 May 2018
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Tim Morton’s book will open your mind to a new way of being

BEIRUT: “Being Ecological” will interest anyone passionate about ecology, but this is not the readership Tim Morton is targeting. Being Ecological is primarily meant for anyone who doesn’t care about ecology. “Don’t read ecology books? This book is for you,” says  Morton, acknowledging that ecology books are either clogged with information already out of date by the time they are published or filled with shocking news to make us feel bad.

“This book has none of that” and “it also contains no ecological facts, no shocking revelations about our world, no ethical or political advice, and no grand tour of ecological thinking. This is a pretty useless ecology book, in fact,” says Morton. His wry humor and playful tone run throughout this collection of essays which show us how to live ecological knowledge through the lense of philosophy, literature and popular culture.

“I have a lot of sympathy for the ‘What are we going to do?’ sort of question. And this is precisely why I refuse to give it a straight answer,” writes Morton. 

In a powerful and dazzling display of intellectual calisthenics, Morton opens our minds to new ways of thinking. 

The narrative is clever, challenging and hardly coherent.  He writes like he thinks: Unrestrained and unbridled. He re-molds the language, invents words and brings a new dimension to the art of writing so you can feel the texture of an idea, the taste of a thought and express the color of a feeling.

Tim Morton has devised an exhilarating approach to creating a liveable future. All forms of life are connected. Each one of us is a symbiotic being entwined with other symbiotic beings. 

This interconnectedness encompasses all dimensions of life. In other words, being ecological is not an option because we are ecological.


What We Are Reading Today: Art as History Calligraphy and Painting as One

Updated 21 August 2018
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What We Are Reading Today: Art as History Calligraphy and Painting as One

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen C. Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the history and practice of Chinese painting and calligraphy. In this collection of some of his most recent essays, Fong gives a sweeping tour through the history of Chinese painting and calligraphy as he offers new and revised views on a broad range of important subjects.
The topics addressed include “art as history,” in which each art object preserves a moment in art’s own significant history; the museum as a place of serious study and education; the close historical relationship between calligraphy and painting and their primacy among Chinese fine arts; the parallel development of representational painting and sculpture in early painting history; the greater significance of brushwork, seen abstractly as a means of personal expression by the artist, in later painting history; the paradigmatic importance of the master-to-follower lineage as a social force in shaping the continuity and directing the subtle changes in Chinese painting history.