Chip Wickham ushers in winds of change on the jazz scene

Updated 22 May 2018
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Chip Wickham ushers in winds of change on the jazz scene

PARIS: The hotly hyped “British jazz invasion” has been the toast of international scenesters for some months now, with breathy adjective-heavy sprawls penned on both sides of the Atlantic paying tribute to a fresh generation of musos who grew up not in the conservatoires but the clubs, channelling the grit and groove of grime into a distinctly hip, 21st century strain of freewheeling, DIY improvised music.

Now the Arab world has its own outpost in the form of Chip Wickham, a UK-born flautist, saxophonist and producer whose second album grew out of extended stints teaching in the GCC. “Shamal Wind” takes its name from the Gulf’s primal weather patterns, and there’s a distinctly meditative, Middle Eastern vibe to the title track, a slow-burning, moody vamp, peppered with percussive trills, with hints of Yusef Lateef to be found in Wickham’s wandering woodwind musings.

There’s rather less goatee-stroking to be found across the four further up-tempo cuts, which swap soul-searching for soul-jazz, soaked in the breezy bop of a vintage Blue Note release. Recorded over a hot summer in Madrid, a heady Latin pulse drives first single, “Barrio 71” — championed by the likes of Craig Charles — with Spanish multi-percussionist David el Indio steaming up a block party beat framing Wickham’s gutsy workout on baritone sax.

Having previously worked with electronic acts, including Nightmares on Wax and Jimpster, one imagines the dancefloor was a key stimulus behind Wickham’s rhythmically dense, but harmonically spare compositional approach. Phil Wilkinson’s sheer, thumped piano chords drive the relentless nod of second single “Snake Eyes,” Wickham’s raspy flute floating somewhere overhead, readymade to be skimmed off for the anticipated remix market.

In truth, Manchester-raised Wickham is both too thoughtful, and too thoughtless, to truly belong to the London-brewed jazz invasion — Shamal Wind yo-yos between meditative meandering and soulful strutting with a wilful disrespect for trend.


If proven, Smollett allegations could be a ‘career killer’

Updated 22 February 2019
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If proven, Smollett allegations could be a ‘career killer’

  • “This could be a career-killer. We’ve seen this many times. Society has become more intolerant and unforgiving,” according to a PR expert
  • After a three-week investigation, Smollett was charged with staging the attack with help from two brothers he knew and allegedly paid for their services

LOS ANGELES: Jussie Smollett is enmeshed in weekly drama on the set of “Empire,” the Fox TV series that gave the actor a breakout role and the fame to advance his social activism.
But a scene that played out on a dark Chicago street in January has left Smollett facing felony charges and raised the possibility that “Empire” could mark the pinnacle of the 38-year-old’s career.
Smollett, who is black and gay, told police he was the victim of a hate crime committed by men who threw liquid in his face, yelled racist, anti-gay slurs and looped a noose around his neck. After a three-week investigation, Smollett was charged Wednesday with staging the attack with help from two brothers he knew and allegedly paid for their services.
Even in an industry in which bad or erratic behavior is expected, insiders and observers are stunned by what authorities allege was fakery intended in part to get Smollett publicity and a raise.
“This is incredible. No one does this,” said Garth Ancier, a veteran network executive and a co-founder of the Fox network. If more money was his goal, that’s what agents and negotiations are for, he said, calling the alleged hoax “beyond the pale.”
“It’s too bad that such a talented guy threw all that away,” Ancier said, adding he didn’t see how he could be kept on “Empire.”
Producers appeared to be doing that for now, with Smollett traveling directly after being released from jail on bond Thursday to the “Empire” set. There are two episodes left to make of the 18 airing this season, the fifth year for the series starring Taraji P. Henson and Terrence Howard as hip-hop moguls Cookie and Lucious Lyon.
Replacing Smollett at this point would be problematic. Writing his character, one of three Lyon sons, out of future seasons would be less so.
Smollett’s legal team released a statement late Thursday calling Chicago police’s version of events “an organized law enforcement spectacle that has no place in the American legal system.
“Mr. Smollett is a young man of impeccable character and integrity who fiercely and solemnly maintains his innocence and feels betrayed by a system that apparently wants to skip due process and proceed directly to sentencing,” the statement said.
After Smollett was charged, TNT’s celebrity battle-rap series “Drop the Mic” pulled an upcoming episode with him “in the interest of not being exploitative of an incredibly sensitive situation,” the network said in a statement.
The Fox studio that makes “Empire” publicly stood behind Smollett when he first reported the attack and as skepticism about it arose. But it declined comment Thursday about what happens next as he fights charges of filing a false police report.
Experts in the field of crisis management were pessimistic. The online mockery Smollett is taking is unlikely to stop, and it could hinder any attempt to re-emerge, said Eric Dezenhall, CEO of the public relations firm Dezenhall Resources.
“The thing it’s really hard to come back from is ridicule,” Dezenhall said. “It can be easier to come back from something just bad. In our culture the whiff of something dangerous has a certain street cred. But here we’re talking about a combination of malevolence and ridiculousness.”
Eden Gillott, president of Gillott Communications, offered a similar take.
“This could be a career-killer. We’ve seen this many times. Society has become more intolerant and unforgiving,” said Gillott, citing instances ranging from Kevin Spacey’s firing from “House of Cards” for alleged sexual misconduct to Megyn Kelly’s “Today” exit after she defended blackface costumes.
What Smollett is alleged to have done isn’t analogous to either one — or to just about anything that’s happened with a celebrity or prominent person in recent memory or in news files.
There have been stunts, such as Joaquin Phoenix’s role in a so-called documentary, “I’m Still Here,” directed by actor Casey Affleck and supposedly about Phoenix’s career as a rapper in decline. The film’s release came with public apologies and lawsuits attached.
Others have exaggerated their exploits, such as TV journalist Brian Williams’ account of being in a helicopter hit by a rocket in the 2003 Iraq invasion or Hillary Clinton’s 2008 account of landing under sniper fire during a 1990s trip as first lady.
But Smollett, instead of creating an image-burnishing fiction, positioned himself as a victim and the deserving centerpiece for outrage directed at his attackers. He said those who questioned him made him feel “victimized.”
The allegation that Smollett did it for money could be seen as both a betrayal and baffling, given what he earns: more than $1.8 million for the current 18-episode season of “Empire,” according to a person familiar with the situation.
Dezenhall said it would be tough for Smollett, who proclaimed himself innocent of the charges through his lawyers, to explain himself publicly.
“All of us have said something stupid, put something in an email we shouldn’t have — we can understand that. But very few of us would say, ‘I would orchestrate something like that to advance my career.’ There’s a difference between a mistake and a scheme,” Dezenhall said. His advice to Smollett: “’Vanish for a few years, take up a cause, devote yourself to doing something good, and revisit it later.’“
Or search out people like Kandi Burruss, the singer-songwriter and reality star.
“I consider him a friend. I love him and regardless of if it’s true or not, I’m still going to be here for him. I hate the situation but I don’t hate the person,” she told The Associated Press Thursday at the Essence Black Women in Hollywood luncheon.