Review: Kuwaisiana’s debut album playfully bends the rules

A heady sense of irreverence hangs over the debut album from Kuwaisiana, a US-based indie outfit led by Kuwaiti singer-songwriter +Aziz. (Photo suppled)
Updated 31 May 2018
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Review: Kuwaisiana’s debut album playfully bends the rules

DENVER: A heady sense of irreverence hangs over the debut album from Kuwaisiana, a US-based indie outfit led by Kuwaiti singer-songwriter +Aziz. The record’s wanton style-hopping and language-swapping has the sense not of willfully breaking the rules, but playfully bending them with a swagger and a smile.
It may be no coincidence the band was born in New Orleans, a notorious cultural melting pot strafing the Mississippi River and sitting at the end of the mythical Highway 61. Drawing fitfully from their surrounds, the septet’s sonics are bolstered by bursts of brass and the lilt of (apparently synthesized) accordion, conjuring a rootsy, Cajun vibe around +Aziz’s raw, DIY-rock approach.
At the best moments, a barn-storming, street-party abandon overcomes these slightly flat, self-produced recordings: The stonking gipsy-punk bedlam of “Gabba Barra” feels oddly reminiscent of Gogol Bordello, while “Nada” is a straight-up ska-punk strut. An irresistible chest-thumping, stop-start chorus lifts the monotonous bass riffing of “Gashxi” from the Louisiana swamps.
But there is a potent spice found amid this audio stew. Split into two “sides” — the first in Arabic, the second English — the lyrics on “Chapter 1” carry subtle weight as a reflection on the modern Arab experience, and potentially have an ambassadorial role to the band’s primarily American market. “My bloody valentine/In love with Palestine,” yells +Aziz over the sleazy funk-rock riffing and Stax-style horn stabs of “The Journalist.” Mingling the personal and political with similar potency, the Caribbean nod of closer “Say Yea” dwells almost comically on the efforts young Muslims face to win the approval of their lovers’ friends and families.
Crossing Muscle Shoals-soul with the inebriated sway of a sea shanty, the slower “Men in Power” serves as a lament of both national pride and patriarchal power, before exploding into a wild, headbanging singalong, complete with a yearningly epic outro of Springsteen-style proportions. And this will prove +Aziz’s greatest gift — the ability to channel his concerns into big, hooky choruses which feel instantly familiar, presenting the modern Arab-American experience with the inclusive theatrics of Middle American stadium rock.

Kuwaisiana's "Chapter 1" is available here

 


Archaeologists find mosque from when Islam arrived in holy land

Updated 18 July 2019
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Archaeologists find mosque from when Islam arrived in holy land

  • Authorities estimate the mosquer dates back to the 7th to 8th centuries
  • Rare to find house of prayer so ancient whose congregation is likely to have been local farmers

RAHAT, Israel: Archaeologists in Israel have discovered the remains of one of the world’s oldest rural mosques, built around the time Islam arrived in the holy land, they said on Thursday.
The Israel Antiquities Authority estimates that the mosque, uncovered ahead of new construction in the Bedouin town of Rahat in the Negev desert, dates back to the 7th to 8th centuries.
There are large mosques known to be from that period in Jerusalem and in Makkah but it is rare to find a house of prayer so ancient whose congregation is likely to have been local farmers, the antiquities authority said.
Excavated at the site were the remains of an open-air mosque — a rectangular building, about the size of a single-car garage, with a prayer niche facing south toward Makkah.
“This is one of the earliest mosques known from the beginning of the arrival of Islam in Israel, after the Arab conquest of 636 C.E.,” said Gideon Avni of the antiquities authority.
“The discovery of the village and the mosque in its vicinity are a significant contribution to the study of the history of the country during this turbulent period.”