Ancient musical instruments get an airing in Athens

A musician tunes her lyre before a concert with reconstructed ancient instruments at the National Archaeological Museum in Athens. (Reuters)
Updated 21 June 2018
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Ancient musical instruments get an airing in Athens

  • The phorminx, the kitharis, the krotala and the aulos — string and wind instruments reconstructed by musical group Lyravlos — echoed among marble statues in Athens’s National Archaeological Museum.
  • Music was an integral part of almost every aspect of ancient Greek society, from religious, to social to athletic events.

ATHENS: Hymns sung to the Greek gods thousands of years ago resonated from ancient musical instruments in Athens on Thursday, transporting a transfixed audience to antiquity.
The phorminx, the kitharis, the krotala and the aulos — string and wind instruments reconstructed by musical group Lyravlos — echoed among marble statues in Athens’s National Archaeological Museum as part of World Music Day celebrations.
A family of musicians, Lyravlos have recreated exact replicas of the ancient instruments from natural materials including animal shells, bones, hides and horns.
Music was an integral part of almost every aspect of ancient Greek society, from religious, to social to athletic events. Today only some 60 written scores of ancient Greek music have survived, said Lyravlos member Michael Stefos.
Stefos said they interpret them as best they can, relying on the accuracy of their recreated instruments.
“Joking aside, ancient CDs have never been found,” he said.
Their performance included a hymn to the god Apollo, pieces played at the musical festival of the ancient Pythian Games in Delphi and during wine-laden rituals to the god Dionysus.
Michael’s father Panayiotis Stefos, who heads the group, travels to museums at home and abroad studying ancient Greek antiquities and texts in order to recreate the instruments.
“Usually each instrument has a different sound. It is not something you can make on a computer, it will not be a carbon copy,” said Stefos.
The difference with modern day instruments?
“If someone holds it in their arms and starts playing, after a few minutes they don’t want to let it go, because it vibrates and pulsates with your body,” he said.
French tourist Helene Piaget, who watched the performance, said it was “inspiring.”
“One sees them on statues, on reliefs, and you can’t imagine what they might sound like,” she said.
World Music Day is an annual celebration that takes place on the summer solstice.


Manganiyar musical experience connects Saudi Arabia with ancient India

Ithra takes visitors to the magical world of Manganiyar, an Indian folk music, in Dhahran on Wednesday. (Photo/Supplied)
Updated 17 November 2018
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Manganiyar musical experience connects Saudi Arabia with ancient India

  • There were challenges, Abel said. “As an ‘intruder’ going to the Manganiyar not knowing fully what this kind of art is, in the beginning I had to learn so many things and try to understand the musicians and help them to understand me”

DHAHRAN: The King Abdul Aziz Center for World Culture (Ithra) in Dhahran has been transporting its visitors to the magical world of the Manganiyar from Nov. 14-17. The Manganiyar is a timeless Indian orchestra originally born in the region of Rajasthan in north India, which has continued over many generations.
The basic song on which the show is based comes from a poem by the 17th-century Sufi poet, Bulleh Shah. The resulting folk music is an audio-visual feast that mixes light and voice and features more than 40 musicians in one performance.
The first Manganiyar show in Ithra was sold out.
“It was the first time in my life that inspiration dawned on me; it was like a heavenly gift,” Roysten Abel, the director of the musical show, told Arab News when he was asked how the band started their touring and performance journey.
“I was in Spain working as a street performer. One day I was resting and I heard wonderful music, which I thought was a dream. Then I realized that there were two musicians outside my room singing to wake me up. I then proposed the idea of forming this Manganiyar band,” Abel said.
Abel went to the Manganiyar’s hometown to create the band.
“I went to Rajasthan, auditioned almost 200 musicians and finally selected 50 to have our first show in 2006. Since then, if I ever listen to an old Manganiyar musician or a new one, I still weep because they haunt me with their singing.”
There were challenges, Abel said. “As an ‘intruder’ going to the Manganiyar not knowing fully what this kind of art is, in the beginning I had to learn so many things and try to understand the musicians and help them to understand me.”
Creating the performance and the harmony between the band members and the director took time.
“The musicians needed to know what this guy who is coming from outside wants? What is he going to make us do? Building the relationship took around a year and a half, and so it took us year and a half to build up the show.”
“I always say the Manganiyar selection was God’s gift to us because it was actually given to us and it runs on its own.”
Abel said that the Manganiyar show always sells out anywhere it goes due the experience it offers. “There has not been one show where we have not received a standing ovation.”
“We even performed in Hyde Park, Sydney, where nobody knew what to expect,” Abel said. “There were a good 10,000 people in the park, and when the show was over these 10,000 started clapping and even stayed for the second performance!”
Abel shared the band’s insights about their first visit to Saudi Arabia: “We were very curious to see how it was going to be received, but it turned out to be one of the best performances and the audience was thrilled. So, there’s always a lot of surprises and I tend to never expect. I just love to see what happens.”
Abel urged everyone to turn up and have their own experience of the Manganiyar. “People should all come and tell their friends to come, and live the show, because at the end of the day the show is not like any other music concert; it’s an experience of its own.”
Abel said that people’s responses to the show varied; some left in tears while others “jumped with joy.”
What matters to him, he said, is that people get the essence behind the show, which is love.