‘Mulk’ takes a disturbing look at Islamophobia in India

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Updated 04 August 2018
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‘Mulk’ takes a disturbing look at Islamophobia in India

  • A brutal look at the kind of Islamophobia now sweeping across the world
  • Kapoor gives a fine portrayal of disappointment and sorrow

CHENNAI: Anubhav Sinha, known for fancy thrillers and at least one superhero film with Shah Rukh Khan, has in his latest outing given us an extraordinarily disturbing work, “Mulk.” A brutal look at the kind of Islamophobia now sweeping across the world, India especially in recent years, the movie explores this through the microcosm of a Muslim family living in Banaras, considered to be one of the holiest Hindu cities.
”Mulk,” though, begins on a very different note – with beautiful camaraderie between the family of Murad Ali Mohammed (Rishi Kapoor) and his essentially Hindu neighbors. This solidarity even includes an avowed vegetarian eating meat on the sly during Murad Ali’s 65th birthday bash. As the joyous celebration rolls on, there is little indication of the dark clouds hovering.
When Murad Ali’s nephew, Shahid (Prateik Babbar, son of the late Smita Patil), is found to be a terrorist, having bombed a bus and killed 16 innocent people, lines are redrawn and cracks begin to appear in what once seemed like such a friendly neighborhood.
Murad Ali is ostracized by the very people who had adored him and his family, and the cops arrest Shahid’s father, Bilal (Manoj Pahwa). An engaging courtroom drama follows, in which Aarthi (Taapsee Pannu), a lawyer married to Murad Ali’s son, takes on an utterly biased prosecution, which is out to declare the entire family guilty of the heinous crime.
Unfortunately, Pannu springs to life only during the climatic defense argument, which swings between justice and religion, between truth and prejudice. The director dumps just about everything on Kapoor’s shoulders.
Kapoor gives a fine portrayal of disappointment and sorrow – whose transformation from a romantic hero (“Bobby”) into unbelievably inspiring characters (as in “D Day,” “102 Not Out” and now “Mulk”) is what cinematic legend is all about. He helps push the well-crafted narrative with feeling: “Why must I prove my patriotism? This is my country,” is his heart-rending cry.
”Mulk” comes as a whiff of fresh air from the Bollywood stable, often criticized for being a shallow song-and-dance show.


Turkish photographer Ara Guler, the Eye of Istanbul, dead at 90

Updated 18 October 2018
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Turkish photographer Ara Guler, the Eye of Istanbul, dead at 90

  • Ara Guler died of heart and respiratory failure late Wednesday
  • Guler, from Turkey’s minority Armenian community, was born in Istanbul in 1928

ISTANBUL: Ara Guler, an acclaimed Turkish journalist and photographer known as “the Eye of Istanbul” for his iconic black-and-white pictures of the city and its residents, has died. He was 90.
The Florence Nightingale Hospital in Istanbul said that Guler died of heart and respiratory failure late Wednesday.
Guler, from Turkey’s minority Armenian community, was born in Istanbul in 1928. In a career that spanned several decades, he worked for Magnum Photos, Paris Match and Germany’s Stern among other organizations, interviewing and photographing politicians and artists, including Winston Churchill, Dali and Picasso.
President Recep Tayyip Erdogan called Guler “one of the greatest names in the art of photography raised by Turkey.”
Erdogan said that “great artists continue to live through works they leave behind.”
His funeral was planned for Saturday.