Book Review: Yasser Abdellatif’s lyrical novel about life in Egypt now in English

Updated 13 August 2018

Book Review: Yasser Abdellatif’s lyrical novel about life in Egypt now in English

  • The author brings the history and mystery of Egypt’s streets and their inhabitants to life

CHICAGO: Originally published in Arabic in 2002, The Law of Inheritance won one of Egypt’s inaugural Sawiris Cultural Awards in 2005, and has now been translated into English by Robin Moger.

The four-part novel unfolds lyrically, as a nameless narrator navigates student riots, political change and everyday life in Egypt in the 1990s. But the narrator’s life is only a piece of the story. Yasser Abdellatif uses his narrator’s ancestry  in Nubia to take the reader back in time and tell his story of Egypt — its history, its governance and its people.

Abdellatif’s novel is a complex experience for the reader. It’s a journey that has no specific chronology but is made up of memories old and new. We quickly learn that the narrator moves through life with indifference. His “protest” — smoking near school grounds — has become tiresome rather than a form of dissent. He no longer fears being caught. His father, an Al-Azhar instructor, is away in Saudi Arabia and our young protagonist does not have to answer to anyone other than his mother and brother.

Abdellatif’s first chapter has no transitions. It consists of snippets of memories that materialize out of thin air. As the book moves on, so does the style — shifting to full sentences and complete thoughts. The narrative weaves in and out of the past, capturing the life of the narrator, his friends and their lives in Egypt, and his connection to his ancestors — when his grandfather first traveled to Cairo in the 1930s to continue his education, we learn, he was met with a city going through “violent upheavals.”

Abdellatif leads the reader through the streets of Cairo from the Metro Tunnel’s multiple exits: Bostan Street, Tahrir Street, Qasr El Nil and Champollion, and Talaat Harb, to the narrator’s grandfather’s house in Abdeen. Abdellatif’s narrator is acutely conscious of himself and his surroundings and how quickly context can change with a word or an action. He can recall the transformations of the past, reflecting on how street names change, along with the function of certain buildings.

The author brings the history and mystery of Egypt’s streets and their inhabitants to life. His stories are rich and vibrant, diverse and multilayered. Egypt and its people have transformed many times over the years as has the landscape, and Abdellatif captures the great joy and tragedy that comes with such changes.


Karl Lagerfeld: Looking back at his rise to fame and love of Arabian fashion

The designer died at the age of 85 on Tuesday. (File photo: AFP)
Updated 19 February 2019

Karl Lagerfeld: Looking back at his rise to fame and love of Arabian fashion

DUBAI: As tributes pour in from across the fashion world over the death of industry icon Karl Lagerfeld, we take a look at his storied rise to fame, as well as his controversial comments on Middle Eastern migrants and his love of fashion from the region.

The designer died at the age of 85 on Tuesday after he failed to make an appearance at the Chanel show at Paris Couture Week in January, prompting industry insiders to question the state of his health.

Reuters reported that Lagerfeld enjoyed the stature of a deity among mortals in the world of fashion, where he stayed on top for well over half of a century and up to his death, at an age almost nobody apart from himself knew with to-the-day precision.

The German designer was best known for his association with France’s Chanel, dating back to 1983. The brand, the legend now goes, risked becoming the preserve of monied grannies before he arrived, slashing hemlines and adding glitz to the prim tweed suits of what is now one of the world’s most valuable couture houses.

But Lagerfeld, who simultaneously churned out collections for LVMH’s Fendi and his eponymous label — an unheard of feat in fashion — was almost a brand in his own right.
Sporting dark suits, white, pony-tailed hair and tinted sunglasses in his later years that made him instantly recognizable, an irreverent wit was also part of a carefully crafted persona.

“I am like a caricature of myself, and I like that,” runs one legendary quote attributed to him, and often recycled to convey the person he liked to play. “It is like a mask. And for me the Carnival of Venice lasts all year long.”

Tributes pour in 

The world’s fashion elite took to social media to pay tribute to the hugely respected designer, with the likes of Victoria Beckham, Donatella Versace and Lilly Allen leading the pack.

Versace shared a similar message.

Singer Allen took to social media with a touching message.

Meanwhile, Lebanese designer Zuhair Murad also paid tribute.


In great honor and admiration of the iconic fashion legend Karl Lagerfeld - Rest In Peace

A post shared by Zuhair Murad Official (@zuhairmuradofficial) on

Model Gigi Hadid shared a message on Instagram Stories.

Controversial comments

His artistic instincts, business acumen and commensurate ego combined to commercially triumphant effect in the rarefied world of high fashion, where he was revered and feared in similar proportions by competitors and top-models.

Lagerfeld was as harsh with his fashion models as he was searingly critical of anyone he considered "not trendy".

He fired his closest female friend, former Chanel model Ines de la Fressange, in 1999 after she agreed to pose as Marianne, France's national symbol, without asking him first.

Occasionally his sharp tongue has stirred controversies, though he also had a flair for a good soundbite.

In 2017, he sparked outrage by evoking the Holocaust in an attack on Chancellor Angela Merkel over her opening of Germany’s borders to migrants.

“One cannot – even if there are decades between them – kill millions of Jews so you can bring millions of their worst enemies in their place,” the 80-year-old Chanel designer told a French TV show.

“I know someone in Germany who took a young Syrian and after four days said: ‘The greatest thing Germany invented was the Holocaust’,” he added.

Middle Eastern inspiration

Despite the abrasive comments, the designer went on to release an Egypt-inspired collection in December 2018 and sent models down the runway in a rich array of Ancient Egypt-themed outfits at New York’s Metropolitan Museum of Art.

Gold shimmered all over the runway, as models strolled past the floodlit temple in everything from gold thigh-high boots to gold brimmed hats to glistening dresses with golden feather adornments, to shoulder-length gold earrings.

Singer Pharrel walked the runway during Karl Lagerfeld's Egypt-inspired show in December. (AFP)

It isn’t the only time he has looked to the Middle East for inspiration, however.

The designer made a much-reported-on appearance in Dubai in 2014 when Chanel staged its Cruise collection show in the city.

That collection was inspired by an Orientalist vision of hazy Arabian nights and featured harem pants, ghutra-pattern-inspired coats and diaphanous jumpsuits, along with a heavy use of mosaic-style patterns.

Karl Lagerfeld photographed at ‘The Island’ in Dubai during the Chanel fashion show on May 13, 2014. (AFP)

In 2018, he worked with Lebanese architect Aline Asmar D’Amman on the renovation of Paris’s Hôtel de Crillon and, in a win for the Middle Eastern fashion scene, he photographed Bella Hadid for Vogue Arabia’s first September issue in 2017.

In rare moments when he was not working, Lagerfeld retired to one of his many homes in Paris, Germany, Italy or Monaco, all of them lavish carbon copies of 18th-century interiors.