The hottest artists in the Arab world right now

Here are the leading artists (those with the most plays on the service since the start of the year) in various genres. (Shutterstock)
Updated 14 August 2018
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The hottest artists in the Arab world right now

  • Here are the leading artists (those with the most plays on the service since the start of the year) in various genres

We asked regional digital music platform Anghami — which currently boasts around 70 million registered users across 180 countries — which artists have dominated 2018 so far in the region. Here are the leading artists (those with the most plays on the service since the start of the year) in various genres.

Egyptian pop: Amr Diab


No surprise to see Diab topping this list. The 56-year-old pop star has been wildly popular for decades. His fusion of Egyptian, Arab and Western beats has proved a hugely successful formula and his latest album, “Kol Hayati,” showed he’s lost none of his mainstream appeal.
Also hot: Elissa, Tamer Hosny, Assala Nasri, Sherine

Lebanese pop: Wael Kfoury


Twenty-five years on (and counting) from his first release, the “King of Romance” continues to wow audiences with his love songs. The 43-year-old’s most popular tracks this year include June’s release “Akhadet El Arara,” and singles from last year’s “W” album, “Sorna Solh” and “Halla Ta Fe2ti.”
Also hot: Ziad Bourji, Elissa, Adham Nabulsi, Nassif Zeytoun

Khaleeji pop: Hussain Al-Jassmi


The 38-year-old Emirati singer — like Diab and Kfoury — has long-dominated his respective genre and proves that, on Anghami at least, the old-school Arab pop crew reign supreme. His New Year’s Eve release, “Ahebak,” was a smash hit and he’s followed that up with a slew of singles this year.
Also hot: Majid Al-Mohandis, Abdel Majeed Abdallah, Essa Al-Marzoug, Rashed Al-Majed

International pop: Ed Sheeran


Even his much-derided ‘acting’ appearance on “Game of Thrones” apparently can’t derail the 27-year-old singer-songwriter’s domination of the global music industry. Last year, famously, 10 singles from his album “÷” hit the UK Top 10 and that popularity has clearly translated to the Middle East. He tops this list without having released anything new in 2018.
Also hot: Camilla Cabello, Taylor Swift, Shawn Mendes, Sia

International dance: The Chainsmokers


The US DJ-production duo’s cross-genre sound (incorporating elements of indie-pop and hip-hop, as well as dance music) dominated the Billboard charts in early 2018 with the release of their “Sick Boy” EP, and they have seen similar success in the Arab world this year, with five singles — particularly “Somebody” — driving their ascent to the top.
Also hot: David Guetta, Clean Bandit, Avicii, Alan Walker

International R&B and soul: The Weeknd


The acclaimed alt-R&B artist — real name Abel Makkonen Tesfaye — is one of the more interesting acts on this list; someone who has taken his genre into previously unexplored — often unsettling — territories, both musically and lyrically. His “My Dear Melancholy” EP, released in March, is a prime example. Tesfaye will likely remain at the top of the regional list this year, boosted by his upcoming performance at the Abu Dhabi Grand Prix in November.
Also hot: Chris Brown, Khalid, Akon, John Legend

International hip-hop: Drake


Like his fellow Canadian artist The Weeknd, Drake’s often-downbeat take on his genre has garnered both critical and commercial acclaim. This year’s double-album, the 25-track “Scorpion” — featuring collaborations with Nicki Minaj, Lil Wayne, Future and a posthumous contribution from Michael Jackson — broke numerous records for streams and sales.
Also hot: Post Malone, Eminem, XXXTentacion, Russ

Arabic hip-hop: Ahmed Mekky


The Egyptian actor and rapper has had a big year, starting with his nostalgic social-commentary track “Wa’fet Nasyt Zaman,” which tackled a number of topics including drug abuse, (mis)treatment of the elderly, and the influence of social media and mixed jazz, blues and traditional Egyptian music.
Also hot: Zap Tharwat, Flipperachi and Daffy, Klay, Sons of Yusuf

International indie: Lykke Li


The 32-year-old Swedish electropop artist dropped her fourth album, the trap-influenced “So Sad So Sexy,” in June, and it’s gone down well in the region, it seems. This always-inventive singular artist co-wrote the majority of the album with US singer-songwriter Ilsey Juber.
Also hot: M83, Cage the Elephant, Hurts, Sevdaliza

Arabic indie: Cairokee


The Egyptian rockers — who rose to international fame during the 2011 revolution — haven’t released anything new this year, but 2017’s “Noaata Beida” clearly continues to resonate with fans. There’s a clear Egyptian bias to the ‘Arabic indie’ list — indicative of the huge potential audience there, but also of the creativity raging in that country — with only Lebanon’s Mashrou’ Leila breaking Egyptian dominance of the top five bands.
Also hot: Sharmoofers, Mashrou’ Leila, MTM, Wust El Balad

Foreign-language Arab artists: Anthony Touma


The Lebanese singer’s sophomore album, “Ups and Downs,” released this summer has seen his popularity continue to grow in the region. Touma originally rose to fame on France’s version of “The Voice” and later collaborated with Enrique Iglesias on the French version of Iglesias’ “Let Me Be Your Lover.”
Also hot: Mayssa Karaa, Aman, Shébani, Lea Makhoul

Most popular artist overall: Elissa


Although she doesn’t rank first in any of the genres overall, the Lebanese star has accrued the most listens of any artist on Anghami’s platform over the course of the year so far, helped by the release of her eleventh studio album, “Ila Kol Elli Bihebbouni.” Her versatility — both her Lebanese and Egyptian tracks are extremely popular — means her success is split across those categories, so she didn’t actually top either.


UAE gift helps French palace reopen ‘forgotten theater’

Updated 18 June 2019
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UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.