Life lessons from inspirational women: Abeer Nehme

Abeer Nehme is a Lebanese singer and a musicologist. (Supplied)
Updated 14 August 2018
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Life lessons from inspirational women: Abeer Nehme

What I love most about my work is that it reflects my true nature. And it has allowed me to travel and meet people of different cultures. Music is my passport and it enables me to deliver a message and express ideas that any other language would have failed to deliver. I feel like my music is making a difference and spreading joy, hope and beauty.

Because I’ve traveled a lot and worked on a series of documentaries — “Ethnopholia: Music of the People” — I’ve met a lot of people who are not particularly famous, but who carry music in their hearts and lives. They have had a great influence on me as a person and as an artist. I feel so lucky to have met them. Along with my friends, they are like guardian angels. I believe every person we meet leaves their fingerprint in one way or another.

My list of musical influences is long. But it starts with my father. He had a great voice and also played the lute. He introduced me to traditional Oriental modal music when I was very young. That’s how my journey started.

Professionally, my biggest regret is the opportunities I maybe missed because I lacked maturity. But I consider all my experiences to be lessons, rather than regrets.

Personally, I regret not spending enough time with precious people like my mom, dad and siblings. I regret the time I did not spend with people who were so close to my heart and who unfortunately passed away. I cannot go back in time and make up for that.

As a woman in the music industry, the biggest challenge I’ve faced with men was to keep things professional and preserve boundaries. But sometimes men are actually easier to deal with than women.

I believe things are starting to change in our society, and women are starting to be more valued and appreciated. Women have a very important role to play: We are the symbol of life, of earth. We perpetuate life. What is more important than that?

Women should be given more opportunities in the political field. Men have been ruling the world so far and all we’ve seen is war, violence, bitterness… I believe women can come up with important changes if they could take political decisions. We have a strong ability to multitask, and endurance that exceeds that of men. I’m not saying men are less important, but women should be given more chances.


With Saudi roots and an Indian heart, Al-Kazi is an act the stage will never forget

Ebrahim Al-Kazi. (Social media)
Updated 38 min 50 sec ago
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With Saudi roots and an Indian heart, Al-Kazi is an act the stage will never forget

  • Though an icon in India, few people know about Al-Kazi’s Saudi roots

JEDDAH: India has always been a hub of art and culture. Over the last century, movies emerged as the most expressive cultural medium, and the Indian film industry — commonly known as Bollywood — has since become a powerhouse of world cinema.

One can never do its history justice without mentioning Ebrahim Al-Kazi.

A renowned director and drama teacher, he worked as the director of the prestigious New Delhi-based National School of Drama (NSD) from 1962 to 1977, teaching many well-known future actors and fellow directors, including Om Puri, Naseeruddin Shah and Rohini Hattangadi. He also founded the Art Heritage Gallery in New Delhi.

Though an Indian icon, however, few people know about Al-Kazi’s Saudi roots. His father, Hamad bin Ali Al-Kazi, was a trader from Unaiza in the Kingdom’s Qassim region, who subsequently settled in Pune, India, where Ebrahim was born in 1925. 

Early on in his career, Al-Kazi worked with the Bombay Progressive Artists Group, which included M.F. Husain, F.N. Souza, S.H. Raza, Akbar Padamsee and Tyeb Mehta, who would all later contribute to the design of his sets.

He worked in India, the US and Europe before becoming the director of the NSD, and later of the Asian Theater Institute, and is credited with staging more than 50 plays in his lifetime. He also contributes to the preservation of Indian cultural history through his Al-Kazi Foundation for the Arts.

In February 2015, Al-Kazi was honored at the second Saudi Film Festival in Dammam. He was later quoted in Arab media sources on his Saudi upbringing: “Our father was a firm believer in our cultural roots that went back to Saudi Arabia, and we spoke only Arabic at home. We had a teacher of Arabic and Islamic studies who came from Saudi Arabia, and lived as part of our family.

“Arab families (in India) did not mix very much with others, but my father had close ties with people other than Arabs,” he added.

Al-Kazi has also won many prestigious Indian awards. He was the first recipient of Roopwedh Pratishthan’s Tanvir Award in 2004 for his contribution to Indian theater, and in 1966 received the Padma Shri award. He won the Padma Bhushan award in 1991, and was given India’s second highest civilian award, the Padma Vibhushan, in 2010.