‘Christopher Robin’ a timeless message even if Pooh lacks spark

The American fantasy drama ‘Christopher Robin’ has something significant to say. (Courtesy Disney)
Updated 16 August 2018
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‘Christopher Robin’ a timeless message even if Pooh lacks spark

CHENNAI: The American fantasy drama “Christopher Robin” has something significant to say, and it seems as relevant today as it did in World War II England.
Companies slave-drive their employees to increase profits and to fill the pockets of their owners to such an extent that men become machines, forgetting the simple pleasures of life and neglecting their families. Nothing can be truer than the quip by Evelyn (Hayley Atwell) in the Marc Forster-directed film. You no longer laugh, she tells her husband, Christopher (Ewan McGregor), who is in the titular role.
Adapted from a story by Greg Brooker and Mark Steven Johnson, and inspired by A. A. Milne and E. H. Shepard’s delightful book, “Winnie-the-Pooh,” “Christopher Robin” is a live-action/CGI extension of the Walt Disney franchise with the same name. Here, in the latest adventure of the honey-loving bear Pooh, the focus shifts to Christopher who, on the eve of his departure for boarding school, bids adieu to his forest friends, Pooh, Tigger, Piglet, Eeyore, Owl and Rabbit, promising that he will never forget them.
But as he grows up and quickly matures after the death of his father and a stint in the army, his childhood friends fade away from his memory. Married with a nine-year-old daughter, Madeline (Bronte Carmichael), Christopher has no time even for them. He works long hours as an efficiency manager in a luggage company, whose boss desperately wants to cut costs. In the mad scramble in which Christopher lands himself, Pooh finds him in London and urges him to travel toward a magical realization.
Unfortunately, this comes after dull, rather long scenes between Christopher and Pooh, and they seem labored. The bear looks clearly unhappy, devoid of any spark, and one wonders how he manages to draw the grown-up man back into the joys of childhood, nay, life itself. McGregor sleepwalks through his fantasy journey to the Sussex countryside that was once his playground, for the rendezvous with his animal friends.
The women are not very impressive either, and the overexposure of Pooh makes it apparent that the teddy has passed his sell-by date. However, Jim Cummings’ voice for Pooh is spot-on, and imaginative production design, costumes and cinematography lift this tale to a higher notch.


The Six: Arab and Muslim models in New York

Updated 16 February 2019
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The Six: Arab and Muslim models in New York

DUBAI: Arab and Muslim models took the runways by storm at New York Fashion Week, which closed on Sunday in the Big Apple.

Bella Hadid

The Palestinian-American model was a smash during the Michael Kors show, which paid tribute to 1970s fashion, rocking a sparkling black blazer with feathers on the sleeves.

Gigi Hadid

The hectic supermodel lifestyle didn’t get in the way of Bella’s sister, who was seen on the streets in her retro runway hairdo after walking the Michael Kors show.

Halima Aden

This Muslim model turned heads when she closed the Christian Cowan show with an oversized black and neon pantsuit and a chain-link rhinestone hijab.

Noor Tagouri

This Libyan-American journalist took her confidence to the next level when she decided to put down her pen and walk the runway for US brand Rebecca Minkoff.

Nora Attal

The British-Moroccan model kicked off the week in elegant leatherwork by French brand Longchamp and walked the runway for Brandon Maxwell.

Shanina Shaik

The Australian model, who was raised a Muslim and whose father is half-Saudi, modelled for Vietnamese designer Nguyen Cong Tri.