Gigi Hadid visits Rohingya refugee camps

American-Palestinian supermodel Gigi Hadid is visiting Bangladesh to meet Rohingya Muslim refugees. (Instagram)
Updated 18 August 2018
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Gigi Hadid visits Rohingya refugee camps

  • American-Palestinian supermodel Gigi Hadid is visiting Bangladesh to meet Rohingya Muslim refugees
  • Hadid visited the Jamtoli Refugee Camp in Cox’s Bazar on Friday

JEDDAH: American-Palestinian supermodel Gigi Hadid is visiting Bangladesh to meet Rohingya Muslim refugees. The 23-year-old model is documenting her work with the United Nations Children’s Fund (UNICEF) in Bangladesh on social media.
Hadid visited the Jamtoli Refugee Camp in Cox’s Bazar on Friday, where she met with Rohingya refugee children.
“En route to the Jamtoli Refugee Camp, Cox’s Bazar, Bangladesh,” she wrote on Instagram. “As well as providing for the Rohingya refugees, UNICEF supports the host communities in need, including an estimated 28,000 people given access to better sanitation and safe water through the WASH Program, and 53,000 locals have been supported in educational activities.”
She shared several images of children at the camp, detailing the conditions they live in and UNICEF’s work in the area. “Across all the camps, 1.3 million people currently require humanitarian assistance; more than half of them are children,” Hadid wrote.
Hadid visited a “women/girl-friendly” zone, where they get a basic education and learn skills such as sewing. “We spoke about their personal stories and hardships, what they enjoy and benefit from currently in the refugee camps, what they still need, and what they hope for their futures. Their strength, bravery and desire to learn and better their lives and the lives of their children is inspiring and encourages us @unicefusa to continue to find new ways to support these amazing human beings during this crisis,” she wrote.
The cause of the refugees is one that is close to Hadid’s heart. Her father, Mohamed Hadid, came to the United States as a refugee before he became a billionaire real estate developer. In January, Hadid and her younger sister, Bella, protested US President Donald Trump’s travel ban targeting some Muslim-majority countries.
On Saturday, Hadid visited UNICEF’s child-friendly space in Camp 9 of the Kutupalong Balukhali Refugee Camp. The purpose of the camp, Hadid said, is to “let kids be kids.”
“As well as psychosocial work to help them get through trauma through activities like art, they also can play sports, learn music, and learn to read and draw (some for the first time in their lives). Separate from educational spaces, the importance of these spaces is huge due to the fact that refugee children can spend a majority of the day working, usually collecting firewood from miles away so their families can cook, taking care of siblings, helping around the house etc., and here they can just focus on having fun,” she wrote.
The model also visited the UNICEF Learning Center in the Shamlapur Refugee Camp in Cox’s Bazar.


Cirque du Soleil in Saudi Arabia: The perfect tribute to a rich culture

Updated 25 September 2018
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Cirque du Soleil in Saudi Arabia: The perfect tribute to a rich culture

  • Cirque du Soleil created a spectacular show in Riyadh
  • They paid tribute to Saudi culture and heritage

RIYADH: The circus — a place that is almost synonymous with joy and delight. Since time immemorial, circuses have been places of celebration and glee, and few as much as the premier name in the industry: Cirque du Soleil.

The show has had a devoted fan in me since 2006, when I attended a performance of their production “Quidam” and my definition of the word “circus” was turned upside-down. Their unique approach to art, performance, costumes and music has secured their status as a household name and a benchmark for all other circus shows to be measured against.

On Sunday night, Saudi Arabia’s National Day, the circus brought their incredible acrobatics to Riyadh’s King Fahad Stadium and it turned out to be a night to remember.



Prior to the event, Cirque’s Vice President of Creation Daniel Fortin offered little in the way of spoilers but hinted that we would see something the likes of which we never had before. With the promises of exclusive new acts, music, costumes and stage tricks piquing my excitement, I joined a throng of green-and white-clad spectators flooding the stadium. Performing to a sold-out crowd, the show kicked off at exactly 8.30 p.m. and the magic truly began.

Barely five minutes into the show, something stole over me as I settled into the rhythm of the music, something I saw flickering over the faces of those in the crowd around me: Recognition. We were seeing ourselves, our identity, echoed back at us, but with a twist. We saw ourselves through someone else’s eyes — someone respectful and admiring.



As a Saudi youth today, it has become an unfortunately common occurrence to face negativity from various outsiders, born of ignorance or fear. It has become dreary and repetitive to have to continually defend my people and my culture from those who have no wish to understand us.

But at this show? I saw my country once more through the eyes of an outsider, but this time, it was different. I saw my culture and my heritage lauded, celebrated, delicately fused with that tangible Cirque du Soleil flair. The attention to detail was careful, almost loving, but also daring and outlandish. It was a glorious fusion of classic Saudi aesthetics with the ethereal, bizarre beauty of Cirque du Soleil.


The symbolism was not always obvious, sometimes it was subtle, constrained to the beat of a drum or hidden in a snatch of song. Other times, it was blatant and bold, in the sloping hump of an elegantly clumsy camel costume, or the billowing of the Bedouin Big Top in the gentle breeze. And yet, unmistakeably, I felt the Saudi influences in every note of the performance. It felt like an homage, and yet it did nothing to diminish its own identity. It remained unquestionably a Cirque du Soleil performance, only below the usual circus frippery, there was a ribbon of something else that lay coiled beneath the surface. Something bright, vibrant green. Saudi green.

The spectacle rounded off with an astonishing display of fireworks, so plentiful that for a moment, the sky glowed bright as day. To me, each one felt like a promise fulfilled. A dream achieved. A miracle witnessed. Here, on my own home soil, it was the perfect tribute to a rich and vivid culture.