What We Are Reading Today: Art as History Calligraphy and Painting as One

Updated 21 August 2018
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What We Are Reading Today: Art as History Calligraphy and Painting as One

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen C. Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the history and practice of Chinese painting and calligraphy. In this collection of some of his most recent essays, Fong gives a sweeping tour through the history of Chinese painting and calligraphy as he offers new and revised views on a broad range of important subjects.
The topics addressed include “art as history,” in which each art object preserves a moment in art’s own significant history; the museum as a place of serious study and education; the close historical relationship between calligraphy and painting and their primacy among Chinese fine arts; the parallel development of representational painting and sculpture in early painting history; the greater significance of brushwork, seen abstractly as a means of personal expression by the artist, in later painting history; the paradigmatic importance of the master-to-follower lineage as a social force in shaping the continuity and directing the subtle changes in Chinese painting history.


What’s in a street name? A Cairo guidebook explains

Updated 26 September 2018
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What’s in a street name? A Cairo guidebook explains

  • This guidebook is anything but ordinary
  • A visit to Cairo is a trip through the ages

BEIRUT: Cairo, sometimes called the City of a Thousand Minarets or Mother of the World, has grown into a megalopolis unlike any other. A visit to Cairo is a trip through the ages — from the immutable pyramids to the humongous medieval open mall in Khan Al-Khalili and right up to the 19th century under the rule of Ismail Pasha, the khedive of Egypt and Sudan. He stressed the importance of urban planning and transformed Downtown Cairo into a bastion of fashion and elegance known as “Paris on the Nile.”
This “Field Guide to the Street Names of Central Cairo,” by Humphrey Davies and Lesley Lababidi, may seem like a typical guidebook, yet it is anything but ordinary. The authors’ singular passion for Cairo provided them with the inspiration and resilience to uncover the truth behind the frequent renaming of the city streets and the plethora or absence of street signs.
“Street signs are missing, or damaged, or concealed behind storefronts. More remarkably, signs bearing different names sometimes appear on the same street. This may be due partly to the fact that signs can be ordered by private citizens from specialized hardware stores,” write Humphrey and Lababidi.
Tourists will, without a doubt, find this handbook terribly useful as they roam through Central Cairo across the picturesque Zamalek, Garden City or Munira. However, this guide has been written especially for the true, unconditional lovers of Cairo.
Not everyone loves this city, and not anyone can love this city. To love Cairo is to see the unseen. To love Cairo is to grasp that intangible and elusive quality of time, where the past drifts into the present and the present lingers in the past.
In the ever-changing light of the day, between past, present and future, this multi-layered city gives you a glimpse of eternity. This precious little book rekindles memories and brings to life the forgotten streets, lanes, alleys and passageways of Central Cairo.