What We Are Reading Today: Live Long and Evolve, by Mohamed A. F. Noor

Updated 24 August 2018
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What We Are Reading Today: Live Long and Evolve, by Mohamed A. F. Noor

In Star Trek, crew members travel to unusual planets, meet diverse beings, and encounter unique civilizations. Throughout these remarkable space adventures, does Star Trek reflect biology and evolution as we know it? What can the science in the science fiction of Star Trek teach us? In Live Long and Evolve, biologist and die-hard Trekkie Mohamed Noor takes readers on a fun, fact-filled scientific journey.

Noor offers Trekkies, science-fiction fans, and anyone curious about how life works a cosmic gateway into introductory biology, including the definitions and origins of life, DNA, reproduction, and evolutionary processes, such as natural selection and genetic drift.

 For instance, he shows how the rapid change in a population of nanite robots follows basic principles of natural selection that apply to species on Earth. He explains how certain creatures depicted in the series are bisexual, not asexual, and what evolutionary advantage that difference provides. And he considers factors that affect successful interspecies mating and delves into what keeps species distinct. Noor discusses the importance of research and how Star Trek has influenced scientists to engage in cutting-edge work.

Giving readers irresistible and entertaining insights, Live Long and Evolve looks at some of the powerful science behind one of the most popular and longest-running science-fiction series.


Emirati artist Farah Al-Qasimi’s first solo US show set to open

Farah Al-Qasimi’s ‘Living Room Vape’ (2017). (Supplied)
Updated 16 July 2019
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Emirati artist Farah Al-Qasimi’s first solo US show set to open

DUBAI: Emirati artist Farah Al-Qasimi’s first solo exhibition at a US institution is set to open on July 30 at the MIT List Visual Arts Center in Cambridge, Massachusetts.

Working in photography, video, and performance, Al-Qasimi’s work explores themes of gender, nationality and class. Her photographs subvert ingrained expectations of how images are constructed and understood and she is known for borrowing conventions from various sources, including documentary photography and Renaissance paintings.

Um Al Naar (Mother of Fire) (still), 2019. (Supplied)

Camouflage and concealment play a central role in the artist’s work. In a recent series of portraits, Al-Qasimi obscures the faces of her subjects while capturing intimate images, despite the lack of a clear, engaging face. Various compositional strategies hide identifying features — behind plumes of smoke, a well-placed hand, or sumptuously patterned textiles and drapery — while she still manages to accentuate the opulent interiors her subjects inhabit.

Alongside a group of recent photographs, the exhibition will include a screening of Al-Qasimi’s new film, “Um Al Naar (Mother of Fire)” (2019), which was recently unveiled at Art Basel Statements.

M Napping on Carpet, 2016. (Supplied)

The 40-minute video is structured like a television documentary following a jinn — a ghost-like entity in Islamic tradition. Delivering a confessional, reality TV-style monologue, the jinn appears on camera beneath a patterned sheet. The video interweaves her thoughts on centuries of Portuguese and British colonial meddling in the modern-day emirate of Ras Al-Khaimah in the UAE. The video also explores the influence of the European presence in the region and the use of Euro-centric practices for the display of historical artifacts.

Curated by Henriette Huldisch, the director of exhibitions at the MIT List Visual Arts Center, the exhibition marks the first time Al-Qasimi’s work has been shown in a solo exhibition in the US — it is set to wrap up on Oct. 20.  

The artist lives and works between New York and Dubai and has seen her work exhibited in The Third Line gallery in Dubai, Jameel Arts Centre in Dubai and the San Francisco Arts Commission, among other locations.

Al-Qasimi received her MFA from the Yale School of Art and has participated in residencies at the Delfina Foundation in London; the Skowhegan School of Painting and Sculpture in Maine; and is a recipient of the New York NADA Artadia Prize and the Aaron Siskind Individual Photographer’s Fellowship.