Film review: An imaginative approach to capturing tension on screen

Haylie Niemann in 'The Wedding Singer’s Daughter.' (Photo supplied)
Updated 08 September 2018
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Film review: An imaginative approach to capturing tension on screen

VENICE: Long before Saudi Arabia reopened its cinemas earlier this year, Haifaa Al-Mansour had made her first movie, “Wadjda,” which premiered at the 2012 Venice film festival.
Al-Mansour had told me then that her entire directorial exercise had been a real struggle: She had to sit inside a van and shout her instructions through a microphone. The movie suffered, but when she premiered “Mary Shelly” in 2017, the progress was for all to see.
Her latest outing is “The Wedding Singer’s Daughter,” a short film that screened at the 75th edition of the Venice film festival last week. The film is a neat work of art and features a girl who saves her mother from embarrassment during a traditional Saudi wedding.
Here, much like her first film’s young protagonist, a child (played by Haylie Neimann) becomes a hero when she gets up on a table to fix a microphone so her mother (played by Saudi singer Rotana Tarabzouni) can continue singing.
Neimann is a natural and acts with her eyes, something that is very rare these days. It is clear that Al-Mansour’s attention was totally on the little girl, which is not a bad thing, but maybe a bit more camera time for the singer could have balanced out the work a little more evenly.
Although it is understandable that priorities must be chosen in such a short film — this one runs for about eight minutes — a little more creativity in the editing room could have made the feature a more satisfying watch.
The film captures the essence of society, with Al-Mansour publicly stating that “weddings are the actual mirror of the society in Saudi Arabia: Segregated, fragmented, along gender and class.
“I wanted to tell the story of those people and capture that tenderness,” she added.
And that she does with finesse. We see how the daughter ignores the scornful barbs of guests at the wedding and uses her imagination, like an independent movie director, to fix the power problem.
In the process, with one simple act, Al-Mansour once again creates an unlikely heroine.


Kyrgyz singer receives death threats over feminist video

Updated 31 min 57 sec ago
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Kyrgyz singer receives death threats over feminist video

  • Zere Asylbek’s music video ‘Kyz’ became a sensation in the Central Asian country following its release last week
  • In the video Asylbek sings that ‘a time will come when nobody will tell me: Don’t wear it, don’t do it’

BISHKEK, Kyrgyzstan: A 19-year-old singer in Kyrgyzstan has filed a complaint with police after receiving death threats over a music video she released targeting gender discrimination in the ex-Soviet republic.
Zere Asylbek’s music video “Kyz” became a sensation in the Central Asian country following its release last week but has angered conservatives who say it insults national values, focusing on the singer’s visible underwear.
Asylbek said that she had filed reports with police in the capital Bishkek after receiving numerous threats of physical violence including several death threats.
One threat posted by an anonymous Facebook profile to a group on the social media platform threatened to kill her if the video was not deleted.
Another user whose post Asylbek sent as a screenshot to AFP wrote that they “would gladly join” the first commentator, and “rip your head off.”
“Kyz,” which means girl in the Kyrgyz language had had more than 217,000 views on YouTube by Friday and is Asylbek’s first released song.
Asylbek said on Thursday that the video’s main message was to “respect the person you really are” while also “respecting the choices, opinions and ways of life of others.”
The video features Asylbek dressed in a suit jacket and skirt with a purple bra underneath, a woman wearing a hijab, a woman wearing a Kyrgzy-style headscarf and a woman with a partly shaved head, showing Kyrgyz society’s diversity.
In the video Asylbek sings that “a time will come when nobody will tell me: Don’t wear it, don’t do it.”
She also calls on the other women featured in the clip to “join me, create our own freedom.”
Asylbek said that she had expected her choice of different women representing different facets of society to be understood as provocative but was surprised at the online attention devoted to her purple bra.
In a Facebook post her father Asylbek Zhoodonbekov voiced support, calling his daughter “a free-thinking daughter of a free Kyrgyzstan.”
He said she had grown more politically conscious after a recent incident in which a man killed a young woman in a police station after attempting to abduct her for a forced marriage.
The murder in May sparked protests in Kyrgyzstan, a poor, majority-Muslim country where thousands of women are kidnapped for marriage every year in a practice dating back to the country’s nomadic past while law enforcement is accused of ignoring the problem.