Film review: An imaginative approach to capturing tension on screen

Haylie Niemann in 'The Wedding Singer’s Daughter.' (Photo supplied)
Updated 08 September 2018

Film review: An imaginative approach to capturing tension on screen

VENICE: Long before Saudi Arabia reopened its cinemas earlier this year, Haifaa Al-Mansour had made her first movie, “Wadjda,” which premiered at the 2012 Venice film festival.
Al-Mansour had told me then that her entire directorial exercise had been a real struggle: She had to sit inside a van and shout her instructions through a microphone. The movie suffered, but when she premiered “Mary Shelly” in 2017, the progress was for all to see.
Her latest outing is “The Wedding Singer’s Daughter,” a short film that screened at the 75th edition of the Venice film festival last week. The film is a neat work of art and features a girl who saves her mother from embarrassment during a traditional Saudi wedding.
Here, much like her first film’s young protagonist, a child (played by Haylie Neimann) becomes a hero when she gets up on a table to fix a microphone so her mother (played by Saudi singer Rotana Tarabzouni) can continue singing.
Neimann is a natural and acts with her eyes, something that is very rare these days. It is clear that Al-Mansour’s attention was totally on the little girl, which is not a bad thing, but maybe a bit more camera time for the singer could have balanced out the work a little more evenly.
Although it is understandable that priorities must be chosen in such a short film — this one runs for about eight minutes — a little more creativity in the editing room could have made the feature a more satisfying watch.
The film captures the essence of society, with Al-Mansour publicly stating that “weddings are the actual mirror of the society in Saudi Arabia: Segregated, fragmented, along gender and class.
“I wanted to tell the story of those people and capture that tenderness,” she added.
And that she does with finesse. We see how the daughter ignores the scornful barbs of guests at the wedding and uses her imagination, like an independent movie director, to fix the power problem.
In the process, with one simple act, Al-Mansour once again creates an unlikely heroine.

BTS’s agency apologizes over K-Pop band member’s A-bomb shirt

Updated 14 November 2018

BTS’s agency apologizes over K-Pop band member’s A-bomb shirt

SEOUL, South Korea: The agency for K-pop superstars BTS apologized Wednesday for members wearing a T-shirt depicting the explosion of an atomic bomb and a hat with a Nazi emblem.

Japanese TV broadcasters recently canceled planned appearances in that country after images went viral of the musician wearing the shirt. The South Korean band ran into more trouble after news surfaced that another member wore a hat featuring a Nazi symbol in a magazine photo book and band members flew flags with what appeared to be the Nazi swastika during a past concert.

“We would like to again offer our sincerest apologies to anyone who has suffered pain, distress and discomfort due to our shortcomings and oversight in ensuring that these matters receive our most careful attention,” the band’s agency, the Big Hit Entertainment, said in a statement

The T-shirt portrayed an atomic bombing juxtaposed with the celebration of Korea’s 1945 liberation from Japan at the end of the World War II. The United States dropped atomic bombs on the Japanese cities of Hiroshima and Nagasaki before Tokyo’s surrender.

Before its division into North and South Korea after the liberation, the Korean Peninsula was colonized by Japan from 1910-1945. Many in both Koreas still harbor strong resentment against the Japanese colonial masters. But in South Korea, it’s extremely rare for anyone to publicly celebrate or mock the atomic bombings.

BTS’s agency said the A-bomb shirt’s wearing was “in no way intentional” and that it wasn’t designed to “injure or make light of those affected by the use of atomic weapons.” It said it still apologizes for “failing to take the precautions that could have prevented the wearing of such clothing by our artist.”

Regarding the hat furor, it said all apparel and accessories used for the photo book were provided by a media company involved in its publication. It said the flags in question were aimed at symbolizing South Korea’s restrictively uniform and authoritarian educational systems, not Nazism.

“We will carefully examine and review not only these issues but all activities involving Big Hit and our artists based on a firm understanding of diverse social, historical and cultural considerations to ensure that we never cause any injury, pain or distress to anyone,” the agency statement said.

The seven-member band, which has worldwide following, was the first South Korean artists in May to top the Billboard 200 albums chart with “Love Yourself: Tear.” The band began its Japan tour earlier this week.

South Korean K-pop and movie stars are extremely popular in Japan and other Asian countries.