What We Are Reading Today: Greek Art and Aesthetics in the Fourth Century B.C.

Updated 10 September 2018
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What We Are Reading Today: Greek Art and Aesthetics in the Fourth Century B.C.

  • The nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles

AUTHOR: William A. P. Childs

Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing an in-depth analysis of and commentary on many of its most notable examples of sculpture and painting.
Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century.
As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods.


What’s in a street name? A Cairo guidebook explains

Updated 26 September 2018
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What’s in a street name? A Cairo guidebook explains

  • This guidebook is anything but ordinary
  • A visit to Cairo is a trip through the ages

BEIRUT: Cairo, sometimes called the City of a Thousand Minarets or Mother of the World, has grown into a megalopolis unlike any other. A visit to Cairo is a trip through the ages — from the immutable pyramids to the humongous medieval open mall in Khan Al-Khalili and right up to the 19th century under the rule of Ismail Pasha, the khedive of Egypt and Sudan. He stressed the importance of urban planning and transformed Downtown Cairo into a bastion of fashion and elegance known as “Paris on the Nile.”
This “Field Guide to the Street Names of Central Cairo,” by Humphrey Davies and Lesley Lababidi, may seem like a typical guidebook, yet it is anything but ordinary. The authors’ singular passion for Cairo provided them with the inspiration and resilience to uncover the truth behind the frequent renaming of the city streets and the plethora or absence of street signs.
“Street signs are missing, or damaged, or concealed behind storefronts. More remarkably, signs bearing different names sometimes appear on the same street. This may be due partly to the fact that signs can be ordered by private citizens from specialized hardware stores,” write Humphrey and Lababidi.
Tourists will, without a doubt, find this handbook terribly useful as they roam through Central Cairo across the picturesque Zamalek, Garden City or Munira. However, this guide has been written especially for the true, unconditional lovers of Cairo.
Not everyone loves this city, and not anyone can love this city. To love Cairo is to see the unseen. To love Cairo is to grasp that intangible and elusive quality of time, where the past drifts into the present and the present lingers in the past.
In the ever-changing light of the day, between past, present and future, this multi-layered city gives you a glimpse of eternity. This precious little book rekindles memories and brings to life the forgotten streets, lanes, alleys and passageways of Central Cairo.