Robert Redford bids farewell to acting with throwback crime caper

Actor Robert Redford arrives for the international premiere of The Old Man & the Gun at the Toronto International Film Festival (TIFF) in Toronto, Canada, September 10, 2018. (Reuters)
Updated 11 September 2018
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Robert Redford bids farewell to acting with throwback crime caper

  • Redford, 81, plays a charming, real-life bank robber who was caught 17 times during the course of a 60 year crime career
  • Movies like “All the President’s Men,” “The Sting” and “Out of Africa” turned Redford into one of the biggest stars of the 1970s and 1980s

TORONTO: Robert Redford bowed out on Monday from a 50-year acting career, calling what he has said will be his final movie “a wonderful film to go out on.”
The Toronto Film Festival audience erupted with applause after the screening of comedy caper “The Old Man & the Gun” in which Redford, 81, plays a charming, real-life bank robber who was caught 17 times during the course of a 60 year crime career but who managed to escape from jail every time.
“I’ve always been attracted with the idea of outlaws since I was a kid and I played that out in my work a lot, so this just followed suit,” the “Butch Cassidy and the Sundance Kid” star said.
“It’s just an upbeat film. It’s a true story. It’s a wonderful film to go out on,” he said.
Redford said last month that he would retire from acting after the release of “The Old Man & the Gun.” He has said he wants to spend more time on art — his first love — and plans to continue directing.
Movies like “All the President’s Men,” “The Sting” and “Out of Africa” turned Redford into one of the biggest stars of the 1970s and 1980s but despite winning a directing Oscar for “Ordinary People” in 1980, he has never won an Academy Award for acting.
Director David Lowery said “The Old Man & the Gun” was “a spiritual successor” to the movies that made Redford a star and that he shot the movie in the style of 1970s crime films.
Asked to sum up Redford’s appeal, Lowery said that the actor’s voice and face on camera had a quality that “can captivate you like nothing else.”
“He has it and very few people do,” Lowery said.
“The Old Man & the Gun,” which also stars Sissy Spacek, Danny Glover and Casey Affleck, opens in US movie theaters on Sept. 28.


Crazy in love? Meet the Japanese man ‘married’ to a hologram

Updated 12 November 2018
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Crazy in love? Meet the Japanese man ‘married’ to a hologram

  • Around 40 guests watched as he tied the knot with Miku, present in the form of a cat-sized stuffed doll
  • ‘I’m not seeking these in real women. It’s impossible’

TOKYO: Akihiko Kondo’s mother refused an invitation to her only son’s wedding in Tokyo this month, but perhaps that isn’t such a surprise: he was marrying a hologram.
“For mother, it wasn’t something to celebrate,” said the soft-spoken 35-year-old, whose “bride” is a virtual reality singer named Hatsune Miku.
In fact, none of Kondo’s relatives attended his wedding to Miku — an animated 16-year-old with saucer eyes and lengthy aquamarine pigtails — but that didn’t stop him from spending two million yen ($17,600) on a formal ceremony at a Tokyo hall.
Around 40 guests watched as he tied the knot with Miku, present in the form of a cat-sized stuffed doll.
“I never cheated on her, I’ve always been in love with Miku-san,” he said, using a honorific that is commonly employed in Japan, even by friends.
“I’ve been thinking about her every day,” he said a week after the wedding.
Since March, Kondo has been living with a moving, talking hologram of Miku that floats in a $2,800 desktop device.
“I’m in love with the whole concept of Hatsune Miku but I got married to the Miku of my house,” he said, looking at the blue image glowing in a capsule.
He considers himself an ordinary married man — his holographic wife wakes him up each morning and sends him off to his job as an administrator at a school.
In the evening, when he tells her by cellphone that he’s coming home, she turns on the lights. Later, she tells him when it’s time to go to bed.
He sleeps alongside the doll version of her that attended the wedding, complete with a wedding ring that fits around her left wrist.
Kondo’s marriage might not have any legal standing, but that doesn’t bother him. He even took his Miku doll to a jewelry shop to get the ring.
And Gatebox, the company that produces the hologram device featuring Miku, has issued a “marriage certificate,” which certifies that a human and a virtual character have wed “beyond dimensions.”
Kondo’s not alone either: he says Gatebox has issued more than 3,700 certificates for “cross-dimension” marriages and some people have sent him supportive messages.
“There must be some people who can’t come forward and say they want to hold a wedding. I want to give them a supportive push,” he says.
Kondo’s path to Miku came after difficult encounters with women as an anime-mad teenager.
“Girls would say ‘Drop dead, creepy otaku!’,” he recalled, using a Japanese term for geeks that can carry a negative connotation.
As he got older, he says a woman at a previous workplace bullied him into a nervous breakdown and he became determined never to marry.
In Japan, that wouldn’t be entirely unusual nowadays. While in 1980, only one in 50 men had never married by the age of 50, that figure is now one in four.
But eventually Kondo realized he had been in love with Miku for more than a decade and decided to marry her.
“Miku-san is the woman I love a lot and also the one who saved me,” he said.
And while Kondo says he is happy to be friends with a “3D woman,” he has no interest in romance with one, no matter how much his mother pushes for it.
Two-dimensional characters can’t cheat, age or die, he points out.
“I’m not seeking these in real women. It’s impossible.”
Even in a country obsessed with anime, Kondo’s wedding shocked many. But he wants to be recognized as a “sexual minority” who can’t imagine dating a flesh-and-blood woman.
“It’s simply not right, it’s as if you were trying to talk a gay man into dating a woman, or a lesbian into a relationship with a man.”
“Diversity in society has been long called for,” he added.
“It won’t necessarily make you happy to be bound to the ‘template’ of happiness in which a man and woman marry and bear children.”
“I believe we must consider all kinds of love and all kinds of happiness.”