‘Soni:’ A placid attempt at highlighting violence against women

The horrific case of Nirbhaya brought into sharp focus the crimes against women in Delhi. (Screen shot)
Updated 12 September 2018
0

‘Soni:’ A placid attempt at highlighting violence against women

VENICE: The horrific case of Nirbhaya — a young medical intern who was raped on a moving bus in 2012 — brought into sharp focus the crimes against women in Delhi. Ivan Ayr’s “Soni” plays on its after-effects as two female police officers show us what it takes to keep the streets of the city safe at night.

Screened at the Venice film festival, “Soni” is a no-nonsense movie about a young policewoman by the same name (Geetika Vidya Ohlyan) and her boss, Kalpana (Saloni Batra). Together, they scout the streets of Delhi to prevent rape and other acts against women. In a highly male-dominated, patriarchal society, theirs is no easy task.

Ayr’s narrative relies on the simple complexities of a young female cop whose married life is in shambles, but whose passion and dedication toward her profession continues to remain strong.

And while “Soni” could have succumbed to exaggerations and unnecessary dramatic turns, Ayr stops himself short of falling into this trap.

That doesn’t mean the movie is not flawed in any way. The protagonist has a mercurial temper and is not forgiving. When her estranged husband arrives home to surprise her, Soni is cold, distant and hostile even as he begs her for a second chance.

Outside the home, her temper gets her into a slew of troubles. In one of the early scenes of the film, as she cycles through Delhi on a cold night, she is harassed by a man. Something snaps in her, and, in a fit of rage, she unleashes her wrath on him, eventually landing him in hospital. The incident puts Kalpana to shame, forcing her to question whether Soni needed to “have hit him so hard that he had to be rushed to hospital.”

Ayr walks us through several such confrontationist situations, where Kalpana is at her wit’s end trying to help Soni curb her temper.

But even that does little to temper the film — while it has its emotional high points, it runs a mostly placid course otherwise.


‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

Updated 19 April 2019
0

‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

  • National Museum in Riyadh hosts digital show that tells the story of Mosul, Palmyra, Aleppo and Leptis Magna

JEDDAH: An exhibition that uses digital technology to revive the region’s ancient sites and civilizations that have been destroyed or are under threat due to conflict and terrorism opened at the National Museum in Riyadh on April 18.

“Age-Old Cities” tells the story of four historically significant cities that have been devastated by violence: Mosul in Iraq, Palmyra and Aleppo in Syria, and Leptis Magna in Libya. 

Using stunning giant-screen projections, virtual reality, archival documents and images, and video testimonials from inhabitants of the affected sites, the immersive exhibition transports visitors back in time and presents the cities as they were in their prime. 

It charts their journey from the origins of their ancient civilizations to their modern-day state, and presents plans for their restoration and repair. 

The exhibition has been organized by the Ministry of Culture in collaboration with the Institut du Monde Arabe in Paris. Riyadh is the first stop outside the French capital on the exhibition’s global tour. 

The exhibition follows last month’s unveiling of the Kingdom’s new cultural vision, which included the announcement of several initiatives, including a new residency scheme for international artists to practice in the Kingdom and the establishment of the Red Sea International Film Festival. 

Prince Badr bin Abdullah bin Farhan Al-Saud, minister of culture, said: “I am delighted to welcome the ‘Age-Old Cities’ exhibition to Riyadh. 

“It highlights the importance of heritage preservation, particularly here in the Middle East, and the vulnerability of some of our historic sites. 

“It must be the responsibility of governments to put an end to this damage and neglect, and to put heritage at the heart of action, investment, and policy.

“I will be encouraging my fellow members of government to attend this eye-opening exhibition in our National Museum, and hope to work in the future with partners, governments and experts to do what we can to secure our region’s heritage.”

The exhibition carries a significant message about the importance of preserving and protecting these precious but fragile sites — one which resonates strongly in the week when one of the world’s most-famous heritage sites, Paris’ Notre-Dame Cathedral, went up in flames.