What We Are Reading Today: Ottoman Baroque by Ünver Rüstem

Updated 16 October 2018
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What We Are Reading Today: Ottoman Baroque by Ünver Rüstem

  • Ünver Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s 18th-century buildings to other traditions of the period

With its idiosyncratic yet unmistakable adaptation of European Baroque models, the 18th-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. 

In Ottoman Baroque — the first English-language book on the topic — Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously co-opted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital.

Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s 18th-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. 

Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.

Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

 


Lebanese designers take over Los Angeles awards show... again

Updated 20 November 2018
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Lebanese designers take over Los Angeles awards show... again

DUBAI: The red carpet at the annual Governors Awards in Hollywood was awash with Middle Eastern gowns as the likes of Rashida Jones, Michelle Yeoh and Lily Collins chose to wear creations by Lebanese designers — proving that the region’s fashion stars are as popular as ever with the who’s who of the film industry.
British-American actress Collins, who starred in 2017’s “To the Bone,” chose a gown by Georges Chakra, with a sparkling purple skirt and off-the-shoulder black bodice for Sunday night’s event in Los Angeles.

(AFP)


Meanwhile, “Parks and Recreation” actress Jones went for a sunset orange kaftan with a peek-a-boo cut out and silver detailing at the neckline by Reem Acra.

(AFP)


For her part, Yeoh, who starred in blockbuster hit “Crazy Rich Asians,” wore an ice blue, figure-hugging gown by Elie Saab, complete with cutouts on the heavily beaded bodice.

(AFP)


The event honoring the careers of film industry legends Tyson, Levy and composer Lalo Schifrin brought some of Hollywood’s biggest names — Oprah, Tom Hanks, Steven Spielberg, Quincy Jones, Harrison Ford and Clint Eastwood among them — to the Ray Dolby Ballroom in the heart of Hollywood to reminisce, laugh and schmooze without the pressure, as Hanks said, of “being nervous about who is going to win.”
The Governors Awards celebrate the careers of a few entertainment veterans who have not yet won an Academy Award by bestowing them with an honorary Oscar statuette. Recipients are voted on by the board of governors of the Academy of Motion Picture Arts and Sciences.
For the 93-year-old Tyson, it was a half lifetime coming. It had been 45 years since her first and only nomination, for “Sounder” in 1972.
“This is a culmination of all those years of haves and have nots,” Tyson said, noting that she’ll be turning 94 next month.
The private, untelevised dinner gala at the Hollywood & Highland complex has also become an important stop on the campaign trail to the Academy Awards for some of the year’s awards hopefuls, making the event one of the most star-studded of the season. In a spin around the room, The Associated Press saw Nicole Kidman chatting with “First Man” director Damien Chazelle, Disney CEO Bob Iger leaving his seat next to Ford to meet Lady Gaga, “Eighth Grade” director Bo Burnham and “Roma” director Alfonso Cuaron deep in conversation, Hanks and Rita Wilson stopping to greet Melissa McCarthy, John Krasinski and Emily Blunt saying hello to Hilary Swank, the cast of “Black Panther” posing for a photo with Marvel chief Kevin Feige and Lin-Manuel Miranda hanging out with the “Crazy Rich Asians” cast and, later, Jonah Hill.
But all turned their full attention to the stage and the titans being honored when the time came. For while the event may be in its 10th year, and the honorary Oscar itself in its 60th, there was still room for a few firsts. Levy became the first member of the public relations branch of the film academy to win an honorary Oscar, while Kennedy became the first woman to win the prestigious Irving G. Thalberg Memorial award — an honor that she shared with her husband and partner Marshall.