What We Are Reading Today: The Proof and the Pudding by Jim Henle

Updated 21 October 2018
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What We Are Reading Today: The Proof and the Pudding by Jim Henle

  • Pleasurable and lighthearted, The Proof and the Pudding is a feast for the intellect as well as the palate

Tie on your apron and step into Jim Henle’s kitchen as he demonstrates how two equally savory pursuits — cooking and mathematics — have more in common than you realize. A tasty dish for gourmets of popular math, The Proof and the Pudding offers a witty and flavorful blend of mathematical treats and gastronomic delights that reveal how life in the mathematical world is tantalizingly similar to life in the kitchen.

Take a tricky Sudoku puzzle and a cake that fell. Henle shows you that the best way to deal with cooking disasters is also the best way to solve math problems. Or take an L-shaped billiard table and a sudden desire for Italian potstickers. He explains how preferring geometry over algebra (or algebra over geometry) is just like preferring a California roll to chicken tikka masala. Do you want to know why playfulness is rampant in math and cooking? Or how to turn stinky cheese into an awesome ice cream treat? It’s all here: original math and original recipes plus the mathematical equivalents of vegetarianism, Asian fusion, and celebrity chefs.

Pleasurable and lighthearted, The Proof and the Pudding is a feast for the intellect as well as the palate. Jim Henle is the Myra M. Sampson Professor of Mathematics and Statistics at Smith College. His books include Sweet Reason: A Field Guide to Modern Logic and Calculus: The Language of Change. He lives in Northampton, Massachusetts.


Opening the door to Middle Eastern designers at Dubai Design Week

Updated 30 min 56 sec ago
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Opening the door to Middle Eastern designers at Dubai Design Week

  • This year, five pavilions from Amman, Beirut, Dubai, the Eastern Provinces of KSA and Kuwait City are showing off
  • The Abwab exhibit is just one thought-provoking, Instagram-worthy part of Dubai Design Week

DUBAI: Named after the Arabic word for “doors,” Abwab is an annual exhibition at Dubai Design Week, a creative fair that runs until Nov. 17.

This year, five pavilions from Amman, Beirut, Dubai, the Eastern Provinces of KSA and Kuwait City are showing off their artistic innovations in Dubai Design District, where the event is based.

Two designers were invited from each place to collaborate and produce works related to the theme “Between the Lines.”

The creations are housed in five pavilions at the heart of Dubai Design District, made up of red twigs and newspaper pulp and designed by the firm Architecture + Other Things.

Visitors crowded around the pavilions at the opening of the fair on Tuesday and explored the five spaces with their unique, sometimes perplexing, offerings.

Amman‘s pavilion at the Abwab exhibit is called “Duwar,” roundabout in Arabic, and is described as a representation of the cycle between chaos and order. The exhibit is a walk-through piece featuring moving images on boards suspended from the low ceiling of the circular space. Visitors are encouraged to walk through the dark circular corridor and take in the constantly flashing imagery above them in the piece that was created by multidisciplinary designer Hashem Joucka and architect Basel Naouri.

Beirut’s contribution to the Abwab exhibit is called “Beirut Fillers” and features a series of suspended words in a constructed sensorial environment, complete with audio recordings of the words “euhhh,” “halla2,” “enno” and “fa,” all of which are linguistic fillers commonly heard in Beiruti conversation.  

For its part, the Eastern Province of Saudi Arabia is showcasing a fascinating piece of work called “The Sound of the East Coast” that pays homage to the tradition of pearl diving in the area with shaking, jelly-like bowls. The installation even features audio recordings of the traditional song “El Yamal,” often chanted to keep the divers motivated.

While Kuwait City’s offering, called “Desert Cast,” uses locally sourced materials and production methods to explore the idea of identity in the country, Dubai’s piece at the exhibit is called “Thulathi: Threefold” and is marked by a protruding triangular section that breaks the natural form of the rounded pavilion. Each corner of the triangle opens slightly through apertures, revealing video projections and silhouette cutouts.

The Abwab exhibit is just one thought-provoking, Instagram-worthy part of Dubai Design Week, an event that boasts workshops, exhibits and a trade fair.