FII delegates pay tribute to Khashoggi, say ‘terrible act not part of our DNA’

Speakers at the FII on Tuesday tackled the Khashoggi issue head-on, calling the death “abhorrent” and promising justice. (AP)
Updated 24 October 2018
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FII delegates pay tribute to Khashoggi, say ‘terrible act not part of our DNA’

RIYADH: Speakers at the Future Investment Initiative (FII) in Riyadh did not shy away from addressing what could otherwise have been the elephant in the room: The death of Jamal Khashoggi.
Numerous speakers had pulled out of the event over the death of the Saudi journalist in the Kingdom’s consulate in Istanbul on Oct. 2. Khashoggi’s death was the result of a “rogue operation” by people acting beyond the scope of Saudi authorities, Foreign Minister Adel Al-Jubeir said on Sunday.
Many speakers due to attend the FII — mostly those from Western organizations — had pulled out due to allegations the Saudi government was complicit in Khashoggi’s death.
But speakers at the FII on Tuesday tackled the issue head-on, calling the death “abhorrent” and promising justice. 
“These are difficult days for us in the Kingdom of Saudi Arabia. We are going through a crisis, of sorts, resulting from the very regrettable and abhorrent incident that took place in Turkey,” Saudi Energy Minister Khalid Al-Falih told the audience.
“Nobody in the Kingdom can justify it or explain it. From the leadership on down, we are very upset about what has happened,” he added. 
“The king has made it clear that there will be an investigation, justice and retribution to those responsible.”
The prominent Saudi business executive Lubna Olayan also remarked on the case, saying that the “terrible acts reported in recent weeks are alien to our culture and DNA.” 
Al-Falih said that, despite the ongoing “crisis” due to the case, the ambitious reforms that Saudi Arabia is undertaking would continue. 
“The Kingdom is in the midst of a historic transformation of unprecedented proportions, and the train has moved, and it has moved deliberately toward a transformation journey that will not be stopped,” he said. 
“Those partners who are here with us today, to continue their journey with us are certainly going to look back and find out how the lessons have been learned from the incident, but at the same time how committed the Kingdom is to its partners who stay the course.”


Innovative Saudi cultural center showcases world-famous ‘The Scream’ artist’s exhibition

Updated 9 min 28 sec ago
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Innovative Saudi cultural center showcases world-famous ‘The Scream’ artist’s exhibition

  • 40 works by Edvard Munch go on display for first time in Middle East

DHAHRAN: A dynamic Saudi cultural center is to showcase the works of one of the world’s most famous painters in an exhibition-first for the Middle East.

Forty pieces by Norwegian artist Edvard Munch, best known for his iconic “The Scream” painting, will go on public display at the King Abdul Aziz Center for World Culture (Ithra).

The special exhibition, titled “Landscapes of the Soul,” is the latest in a series of high-profile cultural events to be staged at the showpiece exhibition in Dhahran.

Developed by Saudi Aramco with the aim of stimulating knowledge, creativity and cross-cultural engagement, Ithra’s theater, museum, exhibition hall and art gallery complex forms a key part of the Kingdom’s Vision 2030 reform plan to promote culture and entertainment.

The Munch exhibition, which runs until Sept. 3, portrays the artist’s personal life experiences of misery, love, despair, loneliness and reflections of the soul, through his distinctive works.

“It is such an honor to host and introduce to Saudi Arabia, and indeed, the Middle East, the work of the world-renowned artist Edvard Munch,” Rania Biltagi, Ithra’s head of communications and partnership, told Arab News.

Munch’s (1863-1944) original exhibition has been located in Oslo, Norway since 1963, and the Saudi display is being staged in Ithra’s Great Hall in partnership with the Munch Museum in Norway.

As well as a lithograph version of his most famous painting “The Scream,” other works on show will include “Summer Night. The Voice,” 1894, “Self-Portrait,” 1895, and “The Sick Child,” 1896.

“A moment that stood out from the opening was when speaking to a couple visiting the exhibit, they mentioned that they were Norwegian and working in Saudi,” Biltagi said. “They explained that they had never had the chance to visit the Munch Museum in their homeland and what an unexpected pleasure it was to be able to see Munch’s work in Saudi.”

Biltagi added that the event epitomized the aim of Ithra in providing a platform to bring together cultures as well as people.

The center, featured in Time magazine’s list of the world’s top 100 places to visit, is a pioneer on the Kingdom’s culture and arts scene, organizing a variety of events, performances, programs and experiences to suit all ages and backgrounds. Previous exhibitions have included a focus on Saudi contemporary art, Leonardo da Vinci, and installations symbolizing creativity and innovation.