TOKYO: Countless movies have tackled extramarital affairs, but Palestinian auteur Muayad Alayan gives the theme a new twist to his second feature outing, “The Reports on Sarah and Saleem.”
Screened at the recent 31st Tokyo International Film Festival, the movie is a heartrending account of the humiliation and harassment an Israeli woman and a Palestinian man face when they are caught having an adulterous relationship. Not by their families, but by intelligence officers, underlining how political rivalries have begun to slip between the sheets. What seems utterly cruel is the kind of punishment the man has to undergo by authorities.
Written by Alayan’s brother, Rami, the first scenes in the film show Sarah (Sivane Kretchner) and Saleem (Adeeb Safadi) in the throes of their love affair. While she is married to an Israeli intelligence officer and runs a cafe, he is a struggling Palestinian delivery boy with a pregnant wife. Sarah and Saleem are complete opposites — geographically and religiously — but meet at night.
During the day, they lead pretty unexciting lives. She has a moody husband in David (Ishai Golan), and he has a sweet wife, Bisa (Miasa Abd Elhadi), who dotes on her husband. Things carry on until Saleem, in an act of sheer bravado, takes Sarah on a trip to Bethlehem.
Alayan gets the best out of his actors and while Kretchner and Safadi are entirely believable as their characters, it is Elhadi who scores top marks as the patient wife whose spirited life slips into darkness when she finds out about her husband’s affair. She conveys her anguish with a touch of brilliance.
Cinematographer Sebastian Bock uses a handheld camera, which provides the right degree of intimacy and lights up his sets imaginatively to convey the contrast between East and West Jerusalem. What feels like a bit of a drag, however, is the legal process that plays out later in the movie, although it does not harm the film as a whole.
Karl Lagerfeld: Looking back at his rise to fame and love of Arabian fashion
Updated 19 February 2019
DUBAI: As tributes pour in from across the fashion world over the death of industry icon Karl Lagerfeld, we take a look at his storied rise to fame, as well as his controversial comments on Middle Eastern migrants and his love of fashion from the region.
The designer died at the age of 85 on Tuesday after he failed to make an appearance at the Chanel show at Paris Couture Week in January, prompting industry insiders to question the state of his health.
Reuters reported that Lagerfeld enjoyed the stature of a deity among mortals in the world of fashion, where he stayed on top for well over half of a century and up to his death, at an age almost nobody apart from himself knew with to-the-day precision.
The German designer was best known for his association with France’s Chanel, dating back to 1983. The brand, the legend now goes, risked becoming the preserve of monied grannies before he arrived, slashing hemlines and adding glitz to the prim tweed suits of what is now one of the world’s most valuable couture houses.
But Lagerfeld, who simultaneously churned out collections for LVMH’s Fendi and his eponymous label — an unheard of feat in fashion — was almost a brand in his own right.
Sporting dark suits, white, pony-tailed hair and tinted sunglasses in his later years that made him instantly recognizable, an irreverent wit was also part of a carefully crafted persona.
“I am like a caricature of myself, and I like that,” runs one legendary quote attributed to him, and often recycled to convey the person he liked to play. “It is like a mask. And for me the Carnival of Venice lasts all year long.”
Tributes pour in
The world’s fashion elite took to social media to pay tribute to the hugely respected designer, with the likes of Victoria Beckham, Donatella Versace and Lilly Allen leading the pack.
Model Gigi Hadid shared a message on Instagram Stories.
His artistic instincts, business acumen and commensurate ego combined to commercially triumphant effect in the rarefied world of high fashion, where he was revered and feared in similar proportions by competitors and top-models.
Lagerfeld was as harsh with his fashion models as he was searingly critical of anyone he considered "not trendy".
He fired his closest female friend, former Chanel model Ines de la Fressange, in 1999 after she agreed to pose as Marianne, France's national symbol, without asking him first.
Occasionally his sharp tongue has stirred controversies, though he also had a flair for a good soundbite.
In 2017, he sparked outrage by evoking the Holocaust in an attack on Chancellor Angela Merkel over her opening of Germany’s borders to migrants.
“One cannot – even if there are decades between them – kill millions of Jews so you can bring millions of their worst enemies in their place,” the 80-year-old Chanel designer told a French TV show.
“I know someone in Germany who took a young Syrian and after four days said: ‘The greatest thing Germany invented was the Holocaust’,” he added.
Middle Eastern inspiration
Despite the abrasive comments, the designer went on to release an Egypt-inspired collection in December 2018 and sent models down the runway in a rich array of Ancient Egypt-themed outfits at New York’s Metropolitan Museum of Art.
Gold shimmered all over the runway, as models strolled past the floodlit temple in everything from gold thigh-high boots to gold brimmed hats to glistening dresses with golden feather adornments, to shoulder-length gold earrings.
It isn’t the only time he has looked to the Middle East for inspiration, however.
The designer made a much-reported-on appearance in Dubai in 2014 when Chanel staged its Cruise collection show in the city.
That collection was inspired by an Orientalist vision of hazy Arabian nights and featured harem pants, ghutra-pattern-inspired coats and diaphanous jumpsuits, along with a heavy use of mosaic-style patterns.
In 2018, he worked with Lebanese architect Aline Asmar D’Amman on the renovation of Paris’s Hôtel de Crillon and, in a win for the Middle Eastern fashion scene, he photographed Bella Hadid for Vogue Arabia’s first September issue in 2017.
In rare moments when he was not working, Lagerfeld retired to one of his many homes in Paris, Germany, Italy or Monaco, all of them lavish carbon copies of 18th-century interiors.