Play depicts Lebanon as building at risk of collapse

Georges Khabbaz, writer, actor and director, performs in the play in Zalka region, east of Beirut, Lebanon Nov. 23, 2018. (Reuters/Jamal Saidi)
Updated 29 November 2018
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Play depicts Lebanon as building at risk of collapse

  • The play "Only If" is intended to portray the country's problems while urging its people to love each other
  • The play comes to the stage at a time when political parties have failed to agree on a new coalition government

BEIRUT: The squabbling residents of a dilapidated building at risk of collapse serve as an allegory for Lebanon's political and religious divisions in a new drama by satirical playwright Georges Khabbaz.
The play "Only If" is intended to portray the country's problems while urging its people to love each other, said Khabbaz, who wrote and directed it as well as acting in it.
"The play talks about a lot of contradictions and struggles in our Lebanese societies, about the sectarian conflicts, the system's conflicts," he said.
Lebanon's 1970-1990 civil war splintered the country along sectarian lines and opened fissures within its Christian and Muslim communities. It still shapes Lebanon's politics.
The play comes to the stage at a time when political parties have failed to agree on a new coalition government more than six months since an election despite pressing economic problems.
"Lebanese people love life and place the will to live above all consideration, but at the same time circumstances come against them - security, economical etcetera," Khabbaz said.
The recent bout of political paralysis has prompted fears of economic crisis. Politicians have cited the urgent need for a government to be formed but have been unable to clinch a final deal.
In Khabbaz's play, the building's inhabitants cannot agree on how to save it.
At one point, it satirises foreign influence in Lebanon with a man trying to buy the building, his efforts supported or opposed in turn by shifting groups among the residents.
"There is nothing else to talk about in Lebanon than these subjects. There is nothing that unites us other than we all love similar things, love to have fun, we love to progress," said Maria Jazra, a pharmacist who was in the audience for a recent performance.
"But unfortunately, in our heads we are still not programmed for progress," she said.


‘Joy’ snags top prize at Marrakesh Film Festival

Sudabeh Mortezai (center) poses with her trophy. (AFP)
Updated 09 December 2018
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‘Joy’ snags top prize at Marrakesh Film Festival

  • Marrakesh’s 17th annual festival was attended by top cinema stars like US director Martin Scorsese and actor Robert de Niro

MARRAKESH: Austrian filmmaker Sudabeh Mortezai’s “Joy,” an unflinching look at migrant sex workers in Europe, won the top prize Saturday at the Marrakesh Film Festival in Morocco.

Italian actress Monica Bellucci presented the trophy for the film, which tells the story of a young Nigerian forced into prostitution in Vienna.

Marrakesh’s 17th annual festival was attended by top cinema stars like US director Martin Scorsese and actor Robert de Niro.

Tunisian Nidhal Saadi won Best Actor for his role in the film “Regarde moi” (Look at me), directed by Nejib Belkhadi.

And German Aenne Schwarz won Best Actress for her role in “Alles is gut” (All is good), directed by Eva Trobish. Tribute evenings honored the careers of visionary French filmmaker Agnes Varda and her co-director, French street artist JR, who teamed up to produce the road documentary “Faces Places.”

The festival also hailed the career of Moroccan filmmaker Jilali Ferhati, whose films were shown in a new “panorama of Moroccan cinema” sidebar.