What We Are Reading Today: The New Ecology

Updated 15 December 2018
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What We Are Reading Today: The New Ecology

Author: Oswald j. schmitz

Our species has transitioned from being one among millions on Earth to the species that is single-handedly transforming the entire planet to suit its own needs.
In order to meet the daunting challenges of environmental sustainability in this epoch of human domination — known as the Anthropocene — ecologists have begun to think differently about the interdependencies between humans and the natural world.
This concise and accessible book provides the best available introduction to what this new ecology is all about — and why it matters more than ever before.
Oswald Schmitz describes how the science of ecology is evolving to provide a better understanding of how human agency is shaping the natural world, often in never-before-seen ways, according to a review in the Princeton University Press website. The new ecology emphasizes the importance of conserving species diversity, because it can offer a portfolio of options to keep our ecosystems resilient in the face of environmental change.


Book Review: Exploring the beauty — and controversy — of Orientalist art

Exploring the beauty and controversy of Orientalist art. (Shutterstock)
Updated 16 January 2019
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Book Review: Exploring the beauty — and controversy — of Orientalist art

BEIRUT: Author James Parry examines the 19th century trend that saw scores of Western artists head to the Middle East in search of inspiration in this beautifully illustrated book.

“Orientalist Lives: Western Artists in the Middle East” looks at the lives and works of the diverse set of artists who traveled across the region and attempted to recreate their observations on canvas.

According to the book, Napoleon’s campaign in Egypt and the eventual publication of a series of documents titled “Description de l’Égypte,” which sought to comprehensively catalog all known aspects of ancient and modern Egypt, starting from 1809, sparked an interest in Egypt and the wider region.

German painter Carl Haag (1820-1915) enthusiastically wrote that for “anyone in search of a new ground of subjects for their pencil, there is only one Cairo and artists ought to see it.”

Scottish painter David Roberts (1796-1864), one of the most famous Orientalist artists, anticipated that there would be a market in Europe for drawings and watercolors representing the street scenes, rich architecture and bountiful landscapes of these faraway places. He traveled first to Spain and Morocco and then to Egypt — a journey that made him famous. The success of Roberts’ paintings and lithographs sealed his reputation as one of the most influential Orientalists, even though he only made one trip to the region.

While he may have only undertaken one trip to the Middle East, this book details the lives of other artists who developed a long and intense relationship with a particular region or country. This is the case with Alphonse-Étienne Dinet, a French artist who traveled to North Africa, founded the Société des Peintres Orientalistes (Society for French Orientalist Painters) and even converted to Islam, changing his name to Nasreddine Dinet. He is known for his paintings of the Ouled Naïl tribe of Algeria.

This captivating book goes on to describe the rise and fall of Orientalist art’s popularity and explores the notion that such works are based on caricatures of Arab culture — propagated by Edward Said’s seminal 1978 book, “Orientalism.”

Valuing form over content, Orientalist artists conjured up exquisite images, exceptional detail and vivid emotions with superb technique, giving their paintings an almost photographic quality, and this book will give you insight into their journey east.