Screen Scene: What to watch at home this week

What to watch on Netflix this week. (Shutterstock)
Updated 23 January 2019
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Screen Scene: What to watch at home this week

DUBAI: If you plan on staying in this week, here is what to watch.
The Ted Bundy Tapes
Creator: Joe Berlinger
Where: Netflix 

Berlinger, the documentarian behind “Paradise Lost,” presents a docuseries on the life of the 1970s serial killer Ted Bundy
— “the Jack the Ripper of the United States.” The show features never-before-heard recordings from interviews conducted by two journalists with Bundy in 1980.

The Punisher
Starring: Jon Bernthal, Ebon Moss- Bachrach, Ben Barnes
Where: Netflix
Marvel’s troubled — and lethal — vigilante Frank Castle returns for a second season. This time around, the ex-marine’s quiet life on the road is turned upside-down when he becomes caught up in the attempted murder of a young girl.

Soni
Starring: Geetika Vidya Ohlyan, Saloni Batra
Where: Netflix

Hindi crime drama. Soni and her superintendent, Kalpana, have been tackling violent crimes against women, but their partnership is dissolved when Soni is transferred out for alleged misconduct. Soni’s life is confused further by the return of her estranged husband.

Trigger Warning

Starring: Killer Mike
Where: Netflix

Grammy- winning rapper and activist Michael Render, a.k.a. Killer Mike, investigates social issues and misconceptions in this six-part series. “We explore the human condition using non-traditional approaches,” says Render. “This show is if an anarchist determined the status quo.”

Black Earth Rising

Starring: Michaela Cole, John Goodman
Where: Netflix, from Jan. 25 

Kate Ashby is a legal investigator in London. Her adoptive mother, Eve, takes on a case prosecuting an African militia leader for war crimes, pulling Kate into a dangerous journey.

 


UAE gift helps French palace reopen ‘forgotten theater’

Updated 29 min 44 sec ago
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UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.