Screen Scene: What to watch at home this week

What to watch at home this week. (Shutterstock)
Updated 11 February 2019
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Screen Scene: What to watch at home this week

DUBAI: Planning a night in? Here is what to watch on Netflix this week.

Nailed It! Mexico
Starring: Omar Chaparro, Anna Ruiz
Where: Netflix
Like some kind of anti- ‘Great British Bake-Off,’ ‘Nailed It!’ searches out terrible bakers and then asks them to recreate masterpieces and compete for a $10,000 prize. As the Netflix promo material promises, “It’s part-competition, part hot mess.” Mostly the mess part though.

High Flying Bird
Starring: Andre Holland, Zazie Beetz, Melvin Gregg, Bill Duke
Where: Netflix
Steven Soderbergh directs this sporting drama shot on a smartphone. Holland plays Ray, a basketball agent who’s acquired this year’s number one draft pick — but there’s a pay dispute between players (mostly black) and the NBA (mostly not black) to be negotiated. Guess what saves the day in this Netflix drama? Streaming...

Dirty John
Starring: Eric Bana, Connie Britton
Where: Netflix, from Feb. 14
An adaptation of the Los Angeles Times podcast of the same name, this true-crime thriller anthology is based on the life of con artist — and sociopath — John Meehan and his relationship with businesswoman Debra Newell, which began online.

Patriot Act
Starring: Hasan MinHajj
Where: Netflix, from Feb. 10
The American comedian, and former “Daily Show” contributor, who comes from an Indian Muslim family, hosts this satirical comedy show that aims to “explore the modern cultural and political landscape with depth and sincerity,” according to the press release.

The Umbrella Academy
Starring: Ellen Page, Tom Hopper
Where: Netflix, from Feb. 15
Adapted from award-winning comics, this superhero series follows the fortunes of six now-adult orphans with special powers who were adopted by a billionaire following their apparently miraculous birth on the same day in 1989.

 


Creative group in the UAE gives female artists a chance to tell their story

Jana Ghalayini’s work at Art Dubai invited visitors to draw on their responses.
Updated 25 May 2019
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Creative group in the UAE gives female artists a chance to tell their story

  • Female-led art collective wants society to rethink the way women of color are perceived
  • Banat Collective publishes artworks in print and online and hosts events to encourage debate

DUBAI: Sara bin Safwan founded the Banat Collective in 2016 to connect with other like-minded people, championing
their art through the group’s website, banatcollective.com.
The group aims to help society to rethink the way women of color are perceived by showcasing contemporary art, poetry and other writings. The collective publishes artistic works in print and online and hosts events aimed at spreading awareness and encouraging debate.
“A lot of the artists are young and emerging and never had the chance to be either exhibited or publicized, so we interview them to offer a critical, insightful look at their work,” said Safwan, 25.


Now an assistant curator at Guggenheim Abu Dhabi, Safwan graduated from London’s world-famous Central Saint Martins college in 2015 with a degree in culture, criticism and curation.
It was while studying in Britain that she developed a keen interest in post-colonial theory; the Banat Collective focuses on themes relating to both womanhood and intersectionality, which is an analytic framework to identify how interlocking systems of power impact those most marginalized in society.
“The mission is not only to connect artists but open up discussions about Arab womanhood in the region, because there’s not necessarily any other place to do so. We do that through art, poetry and other writings,” Safwan said.
“I use the word ‘womanhood’ to make it a more accessible term because if I use ‘feminism,’ it’s a very politically charged word that has almost been tainted by Western ideologies. And those Western ideologies don’t necessarily fit within our context as Middle Easterners.”
“In the Middle of it All” is the collective’s debut publication. Released in 2018, the book is a 31-artist collaboration of visual art, writing and poetry. Our book is a means to help us stand out — it’s thoughtfully curated and tackles a specific issue, which is ‘coming of age’,” she says.
“It’s a notion that’s taboo in the Arab world and either unheard of or misunderstood. It was a chance for female artists to tell their own story.
“Throughout the book, we go through many topics such as puberty, identity, sexual harassment and abuse, sisterhood, motherhood, beauty standards and all these other societal expectations.”
The collective held its first exhibition as part of March’s Art Dubai fair, showcasing a short film, “Ivory Stitches & Saviors” by member Sarah Alagroobi, which she describes as an “unflinching glimpse into identity, colonialism and whitewashing.”
Says Safwan: “It’s a tribute to all women of color who have been marginalized and, all too often, erased.”
Another work by Palestinian-Canadian artist Jana Ghalayini is comprised of a 26-meter-long piece of chiffon on which visitors can draw with chalk pastels in response to questions posed by the artist including “How does your environment affect your identity?”
Safwan adds: “The themes we explored were vulnerability and community — it was a way to introduce ourselves in person because previously we only had an online presence.”
Born and raised in the UAE to Honduran and Emirati parents, Safwan is now working with Alagroobi and Ghalayini to brainstorm ideas for future projects that include a podcast series on the notion of shame. The collective is self-funded and run by volunteers.
“I hope there will be more opportunities to showcase our work and collaborate with others. This year, we will be publishing more content,” Safwan said.

This report is being published by Arab News as a partner of The Middle East Exchange, which was launched by the Mohammed bin Rashid Al Maktoum Global Initiatives and the Bill and Melinda Gates Foundation to reflect the vision of the UAE prime minister and ruler of Dubai to explore the possibility of changing the status of the Arab region.